Rebirth Enchanted Xiangjiang

"Across the World" is a pioneering work in the thief genre, and it is destined to be an insurmountable mountain for subsequent follow-up works. Director Wu Yusen has his own strong personal style. The film is imaginative and brilliant. Strong appreciation, storytelling has a rich sense of hierarchy.In addition to the wonderful shooting and confrontation scenes, the description of the feelings of men and women is also very delicate.The star charms of Zhou Runfa, Zhang Guorong, and Zhong Chuhong are unforgettable in the film-Chen Bosen, editor-in-chief of Film Biweekly.

"Across the World" can be regarded as a high-quality demonstration of Hong Kong commercial films. Director Wu Yusen has injected comedy and romantic elements into the main theme of the shootout."Across the World" has various styles but effectively blends it. Street shootouts with clapping praises, tense confrontation scenes, passionate dance without divergence, delicate and touching descriptions of emotions, and wonderful dialogues that make people smile. The highlight of the film-Lin Yanni Ming Pao column.

Following another signature work of director Wu Yusen after "The True Colors of a Hero", the film appears calm and unrestrained.In addition to giving the three main characters hot action scenes and good skills, Wu Yusen also gave them a delicate emotional world."Cross and Seas" expresses the beauty of fluidity, whether it is stealing treasures and paintings, or waltz on Zhou Run's chair, or all the fight scenes, it is full of sports beauty.This is precisely Wu Yusen's advantage, the movement of the characters, the movement of the cut, and the movement of the camera.The aesthetics created by these artistic languages ​​can bring joy to the audience's perception far better than the plot of love and hatred of the five big thieves-Oriental Daily.

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After only one day's release, ``Across the World'' won the unanimous praise of audience film critics.

Whether it is the handsome to no friends Fa Ge, Rong Tsai or the dazzling Hong Gu, from styling to acting, unanimously received super recognition.

It’s just that some film critics worry about why there will be a big reversal in the relationship between Red Bean and Ahai, A Zhan in the movie. How did the good love triangle turn into Red Bean’s obsession with A Hai, and A Zhan as warm The male male number two takes care of the red beans as carefully as before?

"Cut, what do they know? If you love someone, you have to love them for a lifetime. How can the female lead fall in love with someone else because the male lead dies? Doesn't this teach others a bad lesson." Qiao Feng held a few copies. The newspaper that published the film critics criticizing the emotional scenes in the film was thrown on the table and said gruffly.

Sitting across from him was Zhong Chuhong who was having breakfast. Seeing Qiao Feng's anger, Zhong Chuhong smiled and said: "Director Wu didn't think so. He felt that the conflict between the three people's emotional lines would be more important. Tension. If it wasn't for the emotional conflict you had forbidden to change it, I am afraid that Director Wu produced a version that is more in line with the favorite of film critics."

"Hmph, fortunately I prepared a hand at the beginning, otherwise I just threw it to Wu Yusen. Maybe it is not the film critic who is depressed now, it is not Wu Yusen but me. "Qiao Feng is very proud of his foresight.

Regarding the emotional line, in the original version of "Cross and Seas", Zhou Runfa played A Hai hiding and pretending to be dead. Zhong Chuhong's Red Bean and Zhang Guorong's A Zhan thought he was really dead. So originally A Hai and Red Bean were a pair, and A Zhan was just a fool. The second man who loves red beans but can’t talk about his family members, but because of Ahai’s disappearance, red beans, A Zhan thought that Ahai was dead. After the passage of time, the two who lost their lover, relatives and brothers came together naturally.

As a result, Ah Hai appeared later.

A Hai helped A Zhan re-cast the famous painting that made him suspended for death. Then he fights his wits and cripples the bad guy godfather. Then Hong Dou becomes pregnant. She and A Zhan are going to the United States. Later, A Hai also followed. When they arrived in the United States together, the three still lived together as a family.

This is the original story.

If someone has watched "Across the World" and "Pearl Harbor", they will find that the two movies are surprisingly consistent on the emotional line.

It's over, the male protagonist has something wrong. Both the female lead and the male second think that the male lead is dead, so the female lead and the male second are very sad, and then the male second takes care of the female lead in every possible way, and finally successfully captured the female lead’s peace of mind and walked together. , And then the male lead suddenly appeared again. It turned out that although there was an accident, the male lead did not die, but was unable to return in time for various reasons.

Then a messy love triangle filled the screen.

The only difference from Pearl Harbor is that the dog-blood love triangle that came out many years late Pearl Harbor was photographed as shit by Michael Bay, while the long-running world was photographed as a romantic classic film by Wu Yusen. .

The relationship between one woman and two men is destined not to be stable forever from the beginning. In the end, a dog-blood love triangle occurs. In the eyes of film critics, it is the most important thing that should happen. If it does not happen, it is not normal. I am too sorry for a woman and two. The male's luxurious configuration.

However, the screenwriter is Qiao Feng.

Wishing you a spring dream, Wuhen was Qiao Feng's mantra, and it was also a childhood memory.

But in fact, Qiao Feng doesn't want to see what happens in the dreams of Red Bean played by Zhong Chuhong and A Possession played by Zhang Guorong.

Even if the original version of "Across the World" is really classic, the emotional entanglement between the heroine and the male lead, and the male second is relatively well dealt with, but helpless Qiao Feng himself is a love triangle, and he doesn't like dog blood.

In his male chauvinism, the heroine fell in love with the male lead, and that is a matter of a lifetime. Even if the male lead dies, the female lead should be infatuated and love only one, and she must never fall in love with others again. As for the male lead Just be a warm man obediently, it can be family members or girlfriends, but not lovers.

Qiao Feng absolutely does not allow the heroine to appear in his own movies, especially the movies he likes, when the heroine finally follows others, and the heroine is lonely.

Therefore, Qiao Feng made a little change based on the original movie.Because all the intimate scenes are either borrowed or used as substitutes, so many kisses in the original version, and the intimate shots are almost removed, which makes it more convenient for Qiao Feng to change.

The previous plot remained unchanged, but when Ahai was suspected to be dead and there was no news for a long time, the story of Hongdou and Azhan changed drastically, which was very different from the original.

In the original version, Hongdou and A Zhan slowly came together, and the scenes of the two gradually becoming affectionate also illustrate this point, but the Qiao Feng version is not like this at all.

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