Rebuild World

Tiol is walking through Slam Street late at night. Upon arrival in front of the building of interest, he kicked in the door and went indoors and set up a gun. Light up the dark room with the lights on the gun to see what's going on indoors. There was no one indoors. When you tongue and retrieve the information terminal, you contact someone with a harsh look.

"Hey! Off again! Instead, the location of all the information I received is off! Must there really be information on this place!?

A woman's voice comes from an information terminal. Unlike the rushing Tiol, it's a voice color that makes you feel spared.

"You certainly should have been there at least a week ago. Freshness is important for information. That's what most of the information is missing."

Tiol distorts his expression and yells at the information terminal.

"Something like that? Don't be ridiculous! You don't understand my situation!?

But the other person answers with a mild threat in reverse.

"I'm not kidding. Are you kidding me? You're going to ask me for information without even paying for it, and you're going to give me an ass about it? Don't get on with it. I didn't know you were doomed, did I?

So Tiol's mind dropped once and for all. Answer in haste with a mixed look of anxiety and fright.

"Wow, I'm sorry. Apologize.... but I would have explained my situation! It doesn't taste good! I'm the one who brought those raiders here as guests!? If I'm bad, they'll kill me instead of kicking me out of jail! I'll find the sleigh kid Akira's looking for and bring him in! I need to salvage it a little after that. It's creepy! Shit! Why are you doing this..."

Tiol holds his head. A gentle voice can be heard from the information terminal as it is inserted into the stinging (soaking) tiol.

"Keep working as I instruct. That way I'll give you some better information."

Ask for Tiol's voice.

"I'm really begging you. I really don't have much later."

"Well, look indoors for a while. Maybe we'll find a clue where to find him."

"Oh, okay"

Tiol started looking indoors as directed. For someone's convenience, without even realizing it's been moving all the time.

Akira and Cheryl are coming in front of Sijima's stronghold. To meet Akira and the others in Sijima's hope.

Cheryl is wearing tailored clothes. Akira is armed in fortified clothing. It's a cloud muddy outfit from when they used to come here.

A watchman sees those Cheryls and makes them a little nervous. Financial strength and violence. Two outfits boasting both erased an insult to Cheryl and the others who remained somewhere in the man.

A man speaks with vigilance.

"You're Akira and Cheryl. The boss is waiting inside. I'll show you around. I'll have you give me your weapon."

Akira answers.

"I don't like it."

A man looks at his face and talks a little awesome.

"Are you kidding me?

That's what Akira usually answers without wandering.

"No, I mean it. I've just been attacked recently, and I'm feeling a little more alert. Sorry."

A man looks lightly at Akira's gear again. Akira was carrying a CWH objective assault gun and a DVTS minigun with an AAH assault gun and an A2D assault gun down her waist. At least I'm not dressed to discuss it in peace.

The man asks Akira by making his expression even more rude, thinking of the damage done during the fighting.

"... are you even willing to bring such a noisy thing and hang out with us?

"I don't feel that way. I don't even know if something is going to happen that makes me care like that."

The man gives up Akira's persuasion and asks Cheryl.

"Hey, is that good?

Cheryl answers with a slightly troubled look on her face.

"There's nothing more I can do than say I don't like Akira. Anyway, Akira is also my escort. If you say you can't get through without giving me your weapon, I can't help it. I'll turn back."

A man pounds his tongue.

"... wait a minute"

A man enters the stronghold, completes the report and returns.

"They say the boss will meet. I'll show you. Never imitate anything weird."

I don't want to base Akira and the others if possible. That's what the man's expression said.

Akira and the others were put through to a larger room in the base. Tell Akira and the others with a smile Sijima won't be alarmed.

"You've come a lot. Well, have a seat."

Cheryl sits on the couch as recommended. Akira is standing near Cheryl, checking on anyone but herself. All the men behind Sijima were armed in large numbers.

Sijima notices and talks about Akira.

"Don't worry about it. They're armed too. I don't feel like complaining."

"... no, that's good"

Ahead of Akira's gaze was the face of an acquaintance. It's Carol. A well-armed Carol was smiling and waving gently at Akira. And next to Sijima was Viola sitting.

Cheryl looked at Akira and Carol and tried not to change her expression while her inner boiling emotions kept her painfully calm and smiling (cheeks).

Cheryl asks Sijima.

