Pure Love ✕ Insult Complex

Kazuki Security Services lent me a minivan for 8 people.

The colour is metallic green.

Well, it's a discreet car for running all over the city.

To the six of us, even if we pick up Meg at school... we can ride at our leisure.

"... Guys, you can sleep. You haven't slept so well since yesterday, have you?

Fastening the driver's seat belt...... Mr. Margo said.

"My lord... in the back row, between Night Michiko and Luna, please"

Tsukiko told me so... but now I wasn't in the mood to sit pinched by a girl.

"In the back, the three of you sit down. I'll do it in front."

"... you can touch me or let me take it off. Sir!"

Night Michiko stretches her chest... and accentuates her proud Lori boobs.

"Luna... before lunch today, I experienced sex in the car! It's so much fun. Look, the car is a spring, Yussa. Yussa, you rock, right? At that time, it was in a car parked in the garage... but when it comes to your sister Misuzu, it seems to be more fun in the car you're running!

... Yep.

"Sister Night Michiko... That sounds fun, but I'll do it again. Now, I think I'm gonna get drunk in the car."

Luna... she seemed to be reading a little of my mind.

Exactly. Car sex here, I don't keep my strength.

I have to talk to Meg seriously after this...

Leave the smell of sex on your body...... Meg gets mucked again if you pick him up in that situation. The story is troublesome.

"That's what we'll do when we get home, slowly this evening..."

I said.

"That's right. The Lord is tired for us… now, let us rest."

That's what Tsukiko said to my sister when she could fully read my mind.

Tsukiko and Luna are waking up to The Power of Yomi, which reads people's minds...

Night Michiko was only developed by The Power of Tsuki... so you're still dull.

Kiyomi is dead...... I guess she's also loose her mind because she no longer needs to fully open up the 'power' she has built up inside of herself to counter it.

"Then in the back row… we will sit. Lord, please relax on the seat in the middle… by yourself"

Let me do that.

"Atashi, because we have surrounding surveillance... here, sir"

Edie will naturally sit in the passenger seat.

In the event of a serious raid...... Margo in the driver's seat is dedicated to moving the car to a safe place......

Edie jumps out of the passenger seat... and will hang restraint on the raider.

"Please, Edie."

"... I'll leave it to you, sir"

Edie smiles.

"Well, I'll be there."

Mr. Margo, hang up the car's engine.

From the hotel's underground car park...... a car runs out.

◇ ◇ ◇

Fortunately...... even out of the hotel, there were no ambushes or tail cars.

Even if the Yakuzas were dissatisfied with the results of this' hand-to-hand '... I'm guessing they're not ready to target and follow us right away.

In the last few days, we have been confronted directly by President Bird and Chairman Satake because the organization has been completely dismantled.

The old men of the heavy town of Kansai Yakuza also... have to dispose of the big birds and the bamboo, which is a promise to Ji first.

The lower organization, which the two ruled... the other Yakuzas would take from each other.

Even if the Yakuzas plan to fight back... after the reorganization of the Yakuza world takes place.

"... hehe, your sisters fell asleep first"

A car running through the city at dusk...... I looked in the car over the mirror and Mr. Margo said.

Looking back at the rear seat...... the Hawkkura three sisters in witch clothes were soooo in their sleep.

Night Michiko, Tsukiko, Luna...... be friendly, keep your bodies together.

"Well, I'm tired sir... I've lost virgin since last night, had sex many times... this morning, I also did plenty of 'power' training, sir. And... you would have been so nervous, Kara."

Yeah... all three of you, you did your best.

Even if Ray was on your side...... next to Ji, it would have been hard to hear the Yakuza's anger and Kiyomi's confession from above.

"... but good for you, sir"

"Oh. That's good... everyone, be free from the Yakuzas..."

From the fate of "The Witch of Hawkkura Shrine," I could take it off...

"That's not all, sir... Darling"

... Edie?

"The best thing about this SISTERS... is that my sisters are getting along, sir"

"... Huh?

"Noka you don't remember? … the Tsukikos were never close sisters when they first met yo"

Ah... I did.

For some reason, my second daughter, Night Seeker, is the most prestigious...

Tsukiko is taking a step back...

Luna was caged inside.

"Now...... friendly sir"

To Edie's words, I see three sisters asleep again.

