"Have you heard that McDonald's is going to put Wu Xihao on the big screen." Wang Jing couldn't wait to ask when he entered the door. "I heard that, when I came back, I saw the newspaper saying that they were going to shoot. Godfather in Hong Kong, what's the matter?" Qiao Feng nodded and asked.

"This is not because Brother Xiang family heard that McDonald was going to film Wu Xihao's story. He felt that the subject matter that McDonald would like must be a hit, so he was also moved. It just happened that I was fine for the time being in the latter part of Eleven Arhats. They found me," Wu Jing said with a slight disapproval.

"Brother Xiang family is so optimistic about McDonald Bear? He is ready to follow suit without knowing anything about the box office before the film is finished?" Qiao Feng asked a little bit amused.

"Who knows. I think McDonald's is nothing more than that. What about the godfather in Hong Kong? I want to take photos of Hong Kong's American past." Wang Jing feels that the Xiangjia brothers look at McDonald's too high and think they let themselves I can't wait to follow the trend and take the subject of McDonald Bear is to look down on myself.

Qiao Feng smiled disapprovingly, and said jokingly: "Don't think about the American past in Hong Kong. Xu Ke said he wanted to take a picture of the American past in Hong Kong."

"What? Xu Ke also wants to follow McDonald's in making biographical films? This is not his style." Wang Jing said in surprise.

"Of course not." Qiao Feng shook his head. As Wang Jing said, following the trend is not Xu Ke's style.

Old Monster Xu's style is to develop or expand a genre film by himself.

In fact, several of the top directors in Hong Kong have created their own genre films. Just like Wang Jing, no one has the right to accuse him of following the trend, because gambling, chasing girls, and harming friends in multiple series of genre films It was he who made the fire. He even said that Hong Kong's gambling movies were created by him. Could the so-called gambling movies before him be what people thought later?

So is Xu Ke. Without Xu Ke, there would be no new school of martial arts, and only Xu Ke has left a blockade in film history.

Even many people think that the heroic movies like the real heroes were created by Wu Yusen, but in fact the original space-time was originally Xu Ke's project. He saw that his good friend Wu Yusen who had helped him in the past was down and gave the project to Wu Yu. Sen, but Xu Ke is the producer.

Of course, the true character of a hero is indeed marked by Wu Yusen's personal strong label, so there is no doubt about this.

"Xu Ke wants to shoot Huang Feihong. He wants to make Huang Feihong his American past. He has even taken the English name onceuponatimein China." Qiao Feng said.

"The past in China?" Wang Jing shook his head speechlessly: "Is this a tribute to American classics?"

"Forget it, anyway, whether it's the Godfather or the American past, it's all about the story of a person or a group of people in the turmoil in a period of history." Qiao Feng said: "Especially the American past, this name, you can do whatever you want. It can be applied when shooting a person in the past or a group of people in the past. Xu Ke is shooting Huang Feihong, which is about domestic affairs. He wants to call the past in China, then you can also shoot a person in Hong Kong and then call the past in Hong Kong. Or take a picture of a person in Guangzhou, called Guangzhou Memoir, the name, whatever you call it."

Wang Jing looked at Qiao Feng dumbfoundedly and said, "According to you, the godfather can make America a thing of the past, right?"

"Don't tell me, this is also the director of The American Past did not take over the job of directing the godfather, otherwise the godfather might really call the American Past." Qiao Feng laughed.

Of course, what Qiao Feng said is pure nonsense. However, the two films The Godfather and The Past in America are really related.

Of course, the origin does not mean that these two films are about gangsters. Rather, as Qiao Feng said, when the Godfather first started shooting, the director wanted to invite the director of the past, Sergio Leon.

Because although the story of the godfather is about an American gang, it can be seen from the name of the godfather that the gang in this story is a mafia that originated in Italy.

Sergio Leon is Italian, so Paramount Pictures, the producer of the godfather, thinks Sergio Leon is suitable to direct the godfather.

However, Sergio Leon had already bought Harry Gray's autobiographical "The Hoods" at that time, which is the right to adapt the film Once Upon a Time in America.

This is about the growth experience of a few teenagers in the Jewish gang in New York. Sergio Leon is creating a script for the gang story.

At this time, Paramount asked him to shoot a godfather with a similar subject, and Sergio Leon naturally didn't do it.

As a result, Francisco Pola directed the godfather.

When Sergio Leon changed the script and found the leading role, he was ready to start filming The American Past, the godfather had already finished filming and was released, and it was selling well at the box office.

Then the producer has no confidence in the success of "Once Upon a Time in America", which is very similar to "The Godfather", and the investment plan is therefore shelved.

This was stranded for more than ten years, and it was not until 1985, that is, fourteen years later, that the filming of The American Past was released.

Then, another gangster classic was born.

This is why Wang Jing would say that McDonald is going to photograph Hong Kong's godfather, and he will photograph Hong Kong's American past.

But although the genres of the two movies are similar, there are still differences.

Otherwise, Xu Ke would not take Huang Feihong's English name as China's past.

The Godfather is a pure syndicate movie. It talks about the grievances of the Mafia family but not the past in the United States. It has an expression of American history, culture and spirit.

Therefore, Huang Feihong, who is also an expression of Chinese history, culture, and spirit, can be called China's past events, but not the Chinese godfather.

Conversely, the story of Wu Xihao photographed by McDonald and the others can be called the godfather of Hong Kong or the past of Hong Kong. After all, the story of Wu Xihao itself is a piece of Hong Kong history in the 1960s and 1970s.

"Okay, don't talk nonsense." Qiao Feng brought the topic back: "Although the Xiangjia brothers asked you to follow McDonald's bears, they are a little understated, but they have to say that they watch the McDonald bears very accurately. "

"How do you say, do you think McDonald's themes can sell well this time?" Wang Jing frowned.

"Definitely." Qiao Feng nodded: "First of all, from past experience, McDonald seldom missed his shots. He didn't say anything when he was on Li's TV station. It was able to suppress wireless. Entering the film industry, the first work "Beautiful Girl" won the youngest filming actress for the first time at the Golden Awards, and the box office is also okay. After that, you can see how many follow suit. The Hong Kong flag soldiers also caused an upsurge. There are also jianghu loves and French loves, which are both word-of-mouth and box office win-win works.

Another thing, biographies or biographies of gangsters is the missing link in Hong Kong film genres.

Finally, Wu Xihao’s story is not long away from us. Even if he goes to jail, his story still circulates in the streets.

This naturally has an audience base.

Do you think you have any trouble?"

"It's really messy to hear you say that. Then I will go back and talk to the Xiang family brothers. McDonald's photographed Wu Xihao, and the Xiang family brothers know their family affairs, so just take pictures of their family affairs. "Wang Jing said he was leaving.

"Hey, you are stupid, will you expose yourself to your family? You can't find a way out of death." Qiao Feng hurriedly reached out and held him.

"Hey, it's also." Wang Jing, who reacted, said with a sceptical smile..

"Then what are you talking about?"

"In Hong Kong in the 1960s and 1970s, there were people in Hong Kong who asked you to take pictures. Go back to the Xiang family brothers and let them decide. Anyway, you want to take pictures of those people, but everyone who lives needs them to fix themselves."

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