Rebirth Enchanted Xiangjiang

After the release of A Chinese Ghost Story, she received almost overwhelming admiration. Whether it was the special effects of the movie or the over-resolved zhengzhi satire core, audiences and professional filmmakers gave it extremely high praise.

In contrast, the same hot cousin, Hello, has mixed reputations.

Some people like it from the beginning to the end, while others yell at the description of the mainland in it.

Cousin, how are you? Don’t look at the high box office in Hong Kong, but it was a film that was once banned in the original time and space.

Of course, in this time and space, it is also destined to be banned.

Because in the eyes of mainlanders at this time, this film is ironic and smears the mainland.

Even for the leftists at this time, this film is going to be screaming and killing.

Therefore, from the very beginning of the movie’s release, the leftist newspapers criticized and denounced the movie.

But when it comes to conscience or put it to later generations, this film is not really discredited.

Because, in Qiao Feng's view, the depiction of the mainland may be exaggerated, but it is really not a fabricated one.

At first, this film will make people think that it is a simple mockery of the mainland, just like many British films satirizing Americans or Americans satirizing British people, it is just a common public film satire.

As for whether it offends the person being ridiculed, it depends on the specific story setting. In terms of modern social environment and civilization, there is generally no overly obvious one-sided sarcasm.

When I saw the previous part, the laughter of the story was basically contracted by Zheng Yuling's "cunning" posture.She spit everywhere, didn't know the computer, didn't know the love hotel, took a bath in clothes and so on.The carefree style even single-handedly went directly to the suspect's office suspected by the police to take him away without evidence.

In a society ruled by law like Hong Kong, such behavior is undoubtedly simple and stupid.

Anyone who only sees the Cuiping-style reckless and ignorant Zheng Yuling will doubt the director's intentions.

However, continuing to watch, the director quickly dispelled the viewer's prejudice.

Zheng Yuling has a unique way of interrogating witnesses, with excellent marksmanship, daring to enter the tiger's den, courageous and strong martial arts.

She looked fierce, and very timid when the elevator was out of power (Later I learned that it was because Officer Wu Jing grabbed her hand).

Wearing an evening dress, beautiful as a goddess, at the juncture of life and death, but able to rush to sacrifice, but also slaps, flickering that the villain dare not shoot.

Then Zheng Yuling's image became three-dimensional and plump, and the Hong Kong policeman played by Liang Jiahui slowly became interested in her.

At the same time, this is a film that allows people to see the relationship between China and Gong from the perspective of a third party.

In the Mainland, because the two dang are opposed to each other, the speeches I have been exposed to since childhood are how our party is wise and how the National Party fandong, while in Taiwan the opposite is true.

However, my cousin, hello, expressed some neutral views of Hong Kong, which is still under British administration, and is somewhat afraid of 97, beyond the binary opposition of the two dang.

The cousin moved to Liang Jiahui’s house to stay temporarily. Father Liang is an officer of the Kuomintang Party. From the front, we can see that the confrontation between the two parties is an important factor in the laughter.

That night Liang's father sang "Three Principles of the People, my party's ancestors, to build the Republic of China, to advance the Great Harmony..."

The cousin listened to a grunt next door and got up and said "reactionary song!"

In fact, most people under the orthodox red education don’t even know that this is a reactionary song.

Everyone knows that A-mei was blocked because of the national anthem incident, but I’m afraid it’s the "national anthem."

The lyrics of the Kuomintang party are literary and the tune is slow.

The lyrics of the revolutionary songs are clear, and the music is very exciting.The cultural composition of the two parties is different, and the cultural level of the propaganda object may also determine the difference in the "main theme" of the two parties.

The two parties were finally unified and had nothing. The cousin said happily, "I finally sing the domestic works." Father Liang was not upset. "Look at the lyrics first." The cousin didn’t care.

The main creators of the film are all Hong Kong people, and the film is mainly released in Hong Kong. The main perspective of this film is Hong Kong people.

Therefore, this film naturally holds the viewpoint of Hong Kong people: I respect the things that people of my father’s generation insist on, and I admire some of the advantages that mainlanders have, "Hong Kong people, mainland people, and Taiwanese are all Chinese." This is the Hong Kong director. The Hong Kong policeman played by the big Liang Jiahui said when the old Guomin Party father and Zheng Yuling from the mainland quarreled.

This sentence is probably the true meaning of the film's screenwriter and director.

This is 1990, and there are still 7 years to return. In fact, only by watching some Hong Kong movies in these years, we can find that many people in Hong Kong want to emigrate before Huigui, and some people are full of immigrants after Huigui. Looking forward to it.

This film was made with such expectations.

Time flies, the wheel of history is rolling for twenty years, thirty years, and then looking back at this 1990 film, I see the old stubborn male protagonist father and his old guoming party comrades rescued women who once regarded each other as hostile forces. In the Lord's time, tears can still fill one's eyes.

No matter what the ideology or faction, in fact, everyone has a common goal and can cooperate. They are originally a family, all are Chinese.

In 1990, people in the mainland might think that this film smeared the mainland, but when the development of the mainland is changing with each passing day, 30 years after the self-confidence of both individuals and the nation has risen, you will find this film when you look at this film objectively. The three views are very positive.

But there is no way. This is 90 years. Whether in terms of overall national strength or national self-confidence, mainlanders are far less than those born in the 30s.

Naturally, even if many of the scenes in this movie are facts, it is inevitable that people in the mainland are too glass-hearted. Naturally, they are blinded to see Taishan. I feel that they have been discredited, but they can’t see the true connotation of the movie and the incomparable three views. .

A Chinese Ghost Story 2, which is also considered to contain political metaphors, is easier to accept than the straightforward description of the cousin in the Mainland, hello.

Even if it were not for some people who were too conspiracy theories, too delusional, and too sensitive, they would actually not be able to see the so-called satire and metaphor in this film.

But in fact, this film is the real zhengzhi metaphor.

In fact, many Hong Kong movies of this year have fengci on the mainland.

But generally speaking, they are taken in one stroke. Cousin Nihaoqi has a very positive outlook.

But for A Chinese Ghost Story 2, you can see it as a pure martial arts movie, or as a ghost movie.

But it is more of a zhengzhi film draped in ghost and fairy films.

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