Rebirth Enchanted Xiangjiang

"When will Hua Tsai's album go on sale?" Qiao Feng asked.

"In another week." Li Zhi thought for a while and said: "At that time, it happened to be the time for the drama of Jianghu Qing. Huaxing and Yongsheng mean that they can promote each other by putting together publicity."

"Well, this is a good idea. You should let me know so that the company's artists must promote Hua Zai more when they are interviewed by reporters in the next two weeks." Qiao Feng ordered and asked, "Sally's album is now What sales are there?"

"There have been 320,000 copies in eight days, second only to last year's bodyguard album of the same name." Li Zhi said.

"Very good." Qiao Feng nodded in satisfaction.

Qiao Feng wrote an album song for Ye Qianwen, both in Mandarin and Cantonese. The title song is called Qianqianque Ge, and there are also lover’s confidantes, waking up from dreams, the possibility of love, etc. They are all very classic songs. One song can be the main album of the album, and then add some other ordinary songs to make an album. It can be said that putting so many classic songs together is simply too extravagant and too wasteful.

However, that's how Qiao Feng made it to Ye Qianwen.

Not only did Qiao Feng release Ye Qianwen, all the songs of Liu Dehua’s album were also released by Qiao Feng. Not only did it include Liu Dehua’s early famous works, Goodbye, can’t you, love it, but also his classic songs afterwards. Days, my demeanor, and thank you for your love. Except for the three early works which are slightly more general, the others are all classics.

The reason why Qiao Feng wrote songs for Ye Qianwen and Liu Dehua, and there are so many classic songs on an album, is because he wants to disrupt the stagnant water in the Hong Kong music scene.

Hong Kong’s music scene and film scene declined at the end of the 1990s. Someone in Hong Kong’s film and television circles explained it from a special perspective, that is, the so-called dynasty of talents caused by the culture of Hong Kong’s so-called emperor and queen.

Hong Kong people like to make some special titles, from wireless five tigers to later wireless Kowloon women, from a few kings and one queen to Tan Zhangzheng, and then to the four heavenly kings, from the top beauty in Southeast Asia to the four majors in Hong Kong and Taiwan After the beauties go to the four major stunners in Hong Kong, each name is very, very loud, and all kinds of celebrities and actresses are also loud. Don't want it.

As a result, the consequence is that apart from these famous people, it is difficult for other newcomers to get ahead.

It is rare to say that the newcomers won the actor and actress of the Hong Kong Awards, most of them are old faces. Look at Liang Chaowei and Zhang Manyu. They can all be five times, and the Hong Kong Awards have only been held for many times.

Wireless Five Tiger Generals, during the Jiulong Women period, all of the TV dramas on Wireless were mostly five Tiger generals, and most of the heroines were Kowloon women. It was difficult for others to get ahead. When the Five Tigers no longer exist, many of the Kowloon women went to the movie circle. To other people in their early days.

The film and television circles are okay, the most serious ones are in the music and music circles.

There are two major music awards in Hong Kong, the Top Ten Golden Songs and the Top Ten Chinese Golden Melody Awards. One was run by TVB, the other was run by Radio Hong Kong, one was only started in 1984, and the other was started in 1978.

The holding time is not long, but the two music awards, which are not long, have shown serious seniority ranking. In the end of the 90s and the 21st century, it was even more frightening.

Beginning in 2001, the Top Ten Chinese Golden Melody Awards for Best Male Singer Liu Dehua Lian Zhuang for eight years and Joey Yung Lian Zhuang for five years. And in the Outstanding Pop Male and Female Singer Award for the twelve years from 2005 to 2016. There is only one winner, Eason Chan, and the female singer Joey Yung has to go forward for a total of 13 years.

The most popular group for the sixth time is Tins. Of course, there are not many groups in Hong Kong, so this doesn’t count.

In the global Chinese supreme golden tune, Eason Chan accounted for nine times in the 22 years from 1994 to 2016. The remaining Liming, Liu Dehua, and Aaron Kwok belonged to the four heavenly kings, and then Gu Juji, Xie Anqi, Joey Yung, etc. I divided this award for 22 years.

The Top Ten Golden Song Awards are not inferior to the Top Ten Chinese Golden Melody Awards.

Basically, the music awards in Hong Kong, especially the grand prizes, are basically divided into such a few people, and there is no opportunity for others.

Like Joey Yung after entering the 21st century, Eason Chan won the prize frantically. This shows that they are indeed strong, but it also shows that there is no successor. In the 1980s and 1990s, there were still two or three people competing for it. By the 21st century, There is no strong competition anymore, once the strength is stronger, it is completely dominated.

However, it is true that no one is stronger than them in some years. This is not very true. It is more likely that some years are stronger than them, just because of seniority and habitual perception. Because these people who have won awards all year round are too famous, everyone subconsciously thinks that they are stronger and sing better, and it is them who won the award. Therefore, the selection and evaluation are stable, and the result of the award is also stable, so except In addition to the newcomer awards, most of the top ten golden songs or top ten Chinese golden tunes received awards are singers with long-standing and established reputations, and only a few new stars can be honored.

The king of heaven, queen, god of singing, and queen of songs are too blinding, and the small Hong Kong music scene is too small for newcomers to come forward. If there is no chance to come forward, naturally, there will be less and less people willing to take the road of music. The vicious circle, the more no one goes to the development of music, the more famous singers will dominate the music scene.

Therefore, some insiders say that it is because Hong Kong people like to enshrine gods, enshrine kings, and after enforcing them, it has caused the movie and television song circle to be like a pool of stagnant water, so that there are no successors, and even the decline can not be seen.

...............

It’s only in 1987. The Ten Best Song Golden Melody Awards organized by the TVB in 1984 have only been awarded three times at the beginning of this year. However, the most popular male singer in these three years has been fully covered by Tan Yonglin. Female singer, the first is Jenny, the other two are Anita Mui, the Golden Melody Award is Tan Yonglin who won the first two, and Zhang Guorong won the third.

The other Top Ten Chinese Golden Melody Awards organized by Radio Hong Kong have been held for nine sessions. The first few sessions were mainly Luo Wen, Zhen Ni, Xu Guanjie and others. In 1981, Tan Yonglin began to appear, and in 1983 Tan Yonglin is the most powerful, Zhang Guorong killed in in 1984.

Zhang Guorong is six years younger than Tan Yonglin, and Tan Yonglin became famous earlier, so Tan Yonglin must be more famous, and he is also stronger than Zhang Guorong in awards, but although Zhang Guorong has only been famous for only a few years, his momentum is quite rapid, so it caused Tan Yonglin’s fans were dissatisfied and began to attack Zhang Guorong. Zhang Guorong’s fans quit and responded to Tan Yonglin, so last year Tan Zhang’s battle for hegemony began.

Qiao Feng wrote songs for Ye Qianwen and Liu Dehua, which are also classics, just to disrupt the current stagnant water in the Hong Kong music scene, and also used Liu Dehua to turn the two rivals between Tan and Zhang Zheng into a big fight.

Not only Liu Dehua, Qiao Feng also brought another person into the arena.