Rebirth Enchanted Xiangjiang

"I heard that Zhang Yimou imported 50 abnormal-related movies from abroad through China Film, in order to make the special clips in this movie, hiding in the guesthouse near Rending Lake, and studying them one by one. They are all from the little devil's side." Qiao Feng said gossip, admiring the dedication of the fifth-generation director at this time.

"It's really fake, Zhang Yimou's image, I really didn't see it, and this hobby." Li Zhi opened his mouth in surprise.

Gong Li gave a funny glance: "What are you thinking about? It's for filming, not as dirty as you think."

"Hey, enough of you guys, what do you say in front of the children?" Lin Qingxia kicked Qiao Feng angrily, and then motioned to the three of them to look at her son Qiao Zhen, who was confused and could not understand.

"This little thing is as lustful as his dad, so I am interested in these things at such a young age." Lizhi giggled and pinched Qiao Zhen's cheek.

Qiao Zhen, whose face was pinched, was not at a loss anymore. He was touched by the beautiful aunt, and opened his mouth happily and giggled.

"Look at this guy, he's more prettier than his dad." Gong Li also squeezed Qiao Zhen's face teasingly, and then the little guy was dying of joy, his saliva was rushing.

Goku is a kid, if he is an adult, he really looks like a pig brother.

Lin Qingxia couldn't stand the stupidity of her precious son, so she patted Lizhi, Gong Li's beautiful little paw, and took her son to educate her.

Seeing the silly boy being hugged by his mother, Li Zhi could only take back her good-looking paws, and then curiously asked: "Judou's capital was provided by herself, and the script was also written by Japanese screenwriters. , Don’t you hate him the most, why do you let her act."

The person involved, Gong Li, also looked at Qiao Feng curiously. She also wanted to know this question.

"Zhang Yimou's personal style is too strong. He will not make the film into a Japanese-style film just because the employer is mostly Japanese, and the Japanese screenwriter participated in writing the script. Under his guide, he can shoot and only Filming the scenes of this land. Since the filming is still a Chinese story, why bother who the capital is. Besides, Judou is obviously not a movie with a high box office. The little devil is willing to spend the wrong money. Am I still not willing?" Qiao Feng explained.

Zhang Yimou is different from Chen Datou. Chen Datou is able to pass the cat demon into such a strong Japanese style because the story that Chen Datou shot is a novel written by himself, and the script is also written by himself. The key is that Chen Datou likes it. Japanese culture and even Gouri believes that the legacy of Han and Tang dynasties is not in China, but is inherited by Japan, and even the culture of scholars is now only available in Japan.

Therefore, the gloomy atmosphere shot by Mao Yao Chuan is the kind of little devil, and that kind of gloomy atmosphere is what Japanese horror movies are best at. I have a grand banquet in Tang Dynasty, and I was in a small broken hall. I suppressed the face of Concubine Yang, who is full of exotic styles. I really want to vomit Chen's big head.

This guy, starting from the Yellow Land to Farewell My Concubine, was the peak of the road, and then began to go downhill, one year worse than one year.

Zhang Yimou would never make this kind of film, even if he took three shots, it was because he wanted to go the road of pure commercial film.

Lao Mouzi, who is accustomed to making serious movies, wanted to make waves, so he made a two-person comedy, which was noisy and was released on the Spring Festival stall. Lao Mouzi also said that he just wanted to try a different style.

So this film can be regarded as a joke on the whim of the National Teacher, and the box office has been earned, and this original intention has been achieved.

And the national teacher who re-shooted the literary film is still a national teacher.

Lao Mouzi’s literary and artistic films have never been separated from the grassroots. His lifelong literary and artistic films have been rooted in the grassroots and folklore.

Lao Mouzi likes to shoot common people and ordinary people. He doesn't like to shoot tall and tall like Chen Datou. With the exception of commercial films, Lao Mouzi likes to shoot all his movies.

His films integrate national culture, social thinking, cultural roots and film innovation. Early Zhang Yimou was known for directing literary and artistic films full of traditional Chinese culture.

The outstanding feature of his works is his deep understanding of traditional feudal consciousness and strong critical spirit.It is the strong sense of history and life that is embedded in it, it is a peculiar landscape of ancient folklore, and it is also full of praise and praise for the spirit of resistance to women. Behind the strong colors and bold composition, he insists on the truth and narrative of life. Lyrical.

Rooted in the grass roots, how could the strong folk style of Lao Mouzi be influenced and influenced by Japanese-owned and Japanese screenwriters.

Lao Mouzi can be affected only because of political reasons, such as Ju Dou will be banned from filming.

Qiao Feng knows more. For example, the red sorghum won the grand prize, Lao Mouzi has reached a height that has never been reached, and the Radio and Television also held a celebration banquet.

But after only three months, the wind direction changed.Negative comments in the newspapers gradually fermented, saying that the folk customs and folk customs of the old age that he showed in the film were "vilifying Chinese people" and even "humiliating hua".In addition, the audience who liked this film imitated the drunken look of the bearers in the film after they walked out of the movie, humming the "unbearable" tune, which also added instability to society.

Then Lao Mouzi urged him sadly and fell from the mountain to the bottom of the valley.

Qiao Feng knows that this gloomy mood will profoundly affect Judou's movie.

As a top photographer, Lao Mouzi’s selection of scenes is quite discerning and also quite folklore. The things he shoots are absolutely Chinese, and he will definitely not be like Chen's big head. Service Huadao.

Lao Mouzi's movie style will definitely make people feel too Chinese but not un-Chinese.

The quaint southern residence, the profound simplicity of the Hui residence, gives people a feeling of suffocation and depression.

Colored dyed cloth, yellow and reddish old ancestral halls with couplets, dyeing workshops filled with water vapor, everything is the repressed feudal old atmosphere.

If such a style can be influenced by the little devil to make a devilish taste, then hell.

Compared with "Red Sorghum", "Ju Dou" seems to have grown into a depressed middle-aged person, and the free and unrestrained Shiba Lipo has become a closed and gloomy dyeing workshop.The temperament of the film is like Azure's deteriorating xing ability, where he feels suffocated with more than enough energy, and can only rely on changing the ending to chrysanthemum beans and setting fire to the dyeing workshop to vent Dong Cunrui's pride.

"Zhang Yimou's films talk about women the most. He can always find such a gap in women, from which he can get a closer grasp of the whole society. His films are the most popular actresses, which is a good thing for you. Because His films allow you to express your acting skills as much as possible, and allow you to make your character as full as possible."

Zhang Yimou’s film can make foreigners pay more attention to Gong Li’s acting skills and can help them. In the final analysis, this is the reason why Qiao Feng is willing to let Gong Li shoot Judou. Ps: Book friends, I’m Nanyou Ami Tofu. Recommend a free novel App that supports novel download, listening to books, zero advertisements, and multiple reading modes.Please pay attention to the WeChat public account: dazhuzaiyuedu (long press for three seconds to copy), book friends, hurry up and pay attention!