Rebirth Enchanted Xiangjiang

"Did you edit the bloody duo, Mr. Wu?" Billy Christo asked curiously.

"No." Wu Yusen shook his head and said, "Many of them I edit by myself, but it is more that I master the style."

"How do you master Mr. Wu? Did you tell the editor how to cut it?" Billy Christo asked again.

Wu Yusen shook his head again: "I have mastered the style when I shoot. I just need to make sure that the editor cuts out my ideas."

"How did you do it?" Billy Christo didn't understand what Wu Yusen meant.

Wu Yusen had to explain in detail: "For example, when the editor Zhou Runfa turned and shot, I took three angles when I was shooting. One was from a high angle. When he turned and jumped up, the first angle of the machine looked at him. Another turned and shot, and the other side angle, also turned and shot, three angles.

If you remove the head and tail of each segment, this is a continuous movement, with three different angles, but only one turning movement.But when I put these three together, I put them together, and when the head and tail are not removed, the three are repetitive movements. Turn it, turn it down, turn this piece, I said it’s very beautiful , It’s still very cool, I said that’s it, no need to cut, but the use of this lens, this way of editing has become a classic, this is my style, my editing method.

After the bloody duo, many movies began to imitate, using this technique.

Billy Christo was very surprised and said: "Is such a technique imitated by everyone so inadvertently?"

Wu Yusen nodded proudly: "Yes. Many of our innovative filmmaking techniques, you often jump out of them inadvertently or in such experiments. Japan, there are some film academies in South Korea that want to analyze this. How did you use it? Or what's the meaning? In some activities, their director asked me, I said you use it in different places, it has different meanings."

"Mr. Wu, you said that you are very emotional when you make movies, and many classic shots are casually shot. So how do you think about inspiration, and how do you grasp the feeling you want?" As the conversation went deep, Billy Christo's interest in Wu Yusen, a great director from Hong Kong, became truly interesting.

Although he is also an insider, it is the first time that he has such a deep understanding of filmmaking and editing and has such a face-to-face discussion with such a big director.

"I think so for inspiration. As a director, when you inadvertently think of a point, you must try it. Maybe the result is not as good as you think, but it may be that one point will become your movie. The real only shining point.

Take me as an example. I pay a lot of attention to the inspiration and feelings of the scene. There is a scene in the bloody duo is Zhou Runfa. In a dragon boat race, a person comes down and sails to a beach. As a killer, he has a high degree. Alertness.

In that scene, there was a killer in ambush, and he wanted to beat him.At that time, I was always thinking, if he went ashore and looked up, it would be fine if the assassin was there, usually like this.

But I feel that this is not enough to look at. It seems too common to shoot Zhou Runfa like this.Later, I thought, if the other party is holding the gun and has a sight, if there is reflection, it should reflect light, but this killer, in order to let the other party know how to find someone ambushing on it, is there any surprised expression? Pretending to be a false alarm like this.

Then I thought about putting him on a pair of sunglasses, and then he took the sunglasses off, and a pair next to him, the killer was on the mountain, the lookout with the gun, the reflection, reflected in his eyes, That shot can show the assassin's shrewdness.These inspirations were all thought up on the spot.

So I told my team, you have to keep your eyes open. Suddenly there was a tree in the place I just passed by.

In Hong Kong, the peasants in the countryside are very fierce. If you cut one of their trees, they will cut you down with a knife.Therefore, the working group is more difficult in the scene with me.So sometimes, there are some skills, which are generated by the inspiration on the spot."

"What do you think about the holy pigeon, Mr. Wu, how did you put the last gunfight scene in the church, where there are so many white pigeons representing peace?" Billy Christo asked It can be said that the common aspirations of people who have seen the bloody duo.

For this question, Qiao Feng and Wu Yusen had communicated before and decided on how to answer. Therefore, facing this question that many people want to know, Wu Yusen did not pause to think this time, but smiled directly: "Filming this scene. , I know everyone must be very curious about how the pigeon got here.

I think so. I think as a killer, he has what kind of inner world and what kind of feelings. How should I describe and shape such a killer.

Because he is not an ordinary killer, he is a person, and what he does may not necessarily be recognized by everyone. What he does may be right or wrong, but in our moral society, he is a The wrong person, but he was lonely, no one knew him, no one would forgive him."

"I can't understand it this way. Although the killer of the bloody duo is not tolerated by the law, he is actually a person with his own bottom line in moral terms." Billy Christo pondered for a moment, and said well.

"Yes. Although it is called a killer, in fact, this killer is equal to our ancient swordsman.

In fact, I shoot killers. For example, when I shoot "The True Colors of Heroes," I'm shooting a story about a swordsman, and I'm shooting a story about a killer. That killer uses a gun, just like we swordsmen use a sword.

He has no place to go, no one can understand him and accept him.I said the only place where there is a church.He can find peace in that place, he can feel that someone can still accept him, so the hero will end like that."

Brother Xiao Ma in the true colors of the hero and Xiao Zhuang in the bloody duo are actually the same kind of people, they are not accepted by others.

Although Xiao Ma has a good brother and a big brother Hao understands him, Hao, who came out of jail, obviously wants to reform.

Therefore, he and Xiao Ma are no longer the same.

Xiao Ma's heart is to get back what he lost, and Brother Hao decided to come back out of the arena for the sake of his family and his good brother.

The starting point of the two is fundamentally different.

Under the theme of the true colors of the hero, the pony has to die.

Only heaven belongs to the pony.

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