Rebirth Enchanted Xiangjiang

"If it's just a concept, Mr. Wu, how can you be sure that the photographer can shoot what you want?" Billy Christo asked.

In accordance with the requirements of the predetermined conversation script, he just asked how to embody Wu Yusen.

Wu Yusen shook his head and said: "Of course I can't be sure, this requires tacit understanding.

I said to find a French-style house. This French-style house has a floor-to-ceiling window. I have a special picture. I want this lens to move one frame after another outside the window. In the first frame, I see the killer arrives there. On the side, the second frame moves over again, there is a figure, the detective is there, the same posture, the same expression, when the camera continues to the third frame window, it changes back to the killer, the same action, the same expression ...........

The person we selected for the scene didn't understand what my intention meant, and then he said, where can I find a French-style house in Hong Kong. I said that I only need one window in this house, and I want a very long window.

But no one understood. Later, I went to look for the scene specifically, and then I found an old mansion with such windows.Then the photographer didn’t understand why I wanted to shoot like this. It was a bit more painful at that time. I signed a contract with the photographer and signed it for 45 days. He ran away after 45 days. Then I begged him, and my filming was only halfway through. , I need to unify the style, because he shoots, and I can't understand what I mean.

So after he left, we changed to another photographer, so there were two photographers' names, and I used the photographer who returned to "Heroes" to continue shooting.As for the actors, they probably know the story of a killer, a policeman and a showgirl.Because we spoke on the spot, they acted very hard."

At this time, Billy Christo asked curiously: "How do you work with the actors, Director Wu? In Hong Kong, the director has so much power. Is it because the directors will get angry if the actors do not perform well. "

Wu Yusen shook his head and laughed: "Why, I am not that kind of director. The way I interact with actors is this. I don’t teach drama, and I don’t talk much about drama. When I shoot every actor, I first treat her I have a certain understanding. I understand her advantages, her shortcomings, her beauty, her unbeauty, the tone of her speech, and the way she speaks.

On the other hand, when I was thinking about the script, I had already seen a performance. I went to the scene and I was like drawing. I hope to have new inspiration. Because those actors, since I learned about her, I went to When performing live performances, it really was what I imagined. Whether she bowed her head, walked two steps, or looked at the window, or what, or sighed or what, it really was what I imagined.

I often encourage actors, can you give me another way, or can you put her experience, past experience, into this scene, I will let her change the dialogue, I can let her add dialogue .

For example, there is a scene where Zhou Runfa was betrayed by his good friend. He held a gun at him. When the scene was filmed, there was no script at all. I said you were very sad about this scene because you believed it for more than ten years. My friend, he betrayed you, in your life, was there any betrayal by your friend, what was your feeling at the time, what did you tell him at that time, and forgot that we were making a killer movie.

So I am not about the underworld when I filmed "The True Colors of Heroes". I don’t have such a deep understanding of the underworld. I’m filming a person’s story, so when I filmed him, I said that when he first entered the industry, he made Helped a friend to pay all his wages, but later, this friend stabbed him and betrayed him. He was very sad.

I said that you regarded Zhu Jiang as your friend back then. What did you say at the time, and what you said in the dialogue, some of which he once said, did you forgive him in the end?In the end, he completely forgave that friend. He knew that this was the case in this industry. So, he wanted to kill Zhu Jiang later, and then he put down the gun, tears flowed down, and naturally tears flowed down.

"I take the liberty to ask, are you going to use this way in Hollywood, Mr. Wu?" Billy Christo is a fan of it, asking timely.

"Yes, I plan to shoot in this way when I come to Hollywood. My English is not very fluent, but I will use this way to encourage actors to do this. I believe Hollywood actors will give me the performance I want. .

I know that in Hollywood, no matter how big the star is, there are restrictions. First, you can't change the script, and second, you can't add dialogue on the spot, because any change will affect the production budget and the company's control ability.

But I will let them change.

For example, in some Hollywood action movies, heroes cannot shed tears, and cannot shed tears when facing the camera.

But in my movies, heroes can shed tears. There is an old Chinese saying that men do not flick when they have tears, but they are not sad.

In the plot of the movie, it is much better to make heroes cry and talk about the dialogue in a certain situation than to keep their necks in tears.

"You can see Mr. Wu you are a very emotional person." Billy Christo laughed.

"Yes, I'm very emotional, so my movies are often very emotional. I always like to follow the feeling. When I filmed "Blood Two Heroes", it was basically the same for many scenes.

When filming action scenes, when filming action scenes, I personally control and design the actions myself.I do not know martial arts, I have never fired, and I do not know how to drive, but all the action scenes, even how the actors hold the guns, are designed by myself.

I am not like other movies. When other movies come to action scenes, they are handed over to action directors. Action directors are a unique job in Hong Kong, which is a professional who designs and shoots action movies.

I don't want to give the action scene to the action director because the action director. He divides the shots, he shoots, he edits, how he likes to shoot and how to shoot, and it becomes two or three different styles of movies.

This will not work, what I want is a unified style.Because I don’t understand movement, when I design the action, I use the principles of musicals to shoot the action scene, the focus of the film. In this way, the shots taken will be very poetic, very beautiful, and very romantic."

"Indeed, I have seen a disc of the bloody duo. It is indeed as beautiful and romantic as you said, Mr. Wu." Billy Christo nodded: "Then Director Wu, I have a question for you. ."

Please remember the domain name of this book's first publication:.Bookstore mobile version reading URL: