Rebirth Enchanted Xiangjiang

Qiao Feng originally thought that he was going to enter a long time of negotiation, but the result surprised him.

The final resolution was set up with multiple departments only two times.

China Film has tilted the policies of Hong Kong's imported films. The prescribed imported films shares in Hong Kong movies and other countries and regions are competing. In addition to the prescribed regulations, the three special shares of Hong Kong movies each year.

Of course, these three parts are not certain. It still depends on whether it can pass the review. Only the review and approval of all aspects can get the share of the three parts.

However, neither Qiao Feng nor the relevant departments felt that there would be problems.

No problem is to see the relationship between the two parties. As long as the relationship does not have a problem, it is impossible to find three movies that have passed the review.

In addition to the most valued film imports, I also re -discussed the details of the co -production film.

It is still unchanged, and Qiao Feng values ​​the investment share, the number of actors on both sides.

Generally speaking, according to the "Regulations on the Management of Chinese and Foreign Cooperation Film Movies", the co -production mode is divided into three types. The form of interests and joint risk -taking cameras; the second is the "collaborative photography", that is, the foreign parties contributed, and the Chinese side is filmed by the Chinese side to provide assistance to the formation of equipment, equipment, venues, labor services, etc. That is, the formation of the system of the Chinese side in China is entrusted by the foreign parties.

However, the third model is basically no one chooses.

In the previous two models, in the previous co -production films, Hong Kong basically chose collaborative films. It is Hong Kong companies paying money, actors, the mainland provided equipment, framing place, and group performances. Basically made a hard work.

The reason for this is that Hong Kong companies feel that they are more professional and understand the market, and their actors have more box office appeal.

Don't say at this time, the Hong Kong filmmakers who went north after ten years and twenty years also thought so.

But at that time, many of them valued the market in the Mainland. They had to choose a joint camera, and they could only use a certain number of mainland actors in accordance with regulations.

But I also think that mainland actors do not carry the box office, what should I do?

They played their hearts. Didn't the male and female protagonist be in the Mainland? That simple, the actor who carried the box office used Hong Kong, and the heroine gave the actor in the Mainland.

This was the ten years when I entered the new century. A large number of co -productions were starring in a male artist of Hong Kong and Taiwan.

Why do you think that there are many actresses in the Mainland one by one, especially the batch of big flowers and small flowers in the post -seventh and 80s.

The reason is here.

It's not an actor than an actress.

It's just based on deep -rooted prejudice and part of the market choice, so the hottest Hong Kong co -shooting films at that time had to use those big flowers and small flowers.

However, Qiao Feng felt that such a too strict regulation was not conducive to the market, and it was not conducive to the common development of film markets in Hong Kong and the Mainland.

Still the example above.

In the impression of everyone in the Mainland, the female artist looks like a male artist, and it is the same as Hong Kong, but the opposite is the mainland female artist in the co -production film. The fault of the male actor or more accurately is that no one is successor.

In the second decade of the new century, due to the booming market, the mainland has ushered in a blowout, regardless of actresses and actors, and the actor no longer can only serve as the most male No. 2 as a co -production film.

Instead, more actor, even the King of the King of Hong Kong, have to match the popular male actor in the Mainland.

But anyway, there are several younger generations of Hong Kong and Taiwan actors who can mix it.

On the other hand, the actress is almost the same.

In Qiao Feng's impression, Hong Kong and Taiwan young actresses can become female No. 1 in film and television dramas in the Mainland.

After 1990 and zero, there were none of the actresses of Hong Kong and Taiwan.

To maintain glory in Hong Kong, at least it can maintain a certain competitiveness. The actor is also an indispensable puzzle.

Therefore, Qiao Feng wants to try to change it.

Personnel in the two places should not be so dead. Under the premise of considering the appropriate script, you can appropriately relax restrictions. Hong Kong actors are more suitable. The mainland actors participated.

The same is true in the proportion of staff.

In this way, on the basis of ensuring the quality of the film, actors in the two places can also increase their exposure in each other's market more. The popularity is more good for both parties.

Hong Kong will not cause the actor to disconnect after the prosperity of the Mainland market, and the mainland will not cause yin and yang to decline in these years.

There is also investment.

Qiao Feng didn't just want to ask for rewards.

Relaxing restrictions in the Mainland, he went back to convince Hong Kong's film and television companies to choose more joint camera in the combined shooting mode.

The film and television creation of the Mainland at this time is very lacking. If the previous collaborative photography model is still selected, it still has no good promotion effect on the film and television industry in the Mainland.

Only the joint camera is better for both parties. Of course, at this time, the benefits of the Mainland will be greater.

In any industry, only a large amount of hot money pouted will develop flourishing.

The reason why Hong Kong films will have gold for ten years is also that outsiders who have seen movies make money, and they will swarmed into investment.

If you want to develop the film and television industry in the Mainland, you can't do without the influx of funds.

At this time, there is no money in the Mainland. If you want to develop better than the original time and space, Hong Kong and Taiwan is the largest source of hot money.

However, if you want to invest in Hong Kong and Taiwan film and television companies to invest in the Mainland, what needs to be solved is the treatment problem of joint filming.

Hong Kong film and television companies are actually willing to make movies with the Mainland, because there are too many good mountains and water in the Mainland, and the cost of labor is low. Please ask for the money to perform very little.

Therefore, in recent years, Hong Kong and the Mainland have made many movies.

Like Xinlongmen Inn or something.

However, they all invest in Hong Kong companies, or investment occupies the vast majority.

Because of this, the Mainland's studio likes to make movies with Hong Kong.

Because after the shooting, the copyright of the Mainland is home -made, and the money made has no relationship with the Hong Kong company.

Judging from the interests in front of you, it seems that this is more beneficial to the mainland studio.

But in fact, such a shallow participation can not have much promotion effect on the development of film and television in the Mainland.

At the same time, after the mainland issuance rights that did not spend much money made the mainland issuance of the co -production film, the mainland producers also lost the right to earn their income from these films overseas.

The same is true for Hong Kong movies. It seems that the right to issue the Mainland has obtained the copyright of the Mainland with a larger income. In fact, it has lost the right to speak in the mainland film market to a certain extent.

To change this situation, Qiao Feng feels that first of all, he must solve the problem of joint production.

For the treatment of joint production to domestic films, for Hong Kong companies, the treatment of domestic films also means that it can get benefits from the box office accounts of the Mainland.

For mainland studios, you can also get the income of overseas box office.

In this way, the willingness of cooperation between the two parties will be greatly strengthened.

In the short term, Hong Kong companies may feel that they will suffer, but in the long run, the benefits of Hong Kong companies will get more.

What the mainland gets is only more overseas income, but Hong Kong films get more important survival, development, and even the opportunity to continue glory.

Is it still selected?

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PS: Thanks to Shuyou Shui Shui Salmonic acid boiled chicken for 100 coins for rewards.

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