Rebirth Enchanted Xiangjiang

Chapter 111 Tights and Whips

But, whether they like it or not, things just happen so unexpectedly, what else can they do? No one talks about new movies, but they should be released.

On February 5th, 1983, the Shaolin Boy was released for 20 days, and the box office exceeded 15 million. The left-wing film was another good start during the Spring Festival, but the Shaolin Boy who had been in theaters for 20 days was inevitable. The rate started to decline.

However, in view of the left-wing movie, that is, the habit of showing big-selling movies on the Shuangnan Theater, this Shaolin boy will definitely get a release time far exceeding other Hong Kong movies, so there is basically no suspense that the box office exceeds 20 million.

This film, Qiao Feng, is an investment and a script, and it can make a lot of money.

It was also on this day that the best partner produced by Xinyicheng, the second big show, was shown on the Golden Princess Theatre. Also on this day, Xu Ke directed an investment of more than 20 million yuan, with Zheng Shaoqiu, Yuan Biao, and Lin Qingxia. The new Shushan swordsman starring others is also released in Jiahe.

One is the sequel to the big-selling movie, and the other is the first special effects blockbuster with the largest investment in Hong Kong's history.

After these two films were released, the box office did not disappoint. Although Lin Qingxia and Qin Xianlin’s dissolution of the marriage took the limelight, but during the Spring Festival, the most spare money, and the most should reward yourself and entertain yourself. Here, Hong Kong audiences still met in groups and walked into the cinema.

On the first day of the show, the Legend of Swordsman in Shushan, known as the first special effects blockbuster, won the top spot with a box office of 250,000 more than the best partner. As for the audience contribution of Lin Qingxia because of the dissolution of the marriage turmoil The box office is unknown.

Anyway, Jiahe was overwhelmed by the Golden Princess on this day, with an extra 150,000 box office, which made Jiahe even more delighted at how correct it was to reject Qiao Feng's cooperation request.

On the second day when Jiahe was ambitious to continue on the road of crushing the golden princess, a sap hit them on the top of their heads, because the box office the next day was tied, both were 130 Ten thousand box office, no more and no less.

There is no way to say this. Whoever tells them not to report the number after 10,000 will be rounded up. Now if they want to report the number after 10,000, it is too late to spell out the high and low. The key is not to lose that person.

On the third day, the second best partner successfully stepped on the new Shushan Swordsman and kept this posture.

Zou Wenhuai, He Guanchang, and Cai Yongchang are said to have faces uglier than the other, and darker than the others.

Director Xu Ke’s complexion didn’t look much better. He was already ugly, but now it’s ugly to a certain level. It’s mainly because of worry. Whoever made a film with an investment of more than 20 million yuan like him, except Professionals say that the special effects are good, but other viewers are all scolding, and they are in a bad mood.

Chen Bosen, the editor-in-chief of the film biweekly, commented: "As the first oriental fairy film in Hong Kong that hired a "Star Wars" stunt team to produce stunt shots, the new Shushan Swordsman is of epoch-making significance. However, the plot has too many characters and clues. It looks a little messy, and many places are unclear. But the visual effects of the whole film are outstanding, and the art design and actor modeling are different.

Film critics still pay more attention to the aspects of reviews, such as special effects, visual effects, art direction, etc., but ordinary audiences are just like everyone.

can not read it!

What is this shot?

This is almost without exception.

So Xu Ke was unshaven and sharp-mouthed monkey cheeks during this period of time, really ugly.

Unlike Zou Wen with a few black faces, Qiao Feng just heard that Xu Ke ugly broke Qiao Feng with his own eyes.

Because Lin Damei is filming, I love Ye Laixiang is Xu Ke’s art director. He is said to be the art director, and the director is Taidi Robin, but Xu Ke often does the work of the director on the set, because Taidi Robin is considered to be The male number two in this movie,

It’s difficult enough for Xu Ke to make a comedy at this time, but what’s even more difficult for him is that this movie is clearly invested by New Art City, and most of the people in the entire crew are from New Art City, but Qiao Feng. The big enemy of this new art city is to rely on the crew not to leave.

Xu Ke didn’t have anything to do with him. Let him go, but Qiao Feng justly refused, saying that Lin Qingxia had received too much attention and media harassment because of recent events, and the assistant who was assigned was too young to help Lin Qingxia cope. Those media, so his boss must personally protect it.

What kind of protection, adding chaos is almost the same, this is the common view of Xu Ke, Taidi Robin and others. Indeed, the appearance of Qiao Feng not only failed to reduce the popularity of the media, but it was because of a third party’s personal settings. , Which aroused the chase of media reporters.

A large number of reporters gather outside the filming set every day, and the noisy sound affects normal shooting. Fortunately, many of the scenes are night scenes, or the scenes in the room, or the outside is not just surrounded by reporters. Now, the crowds onlookers will have a large area.

However, Qiao Feng didn't bother other people's self-consciousness in shooting. On the contrary, he was very familiar and could chat with anyone.

"Hey, I said you two, you are not allowed to take advantage of our Qingxia when filming."

Once, Qiao Feng was so straightforward to Lin Zixiang in front of Lin Qingxia. When the two Taidi and Robin talked about it, Lin Qingxia blushed with shame, and kicked Qiao Feng bitterly and ran away. .

Lin Zixiang, Taidi Robin, and Xu Ke looked at each other. What the hell, the amount of information is huge.

He became good friends with Lin Qingxia because of the filming of the new Shushan swordsman. His wife Shi Nansheng went to visit the class. Shi Nansheng, a person with a very straightforward personality, soon became friends with Lin Qingxia, and he was a close friend of the kind. .

So after hearing what Qiao Feng said, Xu Ke also asked his wife Shi Nansheng to call Lin Qingxia. Lin Qingxia denied that it was because of Qiao Feng. A sense of sharp inquiry.

"Look at the monitor, don't always look at me, why are you looking at me?"

This day I filmed Ye Laixiang again, which is the most classic segment of the movie I love Ye Laixiang. Ye Laixiang played by Lin Zixiang and Yan Hong played by Lin Qingxia, this reunion with the first two is even more tragic. Yan Hong, played by Lin Qingxia, turned out to be the fiancée of the police chief.

Yan Hong stole the toothbrush with the blueprint hidden, and in order to avoid the search and dance with Inspector Robin, she took the opportunity to hide the toothbrush in Robin's pocket.

From Lin Qingxia's appearance to the dance, the movie was completed for a few minutes, but it took a long time to shoot in several segments.

Watching Lin Qingxia and Taidi Robin dance a tango with fascination, Qiao Feng quietly ran to Xu Ke in the gap between preparing for the next shot, and whispered: "Old Xu, just like Qingxia's body now. You chant the clothes, the tights from the previous filming, and the whip. There are three kinds in total. You can ask for how much you need."

Xu Ke trembled, then slowly tilted his head, squinting at Qiao Feng, as if he was looking at where he was so shameless.

Thanks Wenwei!!500 coins reward.