"Filming, of course I have to do it." Qiao Feng said: "As for the light of lanterns, it was a story I told casually. I think it's a coincidence that Zhang Yimou will come out like this in the new movie. You Don't think too much, after all, you also know that, I told you that story, and others don't know, how could Zhang Yimou plagiarize and use it."

Regarding the incident of lighting a lantern and crashing a car, Qiao Feng can only round the scene by coincidence, just like the reminder or statement that appears in the opening of many TV dramas, "Any similarity is purely coincidental."

It is extremely encouraging and approving to participate in the performance of the red lantern and hang up to Qiao Feng.

Because in Qiao Feng's opinion, Zhang Yimou, the most brilliant director of Zhang Guoshi's career in the ten years after the red sorghum, both artistic achievement and ideological connotation are the peak.

And the red lantern is the best work in this peak period.

Compared with the red sorghum that won Zhang Yimou's first international award, the big red lantern is undoubtedly more mature.

"Raise the Red Lantern" is one of Zhang Yimou's best combination of form and content. Its aesthetic form and allegory symbolism are far better than his later film "Full of Golden Armor in the City".

This film has won many awards, both domestically and internationally.

With this film, Zhang Yimou won the Silver Lion Award at the Venice Film Festival of the three major European film festivals after the Red Sorghum won the Golden Bear at the Berlin Film Festival.

And the award of "Hanging the Red Lantern" at the Venice Film Festival was not criticized by domestic public opinion for showing the ugly side of the nation to win foreigners' curious eyes. It is actually the unique visual style of the Western film circle to Zhang Yimou. The ability to integrate local culture and convey positive feedback on positive values ​​at the same time is also a commendation for Zhang Yimou's superb scene management, sound and picture matching, lens language, art style and other director techniques in the film.

"Raise the Red Lantern" is very particular about the use of color.The repeated appearance of different color tones in the film makes the mood of the audience rise and fall with the plot.

Master Qiao wants to spend the night in which wife's room, and a red lantern is hung in front of that wife's door.

The use of the classic three-primary color printing method makes the red and yellow of this film very vivid, and the various colorful clothing also makes this film more refined.

From the perspective of the overall level and comprehensive strength of the film, the film is a shocking piece of Zhang Yimou's literary and artistic works.

The film itself does not have too many overlapping scenes, nor any sound effects added later. For example, in order to show the dominance of the dark forces, the dialogue of the master who has never appeared is relatively simple, but very effective, as if the master does not exist, but Control the life and death of everyone in the compound.

Zhang Yimou makes good use of Beijing accent and gongs and drums, so the sounds will not interfere with each other in terms of sound effects

The film’s ridicule of Eastern despotism is deep in the bones. It is a bold experiment by Zhang Yimou. Such experimental films can be said to be rare in Chinese movies.

If you miss such a good film, you can regret it for a lifetime.

And Kai Ge has eaten for a lifetime with a Cannes Palme d'Or, Zhang Yimou can eat for a lifetime with these two international awards.

The same is true for Gong Li.

With the red sorghum, plus this big red lantern hanging high and the Silent Lamb Oscar as the queen, you can still eat for a lifetime even if you are shooting ordinary films in the future.

"Well, since you said that, I'll take it."

Gong Li believes in Qiao Feng's vision. If Qiao Feng says he can take it, then this film will definitely not be bad.

After talking about the high red lanterns, Gong Li looked at the crowds of Hollywood practitioners at the banquet and asked with some expectation: "Do you think Judou will win the prize in the end?"

If you let others hear this, you will definitely think that Gong Li is not ashamed. It is hard to say whether he can get the nomination or not. He even dares to want to win the prize.

But for Gong Li, who has already won the Oscar, this is her true inner thoughts.

For Gong Li, who won the Oscar, she can only care about whether she can win the award.

If it's just for a nomination, but she doesn't even dare to win the final prize, she really lacks interest.

Doing so many things for a nomination, that is, Zhang Yimou, who is very longing for Oscars, and Qiao Feng, who has not been recognized, is for the ultimate commercial benefit and is for the Oscar bonus capitalists.

And it is not too worried about being nominated for Gong Li.

Because of Qiao Feng.

Qiao Feng has been selling movies in North America every year, winning the top ten in the annual box office and even the annual box office champion.

And he still has many companies in Hollywood, whether it’s the DreamWorks Film Company that was founded to make movies at the beginning, the DreamWorks Animation Studios acquired later or MGM, these companies have allowed Qiao Feng and the entire Hollywood industry to work Many people have various interests and affiliations.

Relying on Qiao Feng's huge network of contacts, it would be strange if even a film that is clearly a good movie and has the ability to be nominated but cannot be nominated.

Hollywood is actually the least prone to accidents.

This is also the reason why the annual Oscar nominations and Oscar awards are predicted, and the predicted success rate is quite high.

Because if you don’t say anything else, you can predict the outcome with a high probability just by looking at a person’s life in a company’s contacts.

Especially in the nomination list, there are four or five links in a single list, and the probability of predicting success is greatly increased.

Gong Li has confidence in Qiao Feng, and Qiao Feng has confidence in himself.

Just by looking at the celebrities, famous directors, famous screenwriters, famous producers, and famous managers who have held so many gatherings to appreciate their faces, you can know where this confidence comes from.

However, the nomination Qiao Feng is confident, but the award-winning Qiao Feng is completely unconfident.

Firstly, this is a purely foreign language film directed by Chinese, starring Chinese, and Chinese as the original sound.

For Americans who are extremely xenophobic and who use tinted glasses to see people, the degree to which they, especially the stubborn old men of the Academy of Sciences and Arts who are addicted to the glory of the past, can accept is greatly reduced.

Secondly, Judou has not won even one of the awards known as the Oscar weather vane.

Not to mention the more authoritative major trade unions, such as directors’ unions, production labor unions, and actors’ unions, nominated or even won awards.

Ju Dou didn't even have a nomination (let alone the award) for the Golden Globe, which is called the most watery and nonsense Oscar vane by insiders.

In such a situation, it is really overconfident to talk about whether you can win the prize in the end.

With such a probability far below one percent, he couldn't imagine killing Qiao Feng.

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Thanks to book friends and swordsmen for rewarding 100 coins without using a sword.