Rebuild World

Akira and the others went outside the building after collecting the relics. Raina is stretching lightly in a good mood.

"It was a shame we didn't get the automatic doll, but considering it a normal site exploration, it was good enough."

I'll take what I can carry home for now. The artifacts collected with that feeling had greatly inflated the rucksacks each had.

Togami was a little relieved that he was able to reach outside safely. And when I look at Rayna and notice my own loosening, I call out to tell myself, too.

"Until we arrive in the city, it's time to explore the ruins. The operation is ongoing until we finish redeeming the artifact. Then distribute the money without any problems, and we'll do that and separate the hunters from each other. Raina. Let's not let it get you down."

"I know. It's still in the ruins, too. Oh, yeah. Akira. Can I have the artifact transported in Akira's car?... because our car carriage is a little small."

"Okay."

"Thanks. That'll help."

Now you don't have to put a slightly embarrassing kind of relic nearby. Rayna smiles like that.

Akira and the others set out in their cars as soon as they were ready to leave.

The Clothawas managed to destroy two automatic dolls.

While the hunters did some damage, they rearranged their posture, raying together and driving the automatic dolls to the wall. He kept shooting a ton of bullets to the point that it was an attack on the surface, not the point as it was, and he kept pushing the automatic dolls to stick to the wall with the impact of the landing, and he managed to seal the motion.

In that gap, Klosawa deformed the gun into a shell type, eating a comparable blow to a tank cannon on a target that became inoperable. Old world-made automatic puppets that are also high performance in terms of sturdiness, but could not withstand the direct impact of the shells that were prepared in anticipation of a battle with the old world-made automatic puppets and gradually (or slightly) stopped functioning.

The destroyed automatic doll still retained its original shape sufficiently, and only partially damaged it still appeared to move. Kurosawa fired one more shell at a time just in case, and gradually decided to win.

"Let me use a high bullet. Damage?"

"Four weights, but all alive. I don't know if you dared not kill him to restrict his movements, or if it would have been enough to render him incapacitated for repressive purposes."

"Either is good. Treat him immediately. Don't let him die if it helps. Reconfirm the remnants. If you're biased, redistribute it evenly."

The hunters are in a hurry to start work. One man comes with a face that doesn't float as Clothawa, back near the entrance and exit of the room, continues to be on guard with a rugged look.

"What's up? Problem?"

"... no"

"I'm the only one here. Let the one who was in the sky take a break."

Klosawa looks a little surprised when he notices a man who doesn't try to go back even if he takes his gaze off.

"What's up?

"... no, I'm sorry. I should have destroyed it beforehand, as you instructed."

"Is that so? Never mind. The choice not to destroy it at that point was not a mistake either. I bet and threw a coin and the back came out. That's all."

"No, but..."

Crosava gives a serious and rugged look to a man who looks like he cares a lot.

"And it's not even if you care. At least three automatic dolls still remain. We have to hold on until the specialist unit arrives. Don't worry about the extras."

There is agitation in the man's face.

"I got rid of the one who attacked Rodin, and didn't those two get away with it?

"There is also the possibility of bringing back reinforcements. It's also possible I just went to pick up a weapon. We're still trying to survive. Keep the extra regrets at least until after the specialist troops arrive. It's all about survival. Tell that to the others."

Return with the harsh look of a man erasing extra regret. Kurosawa exhaled lightly and whined.

"... it's time to arrive, was there any trouble? Give me a break..."

Avoid imitations that cause excessive whining and distraction and confusion. I don't give a pessimistic face in pessimistic situations. Klosawa was careful not to point his light-headed face at the hunters.

Akira and the others had come through the gaps in the main part of the Ida commercial zoning site, the plant-covered group of facilities, to the outer periphery where the green ground spread.

Akira looks in a good mood in the driver's seat.

"For going out into the wilderness without thinking about it, it's been an unexpectedly earned day."

Alpha in the passenger seat is mixing a smile (cheeks) with a light daze.

"Akira, just in case, that's not an affirmation of the habit of movement, is it?

"I know. But it's a good thing you're glad your first site exploration in a long time has been a success, right? Oops, was it a ruin search until you arrived in the city '

Akira just said that lightly. But Alpha suddenly turns her expression into something serious. Akira wandered slightly when she saw it.

