Rebirth Enchanted Xiangjiang

"Mr. Qiao." A man about the same age as Qiao Feng stood at his desk and said hello.

"Come, sit down and say," Qiao Feng smiled and stood up to greet him.

After the man sat down a little nervously, Qiao Feng didn't say anything else, and went straight to the subject and asked, "I don't know Ma Zi, what are your plans next?"

This Ma Tsai does not mean a little brother, but this person's surname is Ma, which is naturally called Ma Tsai according to Hong Kong's name.

Ma Tsai's name is Ma Rongcheng. Anyone who reads comics knows that Ma Tsai is a famous generation of cartoon masters in Hong Kong in recent years.

But this master is not very old, only one year older than Qiao Feng.

Ma Rongcheng was born in Hong Kong in 1961. He loved painting since he was a child. In addition, his family was poor at the time and he did not want to study.X23US.The COM update is the fastest. In short, Ma Rongcheng's education level is not good. Apart from his love for painting, he has no other strengths according to himself..

He has not read many books, nor has he received very orthodox art training. It is very difficult to become a manga artist. Fortunately, he has been studying diligently, and his path has not deviated since then. Soon he joined "Good News" and started himself. Serialization of works.When he first entered the industry, he only drew some loose drafts, and his works were mostly imitating the style of the famous cartoonists of the time.

In 1982, he joined the then famous Yulang Group Publishing Co., Ltd., and began to edit his early representative work "Chinese Hero".

Although Huang Yulang created classics like Dragon Tiger Gate, there has always been a rumor in the Hong Kong comics industry that Huang Yulang is not a good painter, but a good businessman.

This is a satire of Huang Yulang's mediocre painting skills, but it also proves Huang Yulang's commercial acumen.

After Yulang International was on the right track, Huang Yulang put down his identity as an author, and more often appeared as a manga industry boss.

Ma Rongcheng's ability to paint Chinese heroes is absolutely inseparable from Huang Yulang's support. The original "Chinese Hero" was actually deliberately conceived by Huang Yulang based on Ma Rongcheng's creative conditions and personal style.And Ma Rongcheng finally lived up to his trust and made "Chinese Hero" shine in the painting world.

This work has become the highest-selling comic book in Hong Kong in 1983. In addition to its excellent sales, Ma Rongcheng has successfully established a milestone in the new local comic style, combining realism with delicate brushwork and a cinematic feel. Picture expression.It had a profound influence on the production of Hong Kong comics.

As the chief writer of Chinese heroes, Ma Rongcheng has also become a new rich man who has been acclaimed in the world. With an annual salary of one million, he is unique in the Hong Kong comics industry.

The Chinese hero is very famous, but Qiao Feng's knowledge of Ma Rongcheng is more due to his being the author of Fengyun.

The original time and space Zheng Yijian and Guo Fucheng starring in the wind and clouds dominate the world will not be said, it is a classic work of fantasy martial arts in an era.

Even TV series and animations, animations are derived from Fengyun.

Yuan Shikong, He Rundong’s instant noodles, Qiao Feng, has been complaining about how many years.

And Qiao Feng was the first to know Fengyun, and he knew that Ma Rongcheng started from the pirated comics of Fengyun when he was very young.

That is the black and white pirated version of "Feng Yun" circulating in the market, and that was the first shock that Hong Kong Comics brought to Qiao Feng.

When he was young, Feng Qiao had a natural resistance to the adult-oriented Hong Kong comics (in his childhood, the Hong Kong comics that often burst into clothes represent xxx), but by chance, the next classmate borrowed him a copy The black-and-white version of "Storm and Clouds", I remember that it was the fourth episode of the far-away publishing house. It was about Nie Feng's discovery of Bu Jingyun and their sister-in-law Kong Ci.

The result led to Fengyun's first duel.

At that time, Qiao Feng, who was still a primary school student, was completely shocked by the black and white version of "Feng Yun". The first life and death duel between Nie Feng and Bu Jingyun was different from the subsequent struggles, but Fengshen legs. And Paiyun Palm is a mutual dismantling of one move.There are even basic tricks such as buckling the wrists, sweeping the legs, and hitting the knees; even if you don’t read the narration that has been repeated many times, Qiao Feng can also see from the screen that “Fengshen’s legs are far from far and far away. But the close fight was set by the author of Paiyunzhang restraint."

It was really a visual feast, Qiao Feng only saw this fight, and he really understood what a "martial arts comic" was.At the same time, because I watched it endlessly, I felt that the plot was more confusing and fascinating; the more I wanted people to complete this comic as soon as possible.

"Are the golden scales a thing in the pool, it turns into a dragon when you encounter wind and cloud" has become a mysterious and mysterious phrase that hangs on Qiao Feng and the boys in the same class who have seen it all day.

At that time, Qiao Feng used almost all his pocket money to buy these black-and-white pirated versions of The Wind and Cloud, and there were still more than a dozen copies of the first part of The Wind and Cloud in his home before crossing.In Qiao Feng's opinion, the first part of "The Wind and Cloud" is definitely the pinnacle of Hong Kong Comics, not one of them.

And a person’s encounter when he was young often becomes the most beautiful encounter in life, because at the beginning, he saw the black-and-white piracy that was circulated in the market, so until he crossed the front, Qiao Feng still thought that the black-and-white version of the Hong Kong comic was better than the color. The depth and momentum of the show are in place.The color manuscript is superfluous.(Of course, what Qiao Feng said here is that Hong Kong Comics is originally in color, and pirated copies are printed in black and white to save costs.)

Only in terms of the expressiveness of the picture, Feng Yunyi's painting skills are unmatched.At that time, Ma Rongcheng could really be called a soul painter, and Fengyunyi's characters really "have acting skills"!

I still remember that Bu Jingyun’s expressions changed at that time, sometimes crazy and impulsive, sometimes yin-y, but sad, angry and dull. Even when he was imprisoned in Lingyun Cave, his frightened face in the dark can be regarded as a thriller comic. Look.

I still remember that when Bu Jingyun led Xue Antian to wipe out Lianchengzhai by himself, the figure that was soaring to the sky, sitting quietly on Tongniu with his hands and nodding, followed by his cloak, ignoring the provocation of Lianchengzhai’s master at Guanqi. , Walked towards his servant Xue Yintian, which was a half-overlooked picture, Bu Jingyun was the core of the whole picture, and Guan Qi and Xue Yintian's accident and panic were all in sight.It was simply a cinematic shot. At that time, the picture was full of tension. Ma even used a lot of brushes (possibly similar to brush strokes) to paint, which was compared with the facial paralyzed face and zombie movements in the third part of Fengyun. It's more than ten streets in a spike.

In the second and third "Feng Yun", Qiao Feng likes the actor Nie Feng and gradually turns into a passerby. From the later period of the first part, Qiao Feng has been very dissatisfied.But the plot of the whole story is good, and Qiao Feng still insists on collecting books.When it came to the second part, it became even worse, and Nie Feng had been hidden directly by God for a long time.Qiao Feng was really angry about this and abandoned the book.In fact, it doesn't work if you don't abandon it. At that time, Qiao Feng read comics directly and bought pirated copies. He didn't have much pocket money, and the books were too expensive.The subsequent plots were all completed online after going to college.

But in any case, in Qiao Feng's opinion, the first part of "The Wind and Cloud" is definitely the pinnacle of Hong Kong comics without any doubt.

"Mr. Joe, there is something wrong with Mr. Huang now, he is so supportive and valued me, how am I embarrassed to have other plans behind him."