The covert door was intended to convey its existence from the beginning, so only light caution was allowed.
If this flexibility and kindness were the reason for being a saintess of a saint, the priestess who pressed such a person to solve the affair and commotion was determined to beat up again. I'm on the side of someone who's nice to me and doesn't complain.
"What about the school dungeon? There must have been some material on the remodeling of the inside of the dungeon, except for the book in this no-fly compartment. There were a lot of people coming and going to retrofit some of the hierarchies into artificial safety zones, so maybe it's like a work passage… it's a path that leads to the desired hierarchy without the need for outside exploration.”
There's something straightforward about it, isn't there?
When I talked to the Saintess Cordelia who woke up afterwards, she told me about the existence of the pinpoint material.
When asked, it took time to dive through the entrance (first floor) to add a hand to the 30th floor. Not to mention the trouble of iterating back and forth from the entrance to the bottom floor where the goal is.
Therefore, it is not strange to create a passage for shortcuts, and it is not strange to have an emergency exit.
Well, the loopholes I usually use are part of them, aren't they?
In the game, it was simply introduced as a way out or a hidden passage, so I ended up talking as "that kind of thing", but the more I listened to the story, the more it seemed to me. I didn't expect to be exposed to its origins in this place.
In that case, there might be a way out of here that I don't know. This turned out to be of interest to me.
At the behest of Cordelia, who had just woken up and couldn't get up, she searched the bookshelf for what she wanted.
The reason why there are construction materials in the forbidden lot is that if you simply read them, you will find that the dungeon is a kind of monster.
The Adventurer's Academy has a long history, and its establishment dates back about 300 years.
Of course, in the meantime, there have been various radical reforms due to the dismantling of the old school building complex and scandal, so the school is almost different from the school that was founded, but it is still the school dungeon that has been used unchanged throughout the 300 years.
Therefore, the remodeling work to run the school dungeon, and the materials describing it that were carried out even before the establishment of the Adventurer's School, are correspondingly old.
"...... Really?"
Some of the found materials are like drawings that describe the structure of the entire school dungeon, and they depict passages that match the loopholes I usually use.
I thought that there might be something that would meet my expectations, but that expectation was sadly shattered by the "large black paint that hides part of the drawing".
The way out is numbered, and there is a list in the attached separate document that says, "Who will be working on the n-th floor using this numbered way?"
Since some of the numbers listed there are not found in the visible areas of the drawings, the aisles to which those numbers are assigned must be under painted black.
And the aisle is an unknown aisle that I don't know about in terms of location, which is probably something that didn't exist in the game era.
Since all the aisles that I can confirm are blocked, it is possible that this unknown aisle is also blocked, but in the current situation, I cannot help but hope that "maybe".
Although the location and route of the central part of the dungeon, which was also in the tower of "Underworld", and the central part present in the back hierarchy have been revealed, it seems that the black painted part is not a significant part of the dungeon.
I don't know why that part is painted black, but I found a bad name among the personnel who used the aisle that would be hidden there.
"Aisle 8 users," "Joseph Asanaga and the Work Dolls." "
This person is probably the highest-ranking puppeteer thought to be the mastermind of this attack on the Saintess, and a true cadre who hid his daughter, Ayako Asaga of the "Obsidian Sword".
A man who is an elderly person after Lasbos, who is about 350 years old, and who has developed something equivalent to forbidden magic in other works called "magic tricks", thereby repeatedly transcribing his "soul" to the doll he created, and was freed from the concept of life expectancy.
And above all, it was a "creepy man" who was told that the attack command would get dirty from that terrible setting.
Because this man, there are many terrible episodes in both the corners and the horns, but the story leading up to the creation of his daughter, Ayako Asaga, is particularly terrible.
For example, there is a sentence in the setting that shows the relationship between Joseph and Caizi that says, "Caizi is the greatest masterpiece with personality created by Joseph, and I love her as my daughter."