Yeah. Whatever you think... she's a friendly, beautiful girl and sister in matching clothes.

I feel my sisters are embracing each other...

"This is also the power of Darling, sir. Awesome yo, darling ha"

"... I am"

"I can't believe I didn't do anything, None at all... as long as I'm moving on ha"

Edie... says so.

"Well...... good faith. Hey, can we talk about something else?

From the driver's seat...... says Mr. Margo.

"Yes, please?

... what is it? Change it.

"You... have you ever watched a movie called" The Seven Samurai "? It's not" The Seven in the Wilderness "or" The Seven in the Universe "... of the original Crossawa in the first place."

"… None"

I... answered.

"Well... if you don't want to watch it from yourself, it's a hard movie to watch. They said it was only shown on TV once in Japan. Was it also highly entitlement... frequent commercials, seems to have been a weird edit"

Mr Margo says......

"This is the story. In the days of Japan's old wars... there was a village being attacked by wild samurai... I'm not sure what a wild samurai is, but it looks like the people who gathered samurai without a husband and became like bandits. Because that kind of bad Samurai raids the village many times and takes away food... the peasants in the village are in trouble that they can't do it like this anymore. So... as a result of the discussion, we're going to hire Samurai to exorcise the wild samurai."

A peasant... hire a samurai?

"Well, it's a time of war... there's a lot of samurai like a wanderer without a master. We're going to hire these people as farmers in the village. But the village is scattered, after being vandalized by wild samurai... there's no reward. At best, I promised you I'd feed you hungry rice..."

Ugh... yeah.

"So even under those conditions... we just have to find Samurai with a strong sense of righteousness who wants to help the villagers. So... somehow, I took the seven Samurais back to the village... and it's a story about fighting the Wild Samurai Corps."

... heh.

"... None of those times exist in Japanese history"

Edie... says so.

"Uh... what do you mean?

"Before we could have a system of identity for samurai and agribusiness...... or until a samurai specialized in the military showed up, there is no difference between samurai and peasants, None. For Japan. Especially...... wartime Nara"

"... Until halfway through the Warring States era, people who usually do peasants will be soldiers when it comes to war. There has always been no such thing as a soldier in the Standing Army but war."

That's what Mr. Margo says, too.

"The peasant villages have weapons... and there are many peasants who have gone to battle. There's no way we can keep getting hit unilaterally by a bunch of wild samurai... there's a network of neighboring villages, so a bunch of bandits will crush us all. So it's gonna be a massive mess, isn't it? Kaga has always ruled the country for nearly a hundred years."

"Ning was... unifying" Nobunaga's Yabo "in" Always ", sir."

... Seriously.

"For the most part, a wild samurai... if there are such terrible people out there, the lord there will send out soldiers to suppress them. Because it's a time of war, if there's a group of wild samurai in the realm, there's trouble. I can't believe they're not plowing the land, they're just coming to take it away."

With that said...... right.

But why am I... teaching two Americans about Japanese history?

"And although it's the biggest problem... wild samurai attacking villages and Samurai hired from villages... both are essentially the same thing. My lord is gone... and I have no place to go home. Suspicious people who have no land of their own and rely solely on their arms... wandering the nations. It just so happens that the wild samurai are the ones who are stopping by and attacking the village... roaming around the streets and the seven Samurais who happen to be scouted..."

"But... the seven samurai are the right and righteous ones... the wild samurai are the bad ones, sir. It's clearly color-coded, sir."

"What does this show...... you know?

Margot asks me.

"No, I don't know. There's no way I can tell."

"I mean... the epoch is based on the old days of the past... but the characters in it are portrayed by the feeling of the modern man... when the work was created."

of the modern man...... sensation.

"The film" Seven Samurais "was filmed in… 1988. Still a period of post-war chaos... because after the war in Japan, the economy seems to have improved with more and more right shoulders up, but it's not. Because it's a repeat of a good situation and a recession... in 1928."

"... the Korean War is over, sir"

"That brings the war special needs to an end...... once, there will be a recession. The following year, from 29, came a favorable situation known as the 'Shenbu economy', and 32 years was the 'Pan Bottom Depression' …"

"Up and down... little by little, Japan rebuilt, sir"

Yes, it is.

I mean... Why don't you know about Japan when you're Japanese?

