ps: September 18, 1931, the "September 18th" Incident broke out.Since then, the Chinese nation has started a bloody struggle for 14 years.Most of China was trampled on, and more than 35 million compatriots were killed or injured.An inch of mountains and rivers and an inch of blood, not forgetting that the beacon smokes, the alarm bells ringing in my heart. Self-reliance, self-reliance!The 88th anniversary of the September 18th Incident, forward and pass, remember history, defend peace, and don't forget the national humiliation! Don't forget September 18th!

money.

Everyone wants to earn.

No one is too much.

It is understandable that Taiwanese filmmakers want to set up a ceiling to minimize the risk of blood loss when buying films.

People don't die for themselves.

But Hong Kong film companies don't think so.

They think that Taiwanese filmmakers are breaking ground at Tai Sui.

They dare to touch their cakes and negotiate terms with them.

You rely on me for food, I haven't added any more, but you guys are talking about the conditions first, so that I can use the interests of Lao Tzu. You are too courageous.

No way.

Never get used to it.

The Hong Kong film company is very tough.

The main reason is that they feel that they have the confidence, who made them the film supplier?

They feel that they are in the upper reaches of the food chain. Taiwanese filmmakers will come back sooner or later to beg them to make peace.

Because they have calculated and estimated, they feel that Taiwanese filmmakers cannot do without Hong Kong films.

They think that Taiwanese filmmakers are paper tigers, and the film they hold can only last for three months.

In other words, after three months, there will be no more new films in the theaters of Taiwanese filmmakers.

Therefore, the Hong Kong film company is confident.

People, sometimes they are so confused and confident.

These film companies have completely forgotten their position in the Hong Kong film market.

Forget how humbly they were when they faced Jiahe, Golden Princess and other cinema giants, begging others to arrange a schedule.

Of course, it’s no wonder that these people are not conscious. When facing Taiwanese filmmakers, Jiahe, Golden Princess and other movie companies owned by theaters are also on the same line with them.

Regardless of whether it is film or television or whatever, channels are king in any industry.

Especially when there is no shortage of things and content, no matter how good your content is, you will not have enough confidence to resist the channel.

Hong Kong filmmakers have forgotten this.

Taiwanese filmmakers don't.

It is said that the dog is anxious to jump over the wall, let alone people are anxious.

Living people can be suffocated by urine.

The painful lesson that Wang Yingxiang bought Jigong for 30 million and then lost a lot of money really scared Taiwanese filmmakers.

Thirty million, how many big-selling movies Nima I bought to earn back.

The risk of buying a film like this is too great.

All Taiwanese filmmakers feel that they can no longer bet like this without rules and bottom lines.

However, their negotiation requirements were not approved by the Hong Kong Film Company.

The upper limit in their hearts is 17.5 million.

Such prices are not low at all.

It can be said that such a ceiling price, even for the films starring Zhou Xingchi, Zhou Runfa, Cheng Long and others, can basically recover most of the investment.

However, such a sincere bid was rejected.

Moreover, Hong Kong has an attitude of nothing to discuss.

It was cold treated.

It's drying up.

Insufficient human minds swallow elephants

Nima, since you don’t want to talk about it, don’t talk about it.

Without Zhang Butcher, Lao Tzu can still eat pigs with fur.

Lao Tzu is the cinema chain, Lao Tzu is the channel, without you Hong Kong movies, Lao Tzu buys movies from other places.

Lao Tzu buys Hollywood movies.

Of course, buying Hollywood movies is not a single sentence.

Hollywood movies and Hong Kong movies are not the same thing.

Speaking of which, I have to thank the Jiang father and son.

They are very clear about their own people and outsiders.

For Hong Kong movies, they are their own, so there are no restrictions on the introduction of Hong Kong movies.

Film dealers want to buy as much as you want, as long as you have the money to buy it.

But buying Hollywood movies is not the case.

Just like the mainland, Taiwan also has restrictions on the number of foreign films imported.

It also requires approval.

For a long time, only dozens of American films have been allowed to enter Taiwan each year.

These dozens of films seem to be young and old, and they are not inferior to Hong Kong movies.

However, although the number is quite large, the number of copies of each film is limited.