Ayako was created based on the delusion of "What kind of child would I be if I married my first love?"
The first love person was born and raised in the same village as Joseph. He only praised the puppet show he went to in his childhood, and has not spoken a word since, and Joseph only kept looking from a distance since then.
As soon as the first love partner got married and moved to the King's City, Joseph also headed to the King's City and began to live in a place where the first love partner's home was always visible.
Repeated stalking that did not cause actual damage and did not make the other person understand it. When he saw that the first love partner died happily surrounded by children who had fallen ill while they were adults, he took away the "left hand finger" that had uncovered the graveyard in the buried communal cemetery. Also, since the cover-up was firm, the fact of grave vandalism has not been discovered.
After moving to the doll by "Magic Technique", the original body is buried directly next to the grave where the first love opponent sleeps. The left index finger of the first love partner was also buried there.
It's composed of content that inadvertently mutters "Uwaa." The punch is too effective from the beginning.
There are many other disgusting episodes and words and behaviors, but it is also troublesome to introduce, so it is omitted.
In the meantime, all I had to say was that I felt sympathy for Ayako Asaga, who was trapped by such a man.
It should be noted that the reason why this person joined the [Obsidian Sword] was because he became a demon using a [Parasite Ghost] monster, so he abandoned his flesh and stayed with Caizi.
In the production, I parasitize Caizi's soul with the power of the magician, and I continue to love her by drowning her except when necessary, but I can see a verse that thinks that "if I am there, Asaga Caizi will be effective, and if I make it again, it will be a good existence" because I take a backup of her memory and personality to see the actions in the production.
For the time being, I will not throw away Caizi unless I am forced to do so, but on the contrary, it is a person who can take the option of "cutting off" depending on the situation. Therefore, it is a character that is said to be "Babi of violence and Joseph of skill, the worst father combination" or "Babi of blood not connected".
In any case, it doesn't matter why this guy is involved in the school dungeon remodeling project. At this time, it doesn't matter that "there was such a history in the world", but the question is whether he can get the information on the black paint point that this guy will have.
Assuming that this is the person who is attacking, he said, "Can you get in touch with Joseph, the puppeteer in the first place?" or "Can you drag me into a place of conversation and exchange where I came into contact?" "and other problems become blocked.
"Hmm. Well, I can't help thinking about it here." Let's get out of here for now. "
"... escape? Thor, do you have any thoughts?"
When I was in trouble, Ethel heard the word "escape" in her mouth with her long ears when she muttered to herself while shelving herself up to postpone the routine and think about the occasion.
I've done a little research here, and maybe we should talk about it once to see if I can find an escape route I'm thinking of, or to decide on a post-escape policy.
"I don't know." With that in mind, let's sort out the situation and share my thoughts. "
"Well, Sakurai-san is trying to communicate with you...!" "... you've grown up...!"
"Why are you impressed just by the proposal to check the current situation and share information???"
"After all, Sakurai-san's daily behavior..."
"Ah... I understand. You're struggling, Iris."
There seems to be a common perception between the two of me as if I were a child with super problems, but for now, I dare you to ignore it.
But if I may say one thing, I am a very ordinary person (mob character) whose purpose and means in life is to raise the level.
Just by throwing away unnecessary ethics and shame in the performance of leveling, and by lowering the priority for things other than leveling and somewhat immature interpersonal abilities, there are many strange things that can be seen by people around.
"Therefore, I want you to remember that the root is a human being who is good, has common sense and keeps his promises!"
“Sakurai-san, I just want to introduce myself to the problem child who understands the explanation and prioritizes his own purpose while kicking everything.”
"Huh...?"
"Thor, you're a lunatic who can't stand the question mark anymore, so give up."
"Has the Sword Saint taught Sakurai the art of living the human world through his own martial arts...?"
I don't think there is such a great idea because there is a hedonistic place to say it.
I feel like Cordelia-san is getting strange perceptions... but here, I decided to swallow my words and proceed.