"So... back to the story, the year after" The Seven Samurai "was created, the first" Godzilla "is produced... you know what a metaphor is for something called Godzilla, right?

"... What is Anyu?

I'm sorry...... stupid.

"About Metaphor, sir"

... I don't know more.

"'It's a metaphor that somehow reminds me of the meaning behind it from similarities, rather than showing it obviously as it is'. You know that Godzilla... spits radioactivity in flames, right?

"Oh... is that a metaphor for 'atomic bomb' or something?

If they say so much... I'll know.

"Yes... just when the great powers were repeating atomic bomb experiments on the islands of the Pacific. Godzilla is a metaphor for an atomic bomb. And... one more thing"

Mr Margo says......

"... of the memory of the Tokyo air raid... it's a metaphor"

... Tokyo Air Strike?

"The first Godzilla landed in Tokyo… along Harumi Street, destroying the city of Ginza… it overlaps the area that was burned down during the Tokyo Raid. Besides, Godzilla's advance is... right in front of JR's tracks right now, because it's stopped. From there on out... I haven't been harmed by an air raid. The Sanshin Building existed until just a few years ago."

... heh.

"It's been nearly ten years since the war... but no, it's more because it was that time of year. I guess the memory of Tokyo's great air raid... burned by the overwhelming amount of bombing flames still remained vivid. Bombers dropping incendiary shells from high altitudes... Godzilla spitting flames from her mouth and devastating the city... overlap imaginatively."

... I see.

"And the Seven Samurai... yes. Those samurai... the samurai without their masters and wandering the streets... are the metaphors of the Japanese fathers who came home hello after losing the war."

So, it's a time play... but the character's mood is, modern man.

"Because the ability of a country called Japan to self-govern remains incomplete... at a time when ordinary people felt they could not rely on the government or the police... instead of going to the lords to ask for wild samurai measures, it becomes the story of villagers going to hire righteous samurai themselves. Besides, for fathers returning home after losing the war... fighting for the villagers means gaining a new identity of their own. Because it is linked to the image of" dedicating oneself to rebuilding Japan's devastated post-war land. "

...... identity.

"I mean... from the current point of view, both the wild samurai and the seven samurai... are the samurai of the rascal who lost the same master... from the general society, they are dangerous. The address is indefinite. He's unemployed, armed, and good at combat. But... in an era when" The Seven Samurai "was first released, a wild samurai is... only a" metaphor "of all sorts of evil that strikes the common people. So which of the righteous samurai can I kill? 'That wild samurai may also have parents and children... who may have had no choice but to attack the village' or something like that, no one thinks. of 'Bad Things'... because it's a metaphor"

"Yes, sir. The real warring peasants... had both the power to defend themselves and the force... but the common people of the time when the Seven Samurais were created... they must have felt they had no one to protect them, sir. So... I have no doubt that Samurai will protect me, sir. Before we rely on the rest of Samurai... first of all, we're not willing to fight wild samurai with our weapons, sir."

"Speaking of which... Right. Why? Why?

To my inquiry... is Mr. Margo.

"Again, I'll tell you... neither" Wild Samurai "nor" Samurai "exist in real Japanese history."

"I mean... it's 'being' as a metaphor as an image, sir"

... That.

"..." The Wild Samurai ", the metaphor for" Those Who Do Harm to the Common People "... cannot be killed unless it is" Samurai ", the" metaphor "of" the hearts of those who want to come home from the war and stand up to rebuild their devastated Japan. Because it is only an image as a pure metaphor... if it is not another metaphor that is also a pure image, it cannot be defeated None "

... Ugh, yeah.

"In this case... even the villagers are only metaphors for 'ordinary people anxious about society and government'... because the image is too real as a mood... and you can't fathom 'wild samurai', an image of pure 'evil'"

... I see.

"So..." The Seven Samurai "was, at the time, overwhelmingly accepted by the audience, None. Of course, it's interesting to watch now... but when the Atashi see it with their current eyes, they feel a lot of inconsistencies, sir."

"Even though there are no rewards, 'Samurais' who give up their lives and fight for the people of the village... because they carry the ideals and aspirations of the people of the time. I'm human... but I'm not just human, I'm carrying something positive and alpha. That's... heroic."

"So with the feeling now...... given what the characters say and do and how the story unfolds, you feel inconsistent, sir. The sensibilities of the people who are making it or watching it...... different kara"

Edie says...

