Rebirth Enchanted Xiangjiang

Except that I went to the hospital this afternoon to see it and it was fine, but Fu Bo, who was forced to be hospitalized by his mother, and Xiang Huaqiang by the way and talked about the young and Dangerous script and the actors, Qiao Feng For many days, I stayed with Lin Qingxia and her son in the Repulse Bay Villa.

Qiao Feng lives at ease in the villa, but some people in Xinyicheng Company are sad

"Zhou Runfa refused again" Mecca asked

He is busy with stocks every day, and he rarely stays in the company this day for a film project that the company is currently stuck in.

"Well, I refused again" Chu Yuan sighed and said

"Can I change the script" Mecca asked the two screenwriters beside me

Wu Wenhui and Zheng Zhongtai looked at each other, then smiled bitterly and shook their heads. There was nothing to change the script, but after Chu Yuan called Lin Qingxia and asked Lin Qingxia to help explain Qiao Feng Qiao Feng’s attitude, this script It’s not that they have the final say. Even if the script is changed now, even if the script is completely changed, it depends on whether Qiao Feng is happy.

"Damn" I understood what Wu Wenhui and Zheng Zhongtai meant, and Mecca couldn't help but cursed in a low voice

He wanted to ask if Wu Wenhui and Zheng Zhongtai were both mentally ill, and why he wanted to write a script that alludes to Qiao Feng. However, the moment he opened his mouth, he suddenly realized that he had no stance of cursing, because they just wrote the script, and he finally liked it. The script decided to set up the project, but he did not see the problem inside. It is estimated that Wu Wenhui and Zheng Zhongtai did not think of this when they wrote the script, but this can't help others will interpret something else from it, just like Zhou Runfa Similarly, when Zhou Runfa was asked to act as the leading actor, Zhou Yunfa had already agreed. As soon as he saw the script, he immediately regretted it.

And not only Zhou Runfa, but also when they found Ye Qianwen and Wang Cuxian, the script was rejected the moment it was delivered to their agent.

"Director Chu, Lin Qingxia still didn't reply? After sighing, Mecca looked at Chu Yuan again

"Not only Lin Qingxia, but also Wang Cuxian, there is no news from Zhong Chuhong either." Chu Yuan shook his head helplessly.

For this movie, he considered his own face. Chung Chuhong and Wang Cuxian have acted in films directed by him, while Lin Qingxia cooperated with him when filming police stories. Lin Qingxia played Sha Lian. Na is the niece and secretary of Chu Yuan's big drug dealer Zhu Tao

After Zhou Runfa pointed out the innuendo problem in the script, Chu Yuan put down the following to call the three people who were closely related to Qiao Feng. Among them, Wang Cuxian was invited by Chu Yuan himself, and then Wang Cuxian was still accepted. One of the protagonists of the allusion, Chu Yuan was very embarrassed when he called Wang Cuxian at the time, but in recent years Hong Kong movies have become more and more trendy and new styles. Old directors like Chu Yuan have become more and more touching. The market is not allowed to know what the audience likes. This can be seen from the fact that Chu Yuan has reduced the number of directors in the past few years. Chu Yuan himself knows that there are not many opportunities to be a director, so he is very reluctant to lose this opportunity. , No matter how embarrassed, you can only put it down and call for explanation

The story to be filmed was recompiled based on Chu Yuan’s films in the 1960s. In 1964, Chu Yuan adapted a script based on the Hong Kong Commercial Radio Sky, and then divided it into two parts and made it into a movie. The movie’s name is Big Man. Diary, so for Chu Yuan this is still a very meaningful movie

The movie tells that Jiang Dexin and his wife Xu Xuexin are very affectionate. Dexin and three Claypot brothers work in the same company. Because the boss is lustful and fearful, he makes many thrilling jokes.Although Xuexin trusted her husband, she couldn't help suspecting that DXN had an affair under the instigation of her wife.One day, his wife told a letter that Xue Xin broke Dexin and opened a room with a woman in a hotel. The relationship between husband and wife was almost out of control. Fortunately, Sanyou and Duosheng lied to Shuangtian to tell the truth. Dexin and Xue Xinshi were reconciled as before.

After that, Jiang Dexin and Xu Xuexin’s original family plan was to give birth to one child in Jiale for the time being. Unexpectedly, Dexin’s second uncle asked them to have one more son for him as a "separation grandson" because of his unreliable future.In words, the second uncle misunderstood that Xue Xin had nothing to say, and forced Dexin to marry Ye Manzhi as a "dividing wife" and give birth to a son for him.

Xuexin handkerchief to Fang Tianbing and a group of girlfriends to threaten Manzhi’s mother and daughter, asking Ye’s mother to marry her daughter to Pan Laoba who suspects his wife’s infertility. Tianbing teaches Xuexin to pretend to be pregnant on the one hand, so that her second uncle will no longer force her. On the other hand, Dexinna concubine taught the eighth wife to also pretend to be pregnant to the date of delivery. The real and fake pregnant women were moved around in the hospital to deal with the Xuexin family’s elders and Duoduo Weng aunt, who Zhimanzhi's mother also came, making the scene more complicated.In the end, both parents forced the two young couples to tell the truth, and the second uncle fainted.In order to restore him, Xuexin and Dexin promised to adopt the eldest son Jiale to him, so as to fulfill his wish for successors.

The upper and lower parts of the film are about the lives of young couples and white-collar workers in Hong Kong in the 1960s. Rhapsody also reflects reality, revealing from the side that the relationship between small families and peers has replaced the traditional family ethics. The film was hit by the nail on the head because of the irony. Welcome

By now in the 1980s, the atmosphere in Hong Kong was very different from that in the 1960s. So Wu Wenhui and Zheng Zhongtai co-directed Chu Yuan to continue the satirical style of the two films in the 1960s and extract some of them. The story section then wrote the current script

The story is about the emotional entanglement of 1 man and 2 women. This version of the big husband’s diary has skillfully changed from the mentality of a small man in the 1960s to a mentality of a big man in the 1980s, creating a picture of Ukiyo-e's experience of using a big husband during the economic boom of Hong Kong, using exaggeration. The comedy form satirizes the flamboyant and slippery feelings of Hong Kong people in the 1980s, and mocks the newly emerging "polygamy" tribe in the 1980s

To say it, the story is so general, if it is not for the irony of the current disadvantages, it is at best a comedy above the standard

The story tells that the financial businessman Zhou Dingfa fell in love with the owner of the boutique and the stewardess. It was difficult to choose, and he finally married the two in Paris and New York.In order to prevent the two of them from knowing that Zhou used his cleverness to avoid dangers repeatedly and dealt with the two wives. After all, the lie was exposed. Then Zhou was dealt with by the two wives, and then the two women would leave Zhou Dingfa. It was the two women who thought each other would leave, both of them looked back to Zhou Dingfa, and the last three people lived together without shame and shame

The story is ordinary, but in the eyes of those who care, its nature is not ordinary