There can only be a maximum of eight copies of an American movie.

What does that mean?

That is to say, the American films that are imported with money. No matter how much money you spend, the maximum number of copies you can get in the theater is eight, and only eight theaters can show at most.

The scale of theaters in Taiwan is larger than that of Hong Kong.

After all, Taiwan's territory and population are much larger than Hong Kong.

Therefore, a theater in Taiwan does not talk about dozens of theaters.

With so many cinemas, there can only be eight cinemas to show, so no matter how hot it is, the audience is limited, and how much money can you make?

This is similar to the current Chinese movie, Wolf Warriors 2 wandering the earth, Nezha, it will become popular in China, but it will not work at the North American box office.

No filming, not many theaters, everything is for nothing.

Having said that, because of such restrictions, the focus of Taiwanese filmmakers in the past has always been Hong Kong films, not American films that are rampant in the world.

However, this time is different.

The Hong Kong film company of Dog Day is too dark and its mouth is too big to survive.

Taiwanese filmmakers can only find another way.

Then they thought of American films.

The confident Hong Kong film company was wrong, and it was wrong.

Taiwanese filmmakers don't plan to play with Hong Kong film companies at all.

They united directly and went to the News Bureau.

For Taiwan’s political circles, especially after Xiao Jiang’s absence, both gang forces and capital have deeply penetrated the government.

And this group of filmmakers is even more powerful in both black and white. After they unite, the so-called regulations are nothing at all.

The Information Bureau barely discussed it and agreed to let go of the restrictions.

There is no limit to eight or eighteen, but no limit at all.

Make as many copies of a movie as you want.

Same treatment as Hong Kong films.

Then the Hong Kong movie was crashed by such a huge impact.

The Taiwan market abandoning Hong Kong movies and switching to Hollywood movies is the biggest impact on Hong Kong movies.

The reason for this collapse was that the Hong Kong film company did it by itself, and there is nothing to say.

But on the other hand, Taiwanese filmmakers are too nonsense. They broadcast movies on their own movie channels. They have no plan or convergence. The movies are released on the movie channel as soon as they are released. They want to make quick money and make money twice.

The result is exhausted.

As a result, slowly no one went to the cinema to watch movies, and they all watched them at home, and then Taiwan film companies and their cinemas collapsed.

As a result, the Taiwan market also collapsed.

After losing the two largest movie markets, the surrounding piracy of Hong Kong movies also added fuel to the fire.

The pirates not only pirate the movies of major companies and sell them cheaply, they also make some low-cost movies and make their own pirated editions, and then make the movies higher and lower.

Leading bad coins to good coins.

Three main reasons have caused Hong Kong movies to go from glory to decline.

Oriental Hollywood was directly in slack.

Therefore, Qiao Feng is very cautious about broadcasting movies on movie channels that is one of the main reasons for the decline of Hong Kong movies.

He knew that this double-edged sword might hurt himself.

But it is a pity to give up.

How to do it?

Qiao Feng felt that the only way was to discuss with several major film companies in Hong Kong and come up with a charter.

It is necessary to restrict the occurrence of random screenings by Taiwanese filmmakers.

The theater-line screening right of a movie is the theater-line screening right, and the TV broadcast right is just the TV broadcast right.

I can’t buy the cinema screening rights, but I still show it on TV.

Moreover, the purchased copyright is screened for several rounds, just a few rounds, and the extra round cannot be screened.

And how long the movie must be shown on the theaters before it can be shown on TV must also be stipulated in the contract.

In addition, Qiao Feng felt that since he wanted to do it, he would even set the price ceiling for the film.

Plan ahead.

It is impossible to block the large-scale entry of Hollywood movies into Taiwan.

Because Taiwan will lift the ban more and more in the future, this kind of thing is only a matter of time.

Then they must give the profits to Taiwanese filmmakers. As long as they feel that there is still money to be made in Hong Kong films, they will not actively promote the lifting of the ban on American films.

Then Hong Kong films can enjoy the dividends of the Taiwan film market for a longer time.

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Thank you book friend Xiaoxiaohu for 100 coins reward, thank you book friend Xing Zai for 100 coins reward.