Rebuild World

A black fuselage on board Rogelt is skewering and lifting Katsuya's vehicle with chainsaw-type melee gear. A rotating blade was splashing sparks from the body of the vehicle.

Katsuya had succeeded in escaping from what had caused considerable damage to her car following an enemy attack after she drove into the square following Akira. After the escape, I gave up chasing Akira from the hall and was moving around the garden in a car that was mostly slow-moving due to the damage, looking for Arna, but Rogert found me after crude destruction of the enemy's fuselage.

Rogert took advantage of the performance of the fuselage to lightly destroy Katsuya's vehicle. With the mobility of the fuselage, he approached Katsuya's vehicle and skewered it from the ceiling.

Katsuya had barely escaped the vehicle. The vehicle was lost, but the black fuselage was spotted standing on the ground without injury or equipment.

A black fuselage waves its arms and flies into space a Katsuya vehicle that was skewered with melee gear. And he blew it off as he double-broke the vehicle to show off to Katsuya. A truly twofold body, along with a flashy cutting sound, makes a roar and rolls into the ground.

Win using external speakers so Rogelt can also sound katsky.

"There's a fucking kid! You thought you could work it out with the Harriers guys? Or did you think that if we came in Drancam's vehicle, we'd run away without even a hand in Drancam? I'm sorry to hear that!

Katsuya screams with majesty as she understands the disadvantages of the situation.

"Where's Arna!

Rogert's mocking voice sounds.

"Listen, what do we do? You're going to die. It's also troublesome to catch him alive. I'm gonna blow this guy straight and scatter him flashy."

Rogelt swayed lightly to show off the fuselage's proximity gear. It is the power to lightly break off combat vehicles. Eat it alive and it will definitely chop a thousand pieces and disperse.

Yell again as Katsuya distorts her expression imagining the sight.

"Where's Arna?!

"Shiatsu. I don't care if you beg for your life or waste your life. I can't help you. So you want to play the cool death of a woman while she leads you to the end? First of all, that woman is a pretext to raid us, right? I don't know what kind of deal you made with the Harriers, but I was tempted to do something stupid to join our raid. You get dusty and you reflect on how stupid you are."

A black fuselage shakes up proximity gear loudly. The rotating blade is roaring. If you shake it down, the rashes become dust (mistletoe) per piece of equipment.

Katsuya was outraged by the ridicule of her actions over the fear of death. Leave yourself to the wrath that engulfs you and raise your voice.

"I don't know what kind of people Harrier is! Dolancam has nothing to do with it! I'm here to help Arna of my own free will!

The blade that was about to be shaken down stops. Rogelt makes a surprising sound.

"... I don't know, do I? Didn't you come here to raid with Akira, working hand in hand with the Harriers guys at an intermediary around Viola?

"I don't even know who Viola is or who Hurlias is! First of all, he's trying to kill Arna! Never put your hands together!

Rogert is surprised. Sometimes he was getting to the boss's seat in the organization, and he was used to exploring the subtleties of the story. I also thought I could spot the authenticity of the story with considerable accuracy. There are exceptions like Viola, but the child in front of you is no exception to that.

(... you really don't know? I don't know Viola, I don't know Harrias, and I'm not working with Akira? Doesn't look like he's lying...)

Rogert makes a sound of surprise. The voice is mixed with a slightly higher percentage of confusion.

"Confirm? That means you came in from the front all by yourself, without Harrier's backup, without Akira and your hands. He said he was here to help Arna, but he didn't even take the means to sneak in. You, you really thought you could handle that? Really?"

"Oh, that's..."

Katsuya showed her wandering. Rogert looks over the camera of the fuselage at Katsuya's attitude and perceives that the upset is not meant to hide another purpose.

Rogert's laughter echoes around through the outside speakers of the fuselage.

"You really are just an idiot! You just got into this mess without thinking! The fool in that hand mostly dies of that foolishness while he's doing his dick, but you're lucky you survived!

Rogert's frustration (I need it) was somewhat resolved by laughing heavily. Restored tranquillity makes my head switch my mind. Nor does Rogert want to turn Drancam against his enemies for nothing. Explore other means if you can secure the interests of your organization. Operate the fuselage line to contact your men.

"It's me. What happened to that Arna kid? Have you killed him yet?

A subordinate who had been instructed to use Arna as a hostage answers.

"No, he's still alive. He's with us. I'm going to take Katsuya to the nearby and threaten her because I don't have the means to contact the kid, but I can't find that Katsuya. Now I'm in the middle of a fight against the Harriers."