"Akira. Be vigilant."

'No, he said he knew. You don't have to look like that...'

'No, I'm not. React to the rear. They're chasing us.'

Akira instantly switched her consciousness to a battle in response to Alpha's expression.

"Is that a monster?

By definition. Two human-shaped reactions are coming this way pretty fast. Reinforcement clothes and sartorials would react similarly if they rushed off. But if the other guy is a hunter for something, he'll send you about a short distance communication. I don't think that's a friendly reaction. "

Akira moved to the cargo section at the rear of the vehicle when she left the car driving to Alpha to take a seat. So when I rearranged my gear, I sent a call request to Rayna and her vehicle as they opened the door in the rear of the vehicle.

I can see the subsequent Rayna's vehicle from the door that was about to open. Raina in the driver's seat and Togami in the passenger's seat are looking at Akira and wondering. When Akira shifts her gaze further back, the information gathering device captures the source of the reaction and expands the display. Men and women dressed in old world-style clothes were making their physical abilities say things and running at high speeds on the ground, which was harder to run under cover of plants.

"I don't know what it is, but there's the one coming after me from behind. Togami. Instructions on how to deal with it for now... Avoid it!"

At the same time Akira screamed that way, Alpha radically changed the direction the car was going. In a large, swinging body, Akira watched the woman behind him grip the cylindrical object, stretching the light blade from the tip of the cylinder and swinging it wide.

A little later than when Alpha told Akira about the rear reaction, Kanae noticed the reaction as well.

"Sister (ah). Something's coming from behind."

"... I see."

Siori heightened her alertness to the rear as she wrapped her tongue around Kanae's same perceptive abilities. And when I look back and see what it is, I see a suspicious face.

"Monsters... you're not. People?"

"You look like a person, but you're not dressed as a hunter around here. That speed drives me straight, but the kind people who are desperate to deliver the drop... don't look a bit like me."

"Lady. From behind..."

As Siori tried to draw Rayna's attention, Akira's, avoid, yelled from the onboard information terminal. At about the same time Siori grabbed Raina and Kanae grabbed Togami from behind and immediately escaped the car.

A moment late, a slash that flew from the light blade that the woman in the rear shook down momentously broke both Rayna's vehicles. After the body, divided left and right, moves forward according to inertia, leaning and contacting the ground, it rolls flashly across the ground.

The men and women who were chasing Akira and the others were two automatic dolls that joined the automatic dolls of the maid's clothes. The female mould packs the distance from the Scioli and the others while the female mould holds the light blade again, while the male mould heads towards the Canae and the others with something like a pistol. Siori takes up the posture of response while sheltering Raina, and gives instructions by hand that Kanae should stay down to Togami.

At that time, two automatic dolls were blown backwards in a massive amount of bullets. Akira fired from a vehicle that was moving a little laterally with an SSB compound gun in both hands. Normally, the ammunition's normal magazine is shot out at a firing speed of a mini-gun and is instantly emptied.

"Alpha! Can you take him down!?

"Unfortunately, it's not working."

Akira ejects the empty magazine from the gun, releases both hands from the gun during the compressed body feel time, quickly takes the nearby magazine and throws it into space, and again grabs (or) the gun and cleverly pushes it against the magazine to complete the loading.

'I shot you at this firing speed, even though it's usually a bullet!? You're too sturdy! What the fuck, that!

"Probably an old world-made automatic doll. You seem to be performing quite well."

When Akira remembered fighting a bunch of dolls in an abandoned building on the ruins of Kuzhara Street, she convinced herself not to distort (yu) her face.

"It's rational and sturdy! You took out a lot of artifacts greedily, so you came to take them back?

'Shoot me because it's good. In return, you'll find more results in the search for ruins. "

'Right!

Akira resumes her suppressed fire. Until I arrived in the city, I remembered the term site exploration, and I thought it might be the result of saying strange things, and I was smiling slightly.

Akira's backup shooting had definitely blunted and limited the movement of the automatic dolls. But far from destruction.