"So, what can I do for you today?

"Oh. I heard your stronghold was raided. First of all, you're safe."

"Thank you. I'll sit down. I can't tell you that my mouth was torn because there are dead people in the company, but thanks to Akira I think it was done with the least amount of damage."

"Buying and selling relics is a lot of money. I guess that's why they targeted me. People are getting more and more on that territory these days, but when the inmates who keep order there disappear, the aftermath comes here and it's a lot harder. Well, I'm relieved."

Cheryl and Sizima continue to explore their sincerity behind them in a superficially unobstructed conversation. They both look at each other's reactions to what they say on the surface, and try to read from their reactions what they intend to say about the word.

I wish I could just make a call on the information terminal for that amount of chatter. Akira had listened to Cheryl and the others without thinking deeply about it with that degree of awareness, but she had gently pulled back from Alpha when she heard the explanation of the two sendings (or pick-ups).

'... maybe we're exploring something like that'

"... the boss of the organization can't do it without even doing that"

"We use each other's force as a backdrop to wrap around the inside and outside of the Jailed Party. Perception of danger is important. Especially since Cheryl was raided even though he had Akira's back shield, we need to do something about it. Sijima must have thought of Cheryl and the others as a small, unimportant prison party nearby. Those Cheryls suddenly started dyeing their hands at buying and selling artifacts, and they were making enough money to be targets for raiders. With money, you can hire people, and you can have all your weapons. For Sijima, a detachment party will have been created that is likely to increase in size rapidly, including by force, near his territory. I suppose you want all the information you can find on that inmate party. '

"... it's tough being a captive boss."

Akira shrugged like someone else. Akira is also heavily involved in factors of hardship for Cheryl and Sijima. But Akira doesn't seem to be aware of it.

Cheryl and Sijima continued to explore each other like bickering temporarily. Viola pinches her mouth there.

"It's fine to deepen friendship between the inmates, but when it's time to get down to business?

Sijima ruins her expression and silently sends a condemned gaze to Viola. Cheryl checks on Sijima and Viola with a surprising look. Viola was smiling slightly invincible.

Viola asks Sijima at her leisure.

"If it's hard for you to say, why don't you explain it to me?

Sijima swallows what swirls inside and answers.

"... oh, please"

Cheryl is surprised to see Sijima's attitude.

(... being blackmailed by her? Some kind of accomplice?... I don't know, what the hell are you gonna tell me?

Cheryl turns her awareness to Viola with increased vigilance. Then Viola smiles at Cheryl. That only slightly disintegrated Cheryl's expression. A slight upset appeared on his face.

Viola's smile mixes with a slight straw that can also be interpreted as a provocation towards the immature. Cheryl solidified her expression so she wouldn't react any further.

Viola starts to smile and talk as she shifts her gaze toward Akira.

"Actually, it's about Akira."

Akira listens back with a slightly puzzling look.

Me?

"Yes. It's Akira. Akira would have been the victim of a pickpocket recently, wouldn't she? You must have repelled the sleigh who bought the duck information from the informant."

Akira's expression turns into something slightly grumpy.

"... that's what's wrong?

"It's where that information comes from, but it's actually us. I'm sorry."

Akira's understanding was slightly delayed because she was told too well. However, at the same time as understanding, a short voice is zero (spilled) with a low voice color that accurately represents its inner mind.

"... ah?

Akira's mood had deteriorated dramatically. The expression changes to a faceless expression that reflects hostility in colour, and the posture also changes from just standing normally to a state in front of some action. The hands at the tip of both arms, sloppily lowered, were so strange that they were not holding the gun, and at the same time they were showing stiffness that they were being held back from holding the gun on their own.

Tension runs on those other than Akira. Armed Sijima's men switch consciousness to battle. But I don't pull out or put up a gun. If they put their guns up and point their guns at Akira, the battle will begin at that moment. A bullet will fly across the room before someone puts a gun down in their mouth to put the place away. Sijima is also holding his men by hand.

Viola hasn't broken her smile. He was surprised at how Akira was doing beyond expectation, but had succeeded in keeping his inner haste out of the table. Speak in a voice you can afford.

"I'd like to continue explaining, would you mind?

Akira answers in a quiet voice.

"... it would be helpful if you could be cautious of extra misleading expressions. Even if it was a convincing story to hear to the end, it doesn't matter if you can calm down and listen to it to the end."