"If it's cute, it's right in front of me. Tell me you want to be connected, and let the Arna cry out to the kid for help. Send that voice over here."

Aruna's voice comes from the fuselage speaker.

"Ka, katsya!? Are you over there?

Katsuya responds loudly to Arna's voice.

"Arna! Are you okay!? Are you all right!?

"Really, you came to help me... Thanks............. Wow, I..."

So Arna's voice breaks off, and Rogert interrupts and tells Katsuya.

"Just as I heard. That woman is alive. You're here to help him, aren't you? Good for you. Then it's a deal. You will now follow our instructions. That way I'll guarantee that woman's life. I will stop you from killing me in this place. You and that woman don't have to die. Are you happy?

"... what are you going to do to me"

"First, I want you to kill all the Harriers who've been getting in here."

"... I can't tell you from them."

"Open the line on your information terminal to us. I'll give you directions on where to go and what to target."

Katsuya faces full of bitterness.

"... if you take them down, you won't get your hands on Arna, will you?

"No, that's not all. Have a lot of other things done. From what I hear, you're making plenty of money, aren't you? I'll have plenty of money paid, too."

"What!?

Rogert makes an awesome voice to intimidate Katsuya, who has shown great disgust.

"How many of our people do you think you killed? We need you to kill 100 times our enemies. And the money! How much do you think this disturbance is going to cost? I didn't think it would cost me money! If you don't like it, I'll kill the woman! The only thing she's worth is you following our instructions! I'll kill you as soon as I disobey your instructions! Neither do you! I can kill you anytime! Don't mistake me for abandoning a woman later and running into Drancam's property for help! If they're hunters on the front line, they can't be enemies in front of this plane if they're hunters around the corner!

It mixes things up somewhat clearly, but intimidation (and why) also requires momentum. Whatever the outcome, the real danger is a threat to the attacked party. In order to take away the other person's thinking power, Rogert pokes a melee gear similar to the chainsaw of the fuselage at Katsuya. A blade moving hard along a huge blade raises a roar in front of a razor.

"Obey or die! That's your only choice! Answer me in five seconds! If you keep your mouth shut, I'll kill you! Five, four, three, two..."

"... ok"

Katsuya replied with great regret. Rogelt keeps proximity gear away from the katsua.

"Good decision. Run all the way to the hall to kill the Harriers. Don't forget to open the information terminal line. Go. Be properly motivated, huh? If you decide you're motivated, I'll kill you and the woman."

Katsuya regrets her expression and runs toward the hall. I manage to help Aruna out by getting confused. So hopeful, or (some) so excused, got out of this dead place.

Rogert gives instructions to his men.

"It's me. Just like I heard. Don't kill that woman. At least not until Katsuya dies. Don't imitate. It would be tough if you accidentally killed him. Treat it carefully there. Let some katsuya accompany you. Instructions and surveillance to make sure you fight the Harriers properly."

Copy that.

Rogert tried to cut the line and remembered the other thing.

"... Speaking of which, what happened to Cheryl?

"I'm out of touch with those guys. You want me to look?

"If you can afford it. Make it a priority to deal with the people of Harriers. Don't push it. Let me know if you find anything. I'll keep killing the others out there. If there's one out of your control, direct him into the garden of the stronghold. Or (there is) a place where my aircraft attack will arrive, in the outer perimeter of the building or in the hangar. Get in touch with the guys outside the base."

Rogert cuts the line and returns to the annihilation of the enemy in the garden. Outside the fence surrounding the base, I can see Harriers' side prevailing, his men retreating into the base and those pursuing them.

A black fuselage quickly rushes through the gardens of the Dark Night to represent itself in front of the enemy. One of the enemies shouts a stunned look.

"Hey, I didn't hear you have this!?

The men shot at the black fuselage screaming, but all the bullets were returned to the fuselage's armor.

A black fuselage shakes off huge proximity gear to the side. The men splattered with dust from every piece of equipment.

"The idiots. I don't know how many people Harriers hired you, but did you really think you could handle that number and gear? Or are they all without the same idea as that kid?

Akira's out there, too. Maybe she's just an idiot. Rogert continued the extermination of the enemy with that in mind.

Alpha talks abruptly to Akira as she travels through the hall.

"Akira is quite a dick, isn't she?"

Akira looks suspiciously distorted (boiled) by the topic without its context.

"What is it, suddenly?"