Rayna and Togami were delayed in dealing with the situation as best they could grasp the situation.

Shiori shifts her gaze toward Akira as she ponders countless proposals to deal with it. Seeing that you can't hear at all but are shouting something, and judging that you are telling me to hurry over, I look at Kanae with a serious look to unify my intentions. Kanae gave it back with a laugh.

"Ma'am! Excuse me!

"Togami boy! I'll be patient!

Siori grabbed Raina and Kanae grabbed Togami. And without explanation, without hearing back, he threw momentum toward Akira's vehicle.

Raina and Togami fly horizontally through space with confusion. When Akira noticed Siori and the others' behavior, she stopped shooting in surprise and released the guns on her hands. And while grabbing (or grabbing) the togami that flew a little rampantly with your right hand prevents it from crashing into the back, try to hold Rayna, who flew as well with your left arm, to dampen the impact. Then I took my hand off the Raynas and grabbed the fallen gun again.

Akira regains consciousness with Ciori and the automatic dolls. Ciori and the others were on their way to the automatic dolls shortly after throwing Rayna and the rest of the time together, already engaging their opponents at close range.

Akira shifts her gaze to Rayna and Togami, who are in a panic after understanding Siori's intentions to let Rayna escape. And then, thinking a little bit, he passed next to Raina and headed toward the motorcycle that was parked in the car.

Rayna was in the middle of a mess. I couldn't keep up with the confusing and unusual situation, and the information coming from the five senses just passed through my head, and it didn't help to rebuild consciousness at all.

Akira on a motorcycle next to that Raina rushes through with considerable momentum. Raina also responded to the boulder (just that) and turned her gaze toward the motorcycle in surprise. When the bike jumps straight out of the car into space and lands without difficulty, it accelerates towards Siori and the others.

The look of the Ciori and the others moving away. The look of Akira heading there. Myself walking away like I was left out of those looks, like I was left out. As soon as Raina felt it, the confusion in her head was pushed away once and for all by a gushing sense of remorse and powerlessness.

Raina, pushed away by emotions, jumps out of the car and tries to get to Siori and the others. I noticed that. Togami rushes to stop Raina with all his might.

"Get off me!

"Wait a minute! Get down here and do what you gotta do! Calm down!"

"Get off me! Get the fuck off me! Here, if you run away here, me, again..."

I try to pay off the togami with Rayna's crying face. Togami also desperately stopped Raina with some regrettable look on her face.

Togami also knew exactly how Raina felt. That day, I look back at my weakness in Selantalville, and then what I've been desperate to build up is about to collapse. I am trying to break the confidence and support that I have gathered by doing spicy training, achieving results in hunter operation, and scratching a little bit.

I was just going to get stronger, and I was just on track, and if anything, I ended up just sheltered, protected, and powerless. That helpless perception is about to crush me. Togami felt that Raina felt the same way.

Togami had managed to withstand that perception because of his thoughts as the leader of the team and so on that he had to let Rayna alone escape in the worst case scenario. What I should have done as a leader managed to support Togami.

And without it, Rayna was still about to collapse. He tries to save himself by leaving Shiori and Kanae as decoys and even Akira. It continues to flow into the situation with no skill or power to do something about it. Jumping out of the car here doesn't improve the situation. It will only be left in a halfway place. If Siori and the others, who think they are in a safe place, realize that, they will pull even more legs. That fact wore Rayna's heart.

Thogami was relieved (mostly) by Rayna's weakening movements, but had a strong chest pain. Still trying to play a role, though, perhaps trying to contact Akira to ask about the condition of the autopilot car.

There is a voice from the information terminal that sounds like someone else (one person) in Akira.

"What? You know how busy I am right now, right?

Before Togami answers that, he screams as Rayna squeezes her remaining strength.

"Akira! Why are you leaving me! I'm just trying to tell you to stay away from me without doing anything because I'm just in the way!? I'm trying to tell you to shut up and run!? Really!?

The swollen masochism was also the cry that craved a stop, and the cry of resistance emitted by the support that remained painfully. Either way, yeah, if they give it back, that broke Rayna's heart.

But Rayna didn't return the words she expected. Instead, I get a voice that sounds suspicious.

"