I'm not sure I'm not going upside down in the middle of a conversation. Hear that Akira reply and answer by holding down the look that Viola is likely to pull.

"Okay. Let's talk about it first in conclusion. It just happened by chance, and there are no shards of harassment or retaliation. I think this one was bad too, so just calm down and listen to me. The original cause was that Akira made a scene with a gun in Sijima territory. A lot from there..."

Viola will explain the situation to Akira. That the place Akira put her gun on when she was tracking Arna was Sijima territory. that Sijima asked for information on the hunter who caused the noise. That Akira pulled back from her child's hunter. that the information accompanying them was flowing halfway incomplete, and consequently information underestimating Akira was flowing to the informant, and that the information was flowing in a path that we did not grasp to those who attacked Cheryl's stronghold.

After acknowledging their misdemeanor, Viola explained that neither herself nor Sijima had anything to do with the raiders. He said the raiders had not given any instructions or guidance to attack Cheryl's stronghold. I explained it in such detail.

Akira was silently listening to Viola's explanation. Akira's mood hasn't improved at all during that time either. It stays that way even after the explanation.

Viola tells Akira in the guise of an extra smile.

"Now I've told you everything about this one. I meant to tell you without misunderstanding, but neither I nor Sijima are willing to be hostile to Akira. Would you have convinced me?

Akira remains silent. There is also a slight increase in the sense of urgency drifting around. Fire at once if someone takes misleading action. Only that perception was correctly matched by all.

Viola shifts her gaze from Akira to Cheryl as she hides her cold sweat. And he asks with a soft smile.

"I think I've talked to your inmate about some of this. May I ask your opinion?

"... my opinion, is it?

"That's right. That raid also left a dead man there. I'd like to hear your opinion as the boss of the inmate party. I would be happy if you (you) could believe that the raid had nothing to do with us. If you can't believe it, you can't help it. Let's negotiate what to do on that. As far as we're concerned, I'd like to make it easier for you. Of course, you can talk to Akira and decide."

Cheryl's expression is convulsive. It takes a lot of courage to talk to Akira right now. I don't even know how convinced Akira was of Viola's explanation. How much would it hurt Akira's mood if she defended Viola and the others to make things easier? Determined to have sheltered his enemies, his heart attestation sucks, and Akira may even see herself out. I might even be a bad hand at asking what to do. Maybe it's something Akira doesn't even have to ask.

Should I say out of the blue that I don't believe in Viola's explanation at all? Cheryl immediately revoked it after thinking so. In doing so, Akira's bad reputation would have been spread to make raiders attack Cheryl and the others. I mean, in a way, Akira gets caught up in the act of being involved with Cheryl. That could be enough of a factor for Akira to trump Cheryl. I can't give Cheryl that choice.

Viola is pushing Cheryl to make a choice that includes the possibility that no matter which one she chooses, she will be bad. And perhaps even the silence of not choosing will tailor it to the basis of something convenient for Viola.

(... the reason she called me and Akira here is to tell this story when me and Akira are together. Probably to make me hold Akira back. I didn't care about confirming the injury from the beginning.... Why did you bother talking about this in the first place? To reduce the impact of exposure? To figure out how much control I have over Akira? Another intention? Wow, I don't know. I don't know what she meant.)

Thoughts give rise to suspicion, suspicion gives rise to haste, breaking Cheryl's expression slightly. Viola was just smiling (ho ho ho) when Cheryl didn't say that it would be in her interest to make any choice.

Akira is in a pretty bad mood. It keeps them in a state where they can react immediately if they take concrete action. Understanding that his condition was increasing his opponent's risk of alarm and outbursts, he could still not heal his ill mood on his own.

To that Akira, Alpha talks with her usual smile.

Akira, there's a call from Sizka.

"... from Mr. Sizka?

'If you want to leave, say no before you do. Try not to be misunderstood as trying to point a gun at a motion to get an information device. "

Ask everyone without Akira changing her expression and without changing her tone.

"... a call request is coming from someone I know. Can I come out?

The normal, very normal opinion that we should ignore such things because we are in the middle of important talks was pushed away by the opinions of everyone who wants to improve the situation. Viola answers on behalf of.

"I don't mind."

Akira slowly retrieved the information terminal. And respond to call requests.

