"Mr. Hu's presence really made me shine." Two days later, Qiao Feng welcomed the fifty-year-old martial arts master at the company.

"Mr. Qiao is utterly praised, and I would like to thank Mr. Qiao for watching, so that the old man can participate in such a big production before he retires." It is Hu Jinquan. The old man is actually not very old, more than fifty, but he is not in good health. Now, the past two years have basically been semi-retired.

"Hello, Mr. Hu." Xu Ke, who is also at the company, also stepped forward to say hello.

"Hello, Xu Ke." Hu Jinquan is not as polite as he is to Qiao Feng for Xu Ke, an out-and-out junior.

Not to mention the problems of the predecessors, just to say that Xu Ke is going to make his classic film Longmen Inn. The two have been in contact many times, and they have become familiar with each other for a long time.

After the courtesy, Hu Jinquan started talking about the business: "Mr. Qiao, I have read the script and communicated with Xu Ke. There is no problem in other aspects, but there is a big difference between the two of us in the shooting style. Xu Ke he ......."

Speaking of this, Hu Jinquan paused and slashed at Xu Ke. Seeing that Xu Ke had nothing to say, he went on to say: "Xu Ke wants to make a political fable with a sharp style, amazing vision, and a reference to the past. But I think Mr. Cha’s Swordsman is the most chivalrous, and it is also the most suitable for making a romantic and quaint martial arts film. If this cannot be resolved, I am afraid I will not be able to participate in the filming of this film.

Hu Jinquan didn't go in circles at all, and straightforwardly stated the contradiction between himself and Xu Ke.

Qiao Feng grinned. The two really had a conflict, but now there were differences and conflicts before the shooting started. The original time and space only broke out after the shooting began.

In the original time and space, Swordsman was filming, because it was the first collaboration between Xu Ke, a new generation of martial arts film master, and Hu Jinquan, an old master of the previous generation of pioneering martial arts film styles, so the Hong Kong media agreed that this is a perfect match. Absolute "Movies".

As a result, there was a problem with the shooting. Less than half of the film was shot, but the two became froze.Speaking of the reason, it was Xu Ke.

What Xu Ke likes most is that he holds the title of producer but works as a director, interfering in how to direct him, and Xu Ke guilty of old problems again during the shooting of Xiaoao Jianghu.

Now that the guide tube has been handed over to Hu Jinquan, he should listen to his dispatch, cooperate fully, respect his creative ideas and director style, but Xu can intervene in Hu Jinquan’s directorial work as a producer, and continue to confess his views on "Swordsman". The creativity was injected into the film. The old Hu thought it was a normal artistic controversy, and it was not unreasonable, but he didn't take it seriously. But after a long time, he realized that his position as a director was almost empty, Xu Ke The full intervention in all areas of the film made the old Hu appear to be in vain.

This Hu Jinquan can’t accept this. Originally, Lao Hu’s family belonged to the old generation. You have to save face. Let Xu Ke take it up. How can you bear the face? One more thing, it was Xu Ke’s request, but in the end it turned out to be A big director is so empty that he can only be an executive director.

If you Xu Ke directly said to find someone to be the executive director, at least you would know if someone would come. But when Xu Ke came to the door, he asked someone to be the director. Hong Kong is different from the US where the director has the most power. , With final editing rights.

As a result, the director Hu Jinquan had no right to shoot how. Hu Jinquan wanted to fight with Xu Ke, but found out that he had no way of doing anything, and he didn't say anything good. No one listened.

Because when shooting Swordsman Jianghu, the main creators of the crew were basically from Xu Ke's studio, but Hu Jinquan was a lonely person. Hu Jinquan saw that this was not even the executive director, so he thought about the final editing rights. There is nothing in the face, how can we continue to cooperate. So, the filming work is not over, Hu Jinquan eclipsed the production team.

Now, because it was Qiao Feng who brought out the script, and the investment was also Qiao Feng, when Xu Ke talked to Hu Jinquan, the two of them were completely talking as partners.

"Mr. Hu's worry is not unreasonable. Xu Ke also said about your differences. I think your ideas are good. This is how I think, Mr. Hu, in the art of the movie, the costume design, the scenery, and the language of the lens. Take a lot of trouble. Then, in the action style, we are biased towards Xu Ke's ideas. The style is sharper and the visuals are a little more amazing. Now audiences like to watch this. As for the plot, it is based on my script. The two big directors are co-produced. Inevitably, let's try our best to seek common ground while reserving differences. "After pondering for a while, Qiao Feng said a compromise.

Seek common ground while reserving differences, let's negotiate and compromise. On the lens language, Xu Ke is very good, but I have to say that Hu Jinquan is more good, especially the choice of set and big vision, that is really good.

In the original time and space, many of the shots taken by Hu Jinquan later were retaken by Xu Ke. However, the theme, style, and visual modeling of the film are all based on the appearance set by Hu Jinquan. The styling and the design of Ming Dynasty's clothes and crowns are completely preserved.

There are also a few set scenes seen in the Great Vision, all of which were designated by Hu Jinquan, and Xu Ke did not move.

This film, without Hu Jinquan’s lens aesthetics, will definitely be greatly eclipsed. To be precise.

This Swordsman Jianghu is based on Jin Yong's original martial arts, and joins the Hu Jinquan-style Dongchang eunuch's framing Zhongliang story. At the same time, it also combines Xu Ke-style cynical political criticism and Chen Xiaodong's dazzling martial arts design scene. This is the original time and space. A classic of Swordsman.

Qiao Feng doesn't want his Swordsman Jianghu to be paler than the original time and space, so he has to make it clear in advance, so that Hu Jinquan and Xu Ke are psychologically prepared, so that these two martial arts masters can combine all their talents. Together with Cheng Xiaodong and Li Lianjie, a kung fu emperor who is far more handsome and better than Xu Guanjie, come together to shoot a Swordsman River and Lake that is more classic than the original time and space.

After Qiao Feng finished speaking, Hu Jinquan did not speak, but after thinking about it, he looked at Xu Ke. Xu Ke is from Qiao Feng’s company. If Xu might agree with Qiao Feng’s suggestion, then Hu Jinquan would not have any comments. But if Xu Ke disagrees, then Hu Jinquan will definitely not participate in this filming.

This is because Xu Ke’s opinions are definitely more important than his own when it comes to the relationship between relatives. If you encounter a disagreement, if you cannot resolve it, it is very likely that you are submitting to Xu Ke’s opinion, which Hu Jinquan absolutely does not accept.

"I have no problem. It has always been my wish to cooperate with Mr. Hu." Xu Ke said with a pursed lips.

"Then I wish us a happy cooperation." Hu Jinquan said with a smile on his face and stretched out his hand.

"I wish you two great stories in the film industry."