'I just thought so. Akira doesn't have that awareness?

"A chimp would be the one who goes around attributed something to an understated opponent. I'm the one who can cause it. I don't even sell fights from myself. So it shouldn't be. '

'Who doesn't think?

Akira looked away. I am conscious. I also understood somewhere in my head that getting into the hub of the Ezont family was in a way an unthinkable action.

But another part of my head is still begging me not to back off. Verify and prove that you are no longer on the side of being trampled. That's what I'm giving you. He is crying out to show the value of what he gained by becoming a hunter and risking his life.

They distorted Akira's standards, and if they even took a step back, they would push them back into that slum alley again. The anxiety and fear were pushing Akira's back.

Alpha speaks in a mild tone to Akira, who is silent.

'Well, now you are, aren't you? More than that, I found Arnab. Let's hurry and go kill him. "

"Did they find you? All right. Let's hurry. '

"Over here."

I find it a little strange to see the Alpha led by Akira.

"Alpha. Something suddenly seems motivated, is it my fault?

'I have no choice. Akira's not leaving until she kills Arna, no matter what I say, is she? Then you'd better get it over with and get out of here.... If Akira will withdraw now, is that the best thing?

Strong grin as Alpha intimidates Akira. Akira's face was slightly convulsed.

'Oh, yes. I'll hurry.'

Akira is with me to get things done quickly. Akira switched her mind and kept running so that she wouldn't be a snake.

Aruna was imprisoned in the hangar of the Ezont family. The hangar is large enough to hold several man-made weapons, some of which are equipped for aircraft maintenance. Arna had been pushed into the back of that equipment. Several men were guarding their surroundings near it.

One of the men entrusted with guarding the hangar is showing surprise when he sees Arna being draped.

"Still, it's quite surprising that this guy could really help as a hostage. Katsuya's the one we talked about in that drancum, right? The city also recognized the activity and called me to a social party within the fence. When I say Drancam's propaganda, it means he's not like the hunters there. Why would a guy like that come here to help a kid in a slum town like this?

"I don't know. You must have gotten into something really good."

"If you're Cheryl over there, you still know. That woman is not on Slam City level with her clothes and looks. The clothes may have contributed to the hunter, but it's no wonder there's one who can get in there if he's that good, including his appearance. But this is the kid from Slam Street. If I were you, I wouldn't abandon you."

"Well, women have their own hobbies. Or, yes, Katsuya is a very courteous one, and Arnab may have sold her a big favor in the past."

"What's big enough to turn us against our enemies?

"Know what? I'm just saying. I can't even think of that."

Aruna was listening to the men chatter as she was drooling. Though I was heartbroken that I was bothering Katsuya, I was glad that she was still trying to help me. And I was imprisoned by a question.

(I wonder why Katsuya helps me that far. They're right, even for me, I can't think of any reason why Katsuya would do that. Why...)

Arna kept thinking as she was being draped. The men also left Arna unattended because she would be helpful if she was being grown up.

Akira holds a CWH objective assault gun on the roof of the hall. It is loaded with bullets with excellent penetration performance, aiming at the hangar and at the Arna in it. Thanks to Alpha's support, Akira's vision also shows how things are going in the hangar. A line of ballistic predictions extending from the gunpoint is also displayed.

Alpha had a serious look on Akira's side (buckwheat).

"I'll be on perimeter alert, so Akira just concentrates on ending it with one blow,"

"Oh. I asked for it."

'Don't expect a targeted correction of my support. As I've explained before, the control program for that fortified garment is less accurate. I thought I didn't have that hand support, so I went for it myself. If you remove it, the enemy will notice. It's gonna be a problem. "

'I know. It's time for temper. "

Akira concentrates and sharpens her spirit. Allocate all nerves to aiming to adjust the aiming madness that sways greatly, even with a slight vibration. Focus your consciousness on the moment you pull the trigger. The sound of the heartbeat is prolonged in the sense of time.

In the time when consciousness is compressed to its limits, the sound of the heartbeat continues to be extended to silence. In that silence, Akira pulls the trigger. The bullet emitted at high speed from the gunpoint and the flash of flame (muzzle flash) lit up the area.

A bullet through the air penetrates the hangar wall. Further rub onto some of the equipment in the hangar and aim for the target arna while scraping off some of the parts. The bullet ran past Arna's 30cm side.

Akira unwittingly distorts her expression and puts it in her mouth.

"I took it off! Damn!"

"Next in a minute!

"I know!