"... Yes. I'm Akira."

"It's Sizka. I just wanted to ask you something, and I contacted you, and I was going to ask you if you could call me back right now... but maybe I should?

"... no, it's okay"

"Really? If you're busy, don't push me, okay? I'm fine over here. You sound a little grumpy, and if you've contacted me at a weird time, I'm sorry."

"... no,... sorry. Just a moment without hanging up."

"Hmm? Okay."

Akira took a big, deep breath as she put the information terminal away from her ear. Take many deep breaths in front of everyone. So after forcefully calming his mood, he asks Sizka much of his expression and tone back.

"Thank you for waiting. What about this stuff? Do I still sound in a bad mood?

Sizka answers with a gentle voice.

"It's okay. The usual voice."

Akira's voice isn't exactly back yet. But Sizka said so by deciding that Akira would be more calm.

And in fact Akira regained more calm. Talk to Sizka a little sorry.

"Excuse me. I was upset about something a little unpleasant. When I'm running a hunter, there's a lot going on."

"I know how hard it is to run a hunter. Never mind."

Akira was relieved (mostly) when she heard Sizka's reply, which did not look like she cared. Together, we got back in a pretty good mood.

Sizka continues the original story.

"I'll get back to business. Akira would have asked you to procure equipment, wouldn't she? I've made a lot of quotes, so I want you to check the contents. I'm going to send it now, so I'm going to take a moment to confirm it... but I have quite a mix of quotes with time limits."

"Time limit......?

"Yes, because somehow you have a budget of 400 million aurum. There are limits to the length of time expensive products can be placed. Plus, there are some products that an inquirer who is worried about the flow of funds says they will discount significantly if they pay now. Some decisions have to be made in as little as two hours. That's why I called you in a bit of a hurry."

"Was it? Thank you. Sit down."

"Welcome. Thank you so much for the big deal."

Sizka speaks by changing the tone from commercial to much more gracious.

"... I don't know what happened, but as I said before, I'd listen to you as much as I'd like. Right?"

…… Yes. "

Akira answered firmly, looking a little happy.

"Mm-hmm. Bye."

Sizka hung up when she spoke that way in a reassuring, moody voice.

Akira is in a good mood to dance the information terminal. So I realized that everyone's gaze was gathering on me.

Whatever the difference in degree, everyone looked at Akira with a surprised look. Akira tells Viola that she was in the middle of a conversation with the violas, even though she was surprised.

"You were in the middle of a story. I see what you're talking about. I don't think I need to rub it either. If there's anything to talk about between the parties apart from that, if there's anything to talk about, like, seriously or compensation, then that's Cheryl. I have nothing to do with rubbing between inmates. Unless Cheryl asks me to, I'm not willing to be actively involved. And Cheryl, is that all right?

Cheryl answers in a slight panic.

"What? Yes. I don't mind if Akira does that."

"Because."

Akira answered that lightly after seeing the violas.

Akira's displeasure is completely dispersed. On the contrary, he has a slightly moody look on his face. The immediate situation just now seems to be a lie. There was slack air flowing through the field.

But only one, Sijima, had a slightly harsh look on her face. I was remembering my men's report.

When Sijima first met Akira, Akira came aboard the base with the body of Wataba, who was Sijima's subordinate. It was Akira who killed Wataba.

Sijima had heard from her surviving subordinates the details of the situation at that time. Apparently, when Akira killed Wataba, Wataba uttered a threat that would harm someone she seemed to know. The moment Wataba tried to say something about that person, Akira killed Wataba without hesitation. That's what I was hearing.

(... I'm sure he's talking about the owner of the weapons store. Looks like Akira bought some kind of equipment from Akira's conversation. In other words, Akira's opponent in the conversation earlier is likely an arms store clerk. Akira suddenly regained her mood with that degree of conversation. That's all that matters to Akira, and it would mean she's someone she has a high crush on. Are you the same person who talked to Akira earlier and who Wataba tried to say to threaten Akira?... Why did Akira kill Wataba? Simply because they threatened you? Then you'd be shooting and killing Wataba sooner, wouldn't you?... No way, because Wataba tried to tell you the name of that someone!? Did you kill him to keep him from mentioning that someone's name?!? To keep other humans from knowing about that someone!? Just for that!?

Sijima's expression freezes. Just then, Viola tries to ask Akira.

