Rebirth Enchanted Xiangjiang

Perhaps Yan Geling felt that such a description was too light, as if prostitutes were used to sitting in the Fengyuechang, so they yearned to be a female student.In another extended version, she made changes, and the prostitutes were obviously more entangled.

Only Zhao Yumo was righteous: "Let's go with the Japanese. Keep the students."

Except for her little follower Hongling willing to follow along, Yumo's proposal was strongly opposed by other sisters. In the end, Yumo had to use the power of the prostitute leader to "wake up" them:

"Well, there is a kind of you just hide here to the end, occupy people's territory, eat people's rations, and watch the Japanese drag those little girls away to harm! Who are you hiding for? Do you keep someone who loves someone? "Now she is like a pungent village woman, she said a word, and was scolded several times, but she was not sure who she was scolding."Hide it, hide it until you reincarnate, cast a good fetus, and be a female student too, let your fate give you a good day!"

This drink really worked, and the prostitutes quickly "recognized their lives and quietly fell silent."

This version is already in line with the description in Vautrin's diary, except that the prostitutes who scolded in the real Jinling Women's Institute admitted that it was not a jade ink, but Vautrin, but those who consciously cleaned themselves.

The prostitutes are not awakened, they just confessed their fate. Anyway, they are already unclean bodies. Whoever gives it to it is not to give it to whoever makes one's own life cheap. Living in this world is suffering.

If there is any difference between the two versions, the biggest or only difference lies here: the former version is where prostitutes happily go, and the latter version is where prostitutes succumb to their lives. Of course, behind the former "happily", there is a deep A deeply hidden sigh of fate.

If there is any major discrepancy with historical reality, it is Yan Geling's deliberately portrayed prostitutes' yearning for the identity of "female students".

If the scene of prostitutes posing as female students really happened, Qiao Feng thinks that Yan Geling’s imagination is reasonable: on the way to death, being a daughter who has long been forgotten by them seems to be quite comforting. Thing.

"Twenty minutes later, the kitchen door opened, and a group of young girls in black sailor skirts and black top hats came out. They lowered their faces, holding their breasts like virgins who hated their own development, under their elbows. , Holding a songbook of "Bible". They are the most beautiful group of "girl students" in Nanjing.

This is what I imagined, because female students are a dream for them. They pretend to be female students according to their dreams, so the beautification of dreams is added."Yan Geling once wrote like this.

But in Qiao Feng's view, such a scene may not really happen in historical reality: at the critical moment of being abused and damaged, who cares about the daughter's body that he once owned?It was just a distant and miserable childhood dream.

However, in Zhang Guoshi's film, the "student dream" is once again exaggerated.

You can put yourself in your place and think about it: If you knew that after dawn, you would embark on a dark and cruel road to hell, what would be in your mind tonight?Is it possible to finally be a "girl student" and look forward to it?Or is it fearful and uneasy for the imminent abuse and cruelty?

Obviously, in Zhang Guoshi's mind, prostitutes' expectations of being students far outweigh their fear of abuse and cruelty: freshly cut hair, solemn new clothes, brilliant smiles, and another long and graceful "Qinhuai Scenery", wide-angle lens Pull out twelve gorgeous women with gorgeous, swaying, graceful pendulums.

Yes, they are so beautiful and gorgeous, as if the dark dawn will never come, they will always be the most beautiful women on the Qinhuai River. The bloody mutilation and sacrifice they suffered has been ignored by the audience and quietly forgotten by history. Years later, it was picked out from the dust of history and became a consumer product.

Qiao Feng couldn't believe that such a movie can really hurt the scars of the Chinese people's souls.

Maybe it’s okay to cry,

In fact, with the surging economic tide since the 1980s, the Chinese have already healed their scars. How many people have paid attention to the wounds of the Nanjing Massacre?Qiao Feng feels that most people don't have this scar at all.

Even for the sake of Sino-Japanese friendship and trade exchanges, the country has been trying to downplay those wars/just like Black Sun 731. If it weren’t for Qiao Feng’s insistence, this movie would have been painted early for political reasons.

Rather than like now, during the two months of the New Year, the heavy lineup has pushed the box office of this restricted film to more than 20 million in Hong Kong.

As Yan Geling said: "The most tragic sacrifice in war is always women. Women are the ultimate spoils of conquerors. Women always suffer twice as much pain."

But in Zhang Guoshi's film version, this theme has not been truthfully presented.In the movie, the three soldiers were picked up from the dead by the corpse, and they didn't even have the chance to fire a single shot in the whole.What I want to say is that Yan Geling’s is basically in line with historical facts. In the Nanjing massacre, Chinese soldiers were coaxed by Japanese devils, tied up in a long string and brought to the riverside, and then they were shot by machine guns. He died before he knew what was going on.

However, Zhang Guoshi's film exaggerated the bravery and fearlessness of the "soldier", killing the enemy to the last minute.It was not the three wounded who crawled out of the dead pile to go to the church for help, but the soldiers escorted the girls all the way out of danger.It is not that the soldiers stayed in the church until the last moment and refused to leave, but they took the initiative to evacuate and fought the church from a distance.

In Yan Geling's, the three soldiers were fascinated by Zhao Yumo, and even Major Dai was dizzy in Yumo's soft and charming "eyes" and even played ambiguous games.Compared with the image of the unyielding soldier in the movie, I believe it is the truth of human nature.

This tampering by Zhang Guoshi is not only Yan Geling's, but also a tampering and fabricating history.So far, in the massacre, Chinese soldiers seem to have never left the epic stories of the war.

Qiao Feng wanted to tell Spielberg about the true records in Vettering’s diary and Yan Geling’s 13 hairpins of Jinling, hoping that he could make classic movies such as Schindler’s list and Saving Private Ryan. The master can use his perspective and his film language to talk about the Jinling thirteen hairpins in the endless massacre after the fall of Nanjing, which is different from Zhang Guoshi.