Rebirth Enchanted Xiangjiang

When Gong Li arrived in Peiping, another 17-year-old girl from Yuan Zai Shanghai also boarded the train from the north.

Her name is Chen Hong.

She was also three years younger than Gong Li, who was also born in December, but when Gong Li had just been admitted to the Chinese opera with all his hardships, Chen Hong had been studying in the Chinese opera for a year.

Chen Hong, whose parents are both high-ranking intellectuals, is undoubtedly a model for other people's children. He is already a freshman or sophomore at a young age.

Not only that, but in the first two months, Chen Hong just participated in the first movie in his life, "Here is Spring Water".

Compared with Gong Li, Chen Hong of the original time and space is also a big star, but in terms of influence, it is far inferior to Gong Li, and the awards cannot be compared with Gong Li.

But she is so beautiful. She is known as the most beautiful woman in ancient costumes in the Mainland. She is enough to rely on a face.

She also got on the train from the north after answering a phone call, because she is the new movie female number two set by Qiao Feng.

At about the same time, Liang Jiahui also passed the Luohu port and got on the plane to Peiping.

"The leading actor is Liang Jiahui?" In a small sheep soup restaurant in Peking, Qiao Feng and Li Hanxiang were drinking and talking about the sheep soup.

"Yes, how can this actor choose?" Qiao Feng put down the spoon and asked.

"Yes, it is really suitable, but Mr. Qiao I am preparing a similar film now, I am afraid that I can't be the director of this movie." Li Hanxiang said with some regret, shaking his head.

"Why? Is it because of time conflict?" Qiao Feng frowned.

"It's not. It's mainly because I want to shoot and Mr. Qiao you are shooting the same person. I am worried that I can't handle the balance between the two in my heart and affect the final film." Li Hanxiang said with a wry smile, and paused. He went on to say: "You said, Mr. Qiao, what I wanted to shoot at the beginning was exactly what you wanted to film Mr. Qiao. Only when I asked the master to buy the right of adaptation did I know that it was bought. I thought that the person who bought it was Mr. Joe. I knew that I would have asked Mr. Joe to cooperate.

Li Hanxiang is telling the truth, the movie Qiao Feng wants to make is the same protagonist as the movie he wants to make.

They are all about Pu Yi, the last emperor of the Qing Dynasty.

Pu Yi has an autobiography of My First Half of My Life. Li Hanxiang wanted to put Pu Yi's legacy "My First Half of My Life" on the screen many years ago. It was only because of various political factors that it could not be made. Last year, Li Hanxiang felt that the time was ripe and he was ready. I bought the adaptation rights to make a movie, and found Pu Yi’s widow, Li Shuxian, to find out that the adaptation rights were bought. As for Li Shuxian who bought it, I don’t know who bought it. He just said it was a Hong Kong person.

But Li Hanxiang wanted to shoot Puyi's story as his own film. In the end, he had no choice but to obtain the consent of Puyi's widow Li Shuxian, and adapted Li Shuxian's dictation of the story about Puyi's second half of his life into a script for making a movie.

In order to make this film about Puyi's second half of his life, Li Hanxiang did a lot of work. Not only did he raise huge amounts of money in various ways, he also went to the northeast to meet Aixinjue Luo Puyi's concubine, "Fu Nobleman" Li Yuqin, from there Get more perceptual knowledge about Puyi that is different from data.

After nearly a year of preparations, I finally decided to set the male and female protagonists to start shooting. As a result, Qiao Feng found him, and soon he was going to ask him to be the director of the movie The Last Emperor that tells the story of Puyi's first half of his life.

This is really an unexpected encounter after passing by.

It made Li Hanxiang very helpless, and a little bit dumbfounded. The story he wanted to shoot was originally bought by Qiao Feng, but now he still wants to use it as a director to shoot. If it is a good thing, but he has been preparing for more than a year. It is also the story of Pu Yi, or the story of Pu Yi's later life.

Not only is there a time conflict between the two, the key is that if you have to direct yourself, the core of the story and the position will be in conflict.

After all, no matter which person has his own position and cognition for the other's views, it is impossible to unify.

If you only make one movie, then you have to compromise, but you have to make two movies that tell different stories.

This is an unsolvable thing.

Either Qiao Feng allowed himself to modify the script from his own standpoint, or he modified his own script after making this film of Qiao Feng, otherwise the matter would not be resolved.

Of course, you can also make his own movies according to Qiao Feng's will, and then make your own movies according to your own ideas.

But then there will inevitably be an embarrassing situation where the same director filmed a story about the same person, but has different standpoints.

This is unacceptable to Li Hanxiang.

However, if you don't agree to Qiao Feng, it won't work.

Because Li Hanxiang is planning to invite Liang Jiahui to play Puyi, if he does not agree to Qiao Feng, it would be a delusion to ask Liang Jiahui to act in his own movie.

Although he won Liang Jiahui on the throne of the youngest film actor, but Qiao Feng was the one who discovered Bole who held the red Liang Jiahui and the boss of Liang Jiahui.

It is impossible for Liang Jiahui to fight Qiao Feng for himself, and it is impossible for Qiao Feng to agree, because what he holds in his hand is Liang Jiahui’s agent contract.

On weekdays, Liang Jiahui naturally has a lot of autonomy, but Qiao Feng has the final right to make the final decision, but he doesn’t care much about it.

So there is a dilemma.

Li Hanxiang sucked the mutton soup and thought distressed.

"How about this, don't be embarrassed. I will be the producer of this film, and Mr. Li will help me as the executive director, but apart from not changing the script, you have the final say on everything about the filming. Just say that I am in charge of all the shooting, so I don’t have to worry about others saying that the positions and thoughts of the two films are not unified. Do you think this is good?" After understanding Li Hanxiang’s worries, Qiao Feng thought about it. The way in it came out.

"Hey, that's all." Li Hanxiang said with a long sigh after being silent for a while.

The two were not happy and finally reached an agreement.

As for whether Liang Jiahui would be made irresponsible for playing two Puyis with different front and back, neither of them considered it.

Li Hanxiang thinks that Qiao Feng is the boss anyway, and Qiao Feng has made the decision. Liang Jiahui must only listen to it. It doesn't make much sense to take the test for him.

As for Qiao Feng, he thinks that this is not an issue at all. As an actor, it is the actor's own job to create different roles, and even the same role analyzes different hearts. There is nothing to consider.

Furthermore, this is the last emperor. It is a magnificent film that will engrave deep traces in the history of film. It is a film that can help Liang Jiahui go to the world.

The film that Li Hanxiang wanted to make is also a rare masterpiece, and unlike the last emperor who interpreted Puyi from the perspective of a Westerner, Fire Dragon uses the perspective of an Oriental and a Chinese to interpret Puyi’s transformation. Half a lifetime, it reflects the incongruity between the individual and the environment in the process of Puyi's transformation from "dragon" to "human" with a comedy approach.

This is a masterpiece worthy of appreciation from the perspective of a Chinese audience, and should not be missed.

Since they are not to be missed, they are all done. As for being said by some people, it's nothing.

Therefore, Liang Jiahui was happily ignored.