"Akira. Earlier..."

I wonder who the conversation was with earlier. Looks like Akira and I are very close together, though. I was wondering if you could tell me your name. I could imagine that Viola was about to ask Sizima that. Interrupt into the story reflexively.

"Viola! That's what Akira says, so keep talking! My apologies for the inconvenience caused to Akira and I would have decided on a suggestion from this side! Tell me that!

Seeing Sizima interrupting the conversation as Viola has forcefully half-hearted, with a surprising but surprising look at the person who suddenly took rather unexpected action. Sijima was sending a very harsh gaze to Viola. Viola also found out that the gaze meant no need to ask.

Speak to Akira and the others with a smile back on her face like Viola has regained her mind.

"You did. I'll exaggerate and spread the word about the end of the raiders. That should drastically reduce the number of idiots who put their hands on Akira and Cheryl."

Cheryl smiles.

"Thank you for that. I'll sit down. A lot of people are anxious, so it's very helpful."

"I'd rather apologize to Cheryl and the others. So I apologize to Akira, but I'll take over the end of the sleigh Akira is looking for."

Akira asks back with a strange look.

"The end of the sleigh?

"That's right. You're asking Cheryl and the others to look for you, aren't you? To find and kill that sleigh. Not if the boulders escape to the interior of the fence or other cities, but I think Akira can look more extensively than she would look for in a single hunter run."

Akira thinks a little before answering.

"No, I don't need that"

Ask back as Viola wonders.

"Oh, why? If you want to kill him with your own hands, I'll bring him in alive.

"It's not. So when something went wrong, I asked him to do it, and I just don't like being told what to do. So I'm not asking you."

Viola thinks about it a little before she takes the confirmation.

"... you're not saying don't, are you?

"Doesn't it make any difference what you're asking? Like I said, I don't ask for it. That's all."

Viola comes up with a few more ideas and then smiles.

"Yes. Then I'll decide to move on my own. Even if Cheryl spreads the word, if the sleigh is alive, if she wanders around the area, the rumors will come to pass. At the very least, I need you to disappear from human sight around here. You don't mind that, do you?

"I'm not in a position to give you any permission. You're on your own."

"Okay."

Sijima tells Cheryl in a slightly exaggerated manner.

"That's it for the story that called you in today. If you need anything in particular, it's time to pick it up. Those who are not members of my party have a lot of problems staying in my stronghold with such heavy clothes. I'm having trouble staying longer than I've finished talking about issues beyond that."

"Okay. Well, we're going to pull it up now."

Cheryl got up off the couch and gently bowed her head to Sijima.

Sijima gives instructions to her men silently. My men start moving to send Akira and the others out of base. Akira and the others left the room following the man.

The door Akira and the others left was completely closed. When Viola confirms it, she asks Sizima with a strange (keen) look.

"So, what did you imitate earlier? I guess there's just a reason to block my story."

Sijima exhales lightly before answering.

"Just a little caution. I hope you think it's a bona fide act. You can tell me why, but if you want, I'll lend you one."

Viola worried a little. Because borrowing means a lot to the violas. But in Viola, I was more interested in why I let Sijima imitate me than I was in borrowing from Sijima.

"Fine. Let's borrow one. Tell me."

"It would be good"

When Sijima silently gives instructions to his men, Sijima's men leave the room.

Viola gives Carol directions with her gaze.

"You have no choice. Killing me while I'm gone, I don't know, do I?

Carol left the room with a little shame, jokingly saying so.

Akira is sending Cheryl to walk through Slam Street.

Cheryl's outfit is quite remarkable. Cheryl and the others were a short distance away from their base, gathering quite a few human sights.

Cheryl, combined with the publicity that she and Akira are alive, is weaving his coat and moving on through Slam Street without hiding expensive clothes. There was a glimpse of envy, jealousy and awe flying between the two figures who were good to call the rise of Slam City.

Cheryl thinks as she looks at Akira walking right by her side (by her side).

(... Who was Akira talking to? Is Akira the one you care so much about? You're the one who's in such a good mood just because Akira talked a little bit? Where, who, and what kind of relationship? Are you so important to Akira that you want to talk about it in that situation?

I can ask that. But Cheryl didn't want to look.

Ask, and Akira will probably answer appropriately. I just talked to someone I know who's no big deal. would return such an answer. Cheryl thought so. Akira would only answer that she was in a bad mood, don't ask, if she tried to force herself to learn more. That's what Cheryl had decided.