"I've been doing a lot of roundabout... but why, I've been thinking about Yakuza for so long"

... Mr. Margo?

"Now, look... a Yakuza movie or something, it's on fire, right? I used to make a lot of them."

"That's... I don't know Atashi, sir"

That's Edie too...... don't you know about the Yakuza movie?

"No...... traditional, yakuza movie stories. In" The Seven Samurais "... samurai the samurai the samurai the samurai the samurai the righteous and the evil" wild samurai "are without the same master... what is the same thing? I mean... there's good yakuza and bad yakuza."

Mr Margo says......

"A good yakuza goes to the bad yakuzas...... thoroughly, badly eyed. Bear with it, bear with it, bear with it... Climax, I'm finally out of luck and a good yakuza goes to a bad yakuza house with a few of my buddies. So, I'm gonna smash all the bad guys. Unlike the drama of normal good and evil things...... the fact that you slaughtered and killed a bad yakuza will end up rewarding the protagonist's good yakuza as well. My buddy dies, I die myself, the police are going to get me into jail... and I'm going to have to break up with my loved ones and get out of the city. That's how it ends tragically… traditional Yakuza movie patterns"

... That's right.

"A good yakuza... why do I have to endure harassment from the bad yakuzas... a good yakuza is a virtue as a yakuza... benevolence though. Love for your peers, loyalty to your parents, code to protect your organization... because that's what you're tied to. So, no matter what... endure to the point of criticism. And when their bad yakuza... finally does something that tramples on the benevolent backbone of a good yakuza... it beats them clean. If you make the point that you will never give up on that... I think it would be Japanese to throw your life away and fight. Other peoples...... because they will be clearer soon"

Mr Margo says......

"I mean, Japanese yakuza had something called" Ideal Yakuza Statue "that was beautifully sublimated... in reality, I guess. So a lot of movies were made featuring something called Yakuza."

Yakuza had... an ideal appearance.

"But... after all, saying that stinks like lying, doesn't it? I can't believe such an ideal yakuza... because there isn't one. Reality yakuza is... betrayal, overhang, that's why it's normal. Instead, it's more interesting to portray Yakuza's realistic appearance full of such vitality... and in the seventies a series called" The Record "will be created. It's a series of films modeled on real Yakuza and real Yakuza."

Not ideal...... reality.

"Of course, even if I say 'record'... it's not a documentary, so the performances are in there. I portrayed a realistic yakuza rather than a real yakuza... or characters and stories that people in the world would believe: 'Yakuza, this is what it feels like'. Funny how its biggest success at the beginning is titled Battle Without Benevolence. In other words, it is a traditional virtue of the Yakuza world... because it proclaims from the beginning that there is no 'benevolence'"

Benevolence…?

"But look... if it's a record, I'm out of stories. In reality, there aren't that many interesting characters and incidents in the movie. So... after what's recorded is popular, the Yakuza movie will go bad again."

"... what happened?

I... asked.

"... the characters began to use" benevolence ", a virtue of Yakuza, and... realistic, anything lawlessness"

… use separately.

"I mean... against the body, the sentiments are thick... against the enemy, the flirtatious. On one side, he's a strong, sweet brother or something, but... on the other, he says, 'What the heck! If you think Yakuza has common sense, you're a big bitch!' to commit atrocities that are ethically unacceptable. Double personality... is going to be the story of the double standard people."

That's what Mr. Margo says.

"That kind of multifaceted... I also had a reputation for being real or human. At first. But as it turns out... since it became the story of those people, the popularity of Yakuza films has declined."

"... Really?

"No, for a time... instead of less work like hanging in the cinema, a lot of work in a video called V Cinema was made... but now it's on fire, isn't it?"

"... not funny Noka?

"It's because... all of a sudden, you're sweet... or vice versa... and as a person, you can get emotional... or you think you look good. I knew it was a traditional Yakuza movie from a long time ago... and the protagonist would be thoughtful. I don't have a brace for the protagonist's thinking and attitude."

Oh... I don't know what a wack it is to be a protagonist whose emotions change corny.

"So now... Yakuza movies are not very good"

"... I see, sir"

Edie... convinced.