Akira hurries to continue shooting. The bullets that are then fired drill one hole after the other into the hangar wall. A flash of flame (muzzle flash) continued to splash at night.

Arna was half-assed (blurry) by surprise that the bullet had passed right near her. But the other men react agile. Arnah was rarely forced to grab her clothes and lay them on the floor.

The men strive to grasp the situation with a harsh look.

"Attack!? Did the enemy infiltrate you?!?

A man rushes to confirm the reaction of the information-gathering equipment.

"There's no response around! Outside!"

"Is that a stray bullet? The walls should be quite stiff..."

The next bullet landed near Arna again. Arna screams unexpectedly. Further, sparks splashed as they landed on suitable equipment close to each other.

The men grab Arna and move quickly. The landing position goes after them.

"Enemy! Plus, I can see inside the hangar!

One of the men throws something like a grenade bullet into the air. It exploded in the hangar and scattered a lot of smoke, but the smoke cleared quickly.

But since then, the landing position that was aimed at Arna has shifted dramatically. The throwing was an inexpensive, low-performance, information-gathering jamming smoke screen. Direct use will not do much good, but is sufficient to disrupt enemy opponents on the other side of the wall.

The men will break up with those who will remain on this scene with their eyes on them and those who will go to interception. Relatively heavily armed men left the hangar to intercept Akira.

Akira blushes. It stopped looking cloudy in the hangar just now.

"Damn it! Did the one inside do something?

Alpha explains the situation.

"I sprayed a jamming smoke screen (jamming smoke) inside. If you go in there, it looks normal, but you can't go over the wall anymore. '

'Do we have to go inside? I knew I'd have to train more to shoot myself.'

"That's a lot of training later, but first we have to deal with those who come to intercept."

A man comes out of the hangar wearing heavy reinforced clothes. Akira targets the man and pulls the trigger. The man who was bombed crashes into the hangar with an impact. But the man kept the wall with the crackle on his back, guessing Akira's location from the enemy's rays and shooting a mini-gun at him.

A large number of bullets are fired into the vicinity of Akira while destroying parts of the hall. Akira rushed away from the scene and escaped the barrage.

"Alpha! He withstood the full armor of the CWH Object Assault Gun!?

"I'm so confident in my defense that I came out where the snipers are. It's not ineffective, so I'm gonna have to shoot you in again and again. '

Other men also come out of the hangar while the man in heavy-duty fortified clothes keeps shooting as he comes forward. A man with a projectile launcher pulls the trigger toward the roof of the hall. When the successively fired objects drew a parabola and landed on the roof, they were affixed to the spot without explosion.

Akira was falling back to escape the mini-gun rays. From the men, it's a dead end place. But the projectiles fired from the enemy's automatic projectile gun in Akira draw a parabola and descend one after the other. One after the other exploded behind Akira, whose bullets had been taught by Alpha to run off the spot beforehand, and a blast ran past Akira's side.

The projectile had exploded pretty close to Akira, but thanks to the protective coat's force field armor, Forcefield Armor, it was intact. But the residual energy of the coat was duly shredded.

"Dangerous! That's not what I was aiming for! What do you mean!?

"They shot in a small information-gathering device first. It's stuck on the roof. '

Akira looked around and found a small device attached to the roof that looked like it, distorting her face unwillingly.

"Is that it! That's the one Elena used to explore the ruins of Yonozka Station before! I mean, my position is overwhelming the enemy!

"You trained with Ellio and the others before while the enemy captured your position. Deal with it unnecessarily."

"Don't put Elio and his current opponents together! They're so strong! The equipment is a cloud muddy!

"The enemy conductor wasn't just me, was he? Good luck without crying. '

'You want to tell me to go home as soon as I can make you cry! I know!

Akira answered as she desperately fled the enemy's attack. Alpha didn't say yes.

The battle continues as they capture each other's enemy positions at all times. Akira fights back with an A4WM automatic projectile gun to keep her from entering the enemy's mini-gun rays directly while she keeps moving and driving the enemy's aim crazy anyway. If you obstruct the scaffolding hall, you can avoid direct mini-gun attacks. Bullets were pouring down on each other as they drew parabolas and flew.

If we shoot each other flashy, we consume more of that. The museum is conveniently built close to the wilderness and is quite sturdy in preparation for the monster raid. If it's normal construction, it's already collapsing around here. And Akira's A4WM automatic projectile gun ran out of ammo first.

Alpha's instructions fly as Akira tries to replace a large magazine for the A4WM automatic projectile gun.