Cheryl couldn't ask Akira anything for fear of being able to poke a huge difference between that person and herself that she didn't even want to think about.

(... that's a long way)

The further I reached, the further away Cheryl felt.

Viola smiles happily after hearing Sijima's concerns about Akira and the rationale behind it.

"That was quite a fun story. You owe me one."

Sijima speaks with both deafness and vigilance on her face.

"I don't know how you move based on what we're talking about, but don't get me involved. I'm not more hostile to him than I need to be."

Turn the grin to Sijima, who just says that Viola is out of her mind.

"Oh, that's the same for me. Neither am I going to be more hostile to Akira and the others than I need to be."

Sijima understands. That there is a considerable discrepancy in the words we need to say to each other. After sending Viola a gaze accusing her of being involved, like protesting something silently, she exhales lightly and then switches to another topic.

"... so what do you do with that Aruna Suri?

"Of course (of course) I'll find it and kill it. That must have been the original plan, right? Akira said so too. If you want to do it, do it without giving me my name."

"It sounded to me like you didn't do anything extra."

"I wonder. That's a difference in interpretation. You (you) do nothing by your interpretation, but I'll do it by mine. When you're done, don't cry to me if you decide that Akira really cares about you.... So, what do you do?

To Viola, who smiles invincibly when she says so, Sijima answers with a light anguish on her face.

"... I get it. I'll get some out of here, too. I'm willing to help you with your money plan. I know. You said you bought the hunter's foreclosure targeted by Akira for a low price. If you attach a settlement with Akira in this case and talk to Akira so she misses that hunter, the sale value of the claim will revert. How much money are you going to make from the difference?

Viola laughs like a prank.

"Oh, you knew? Shut up."

Sijima noticed from Viola's expression that there were surely other reasons, but she didn't ask any more to avoid getting involved poorly and getting involved. Switch the conversation to keep it non-interference.

"By the way, Cheryl sounds like Akira's lover, but you think it's true?

"What isn't? At least in my information. I hear Akira gave you expensive clothes or even took a bath with you, and you've got your hands on it, haven't you? Well, even if you say lover in a bite, the relationship is different. Some people love each other in the heart, others are dating with interests and intentions. Sometimes one is unilaterally obsessed, while others are feeding the other by letting them contribute. Even when it comes to lovers, relationships can vary. What's wrong with that?

"No, this is a hypothetical story, but apart from Akira's fate, I thought Cheryl might be decoy about what she said. Akira showed so much hostility to the sleigh who stole her own money, she didn't seem to be as interested in the raiders who attacked her lover or their factors. You have a lover on your side, but if you are in battle, you may wind up and die, regardless of your attitude. I can also say that this is Akira underestimating Cheryl. But Akira has given Cheryl expensive old world clothes, and she's behind Cheryl's party to protect Cheryl. I can also say that this is Akira's emphasis on Cheryl. Given the integrity of this conflicting element…"

"Cheryl said Akira might be the decoy that sheltered her life. Hunter operations sometimes buy grudges, and people want to pawn excellent hunters. Some may take their lover hostage and try to intimidate Akira. And Akira's destiny could be the person on that call. Is that what you're saying?

"That's what I'm talking about"

Sijima had decided that if Cheryl was nothing more than a decoy for Akira, there might be a gap there. But Viola answers lightly.

"Don't you care much about that neighborhood? The important thing is, what would you do with Cheryl? Even if Cheryl is truly decoy, if you (you) treat Cheryl uninterrupted, Akira will take quite a response to keep someone from realizing that Cheryl is decoy. Unless you're trying to mimic Akira's deadly hostility, I don't think it makes a big difference if you don't want to blackmail Cheryl for Akira as a hostage."

…… So is that. "

Sijima was convinced to hear Viola's explanation, where she broke off her thoughts. Originally, Sijima had no intention of antagonizing Akira. But Viola was expanding and deepening her ideas in this conversation with Sijima.

I came up with something good. Viola's grin showing it was immediately overwritten and scratched away by the demonic grin that Viola often floated.

"Let's talk about this, and it's time to talk about Aruna and her personnel specifically to end the sleigh."

"Okay."

Sijima and Viola continued to talk secretly for a while afterwards.