"The lesson of Margo's story today is... even if it doesn't actually exist, an idealized and beautiful form... that something like the idea of 'benevolence' was important in the Yakuza world, Nanoka?

of 'benevolence' … Thoughts.

"I think so. Worldwide… criminal organizations are many. Even at this moment... somewhere in the world, a new criminal organization is being formed. You don't have a choice, do you? Some humans can't live without committing a crime."

Mr. Margo says...... so.

"But... criminal organisations that do not have the 'ideology' shared by the constituents of the organisation will soon be destroyed. This is true. Betrayal, snitching... that's how it crumbles quickly. The big criminal organizations known all over the world... whether they're mafias, camouflages, or Jewish gangs... they all have their own 'codes'... because they hold onto their ideas."

"Ah... in America, Sicilian immigrants are in the mafia... gangs are other things, sir"

Edie gave me an annotation.

"Of course, Yakuza in Japan has also listed the ideal of benevolence as the ideal of the organization… I think there has been a development since Meiji. I have the idea of respecting my brother-in-law, my love and my loyalty above all else..."

"That's... crumbling?

"I think so. Because a movie is a mirror that reflects the ideas of the times. The movie will never... completely cut off the reality of the time it was taken. That's where the producers come in. Rather, rather than reality… show what ideas existed in those days."

As in the example of "The Seven Samurai"......

"Even in the era of traditional 'benevolent' Yakuza films... the strict observance of benevolence was not respected in the real world Yakuza world. That was actually there by then...... as evidenced by numerous cases of protest. But... the massive number of films of the protagonists defending the ideal 'benevolence' in that era... whatever the reality, the human being at the time felt beauty in something called 'benevolence'. If there is a beautiful image that serves as an ideal model...... no matter how dirty reality is, people can live with beautiful ideas. Once upon a time people could feel beauty against an antisocial existence called Yakuza. I think that would have made me proud of the real Yakuza..."

"Now Yakuza... Noka that you can't live like that?

To Edie's words... Mr. Margo...

"Yeah. Can those people right now... feel proud of what they're doing?

... pride.

"But if you're just going up with your powers... now you see... the black company is more yakuza. Rather than be tied to the ancient traditions of the Yakuza world or the smugness... you just have to do the business of breaking the law sleuth. I don't mean to be a yakuza."

That's... right.

"I mean, you don't know what it's like to go into the Yakuza world... and be successful, do you? to a successful yakuza...... will the youngsters feel 'beauty'? If you're wearing a luxury brand suit and riding an outside car... it's faster to start a black company or something and succeed, right? I think Yakuza can only dictate about Mr. Hostess at best... but if he's the president of a black company, he's going to dictate about idols and stuff..."

"I see... I have no dreams, None"

Edie snorts...

"The Yakuza world in Japan... probably will change in the next decade. Still, the old...... great organizational strength is still there, but it will fade a little in the future. I just have to fade away. That's because... in the world of Yakuza, the 'ideas' and 'dreams' that feel beautiful are gone. That's why Kazuki... started cutting the Yakuza world apart."

...... Ji.

"Today's 'hand-to-hand' is… essentially Kazuki's declaration of war. Starting today, Kazuki Security Services will fight all of the Yakuza world. Kazuki, perhaps in a few years... we are going to dismantle the world of Yakuza and Kazuki Security Services will breathe new 'ideas' and take away only its organizational power as it is..."

Today is the beginning of the battle.

"And the newly restructured... the mighty power of the back society will all be yours."

What are you... me?

"So today you... there, you were made to meet the heavy towns of Yakuza. Lord Kuromori......"

Margot in the mirror smiles nigga.

"I'm so glad you have two family registrations... Misuzu's fiancée, Kei Kuromori on the family registry, commonly known as Lord Kuromori. This name will be known to the world as the ruler behind the Kazuki Security Service."

"Well... why me?

Mr. Margo is......

"Kazuki is... 82 years old. I'm old now. So from now on... I want you to inherit the power to hold back the world."

... it is.

"Actually already... I'm spreading your name to the back world"

My... name.

"Don't you see? Lord Kuromori... is the man who was recognized by that old Kazuki man and made him agree to marry his granddaughter. And..."

Mr Margo said......

"That horrible... he's the man who killed Cizario Viola...!

In my hand...... it revives the feel of the trigger.

"Lord Kuromori is already a man of the backworld with many legends..."