"Avoid it!

At the same time, Akira's fortified clothes move slightly due to Alpha manipulation. Akira jumped off the scene without defying the motion. A blue-white, shining blade popped out from underfoot momentarily late. I would have been slashed in the leg if I hadn't been there.

Thanks to Alpha's support, Akira was aware of the presence of an enemy running further down the hall. But I didn't expect him to slash me from there. Because it is rare (rare), such as those with proximity gear, and even rarer (rare), such as those with gear that makes it easier (easier) to cut the material on the roof.

A blade extending from underfoot continues to follow Akira obsessively. The blade only reaches about the length of Akira's knee, but the aim is precise and does not allow Akira to remain on the spot. Akira continues to desperately avoid evasive action from the bullet while being restricted because of evasive action from the blade. I didn't have time to change the magazine.

The A4WM automatic projectile gun is out of ammo. Difficult to penetrate the floor with a DVTS minigun. In a CWH objective assault gun, the barrel hits the floor. I can't even leave my underfoot enemies alone. Akira tries to gently fly up to aim directly below with a CWH objective assault gun to gain space for the barrel.

"No!"

Alpha's instructions flew but it was too late. Akira had already jumped up and was in the process of switching from an A4WM automatic projectile gun to a CWH objective assault gun in the air.

Another enemy is quickly getting himself off the edge of the roof and trying to set up a large gun for Akira in the air. An enemy in the building is blading for Akira's landing. Akira noticed both in the air.

Prioritize the enemy at the end and they will hunt to land on the enemy below. If you prioritize the enemy below, they will shoot you at the edge. Akira, who understands it, distorts her expression.

(creepy (first) yes! If they slash my leg, I lose my mobility! If you can't move, it's just a target! Give up the bullet from the shooter! But how powerful is that big gun!? Can you eat it straight and not die?!?

When Akira realized where she was going to die, she became intensely distorted (boiled) and ready to change her behavior during her physical time. But Alpha manipulates the fortified clothes to interrupt Akira's behavior and make her change the way she handles it.

Akira moves at will with both arms and at the same time, surprised by Alpha's instructions that arrive, but with all her might to match her intentions. Hold a CWH Objective Assault Gun with only your right hand while floating in the universe and point the muzzle downward toward the enemy in the building. Simultaneously stretch your left hand to the trigger of the DVTS minigun while wearing it. And pulled both triggers.

A bullet fired from a CWH objective assault gun causes enemies in the building to fly off the scene. And the recoil of the bullet fired from the DVTS minigun, which was not even standing against the enemy, moved Akira slightly in the air in conjunction with the recoil of the CWH objective assault gun. The slight movement shifted Akira from the enemy's rays at the end.

A very powerful bullet rushes through the edge of Akira's coat as she chops. That showed Akira would have been fatally injured had it been a direct hit.

Keep pulling the trigger on the DVTS minigun, while Akira forcefully points the ray at the enemy at the end. Countless bullet-eating enemies were blown away by the impact of the landing and fell downstairs.

The landed Akira quickly leaves the scene.

"It was dangerous! I would have died if I had eaten that one in the face! Alpha! Thank God!

Alpha suggests with a serious look.

"Akira, the enemy is stronger than expected. I didn't defeat the enemy just because it fell. Pull here once. '

'... does that mean retreat?

Akira has a very harsh look on her face. Except for life bets and suicide. Meaning and readiness are forcing Akira to reckless before suicide. Life bets are acceptable. Suicide is out of range. A harsh situation is moving Akira's perception just in front of that boundary. If Alpha held that perception back a bit, Akira might have given up and pulled back.

But Alpha didn't. Laugh and answer.

"You really don't like that, do you? I won't force you to say it anymore. That's why I'm taking the next step. I'm going to step back once and rewrite the enhanced clothing controls into something a little bit more. In order to do so, it is necessary to temporarily render the fortified clothing unusable under the circumstances, so that would be life-threatening. Still, I've decided that the odds of winning are better than fighting like this. It's not an instruction to retreat, so I'm not gonna let you say no, okay?

I saw Alpha laughing a little fun and Akira laughed lightly too.

'Okay. I'll pull it off once.'

"That sounds good and helpful."

'Even I don't want to die. If your chances of winning are up, you'll hear better. "

"If you don't hate retreating with that mouth, you'll be a little more persuasive. Let's hurry. '

When Akira smiled bitterly back at Alpha's irony, she left the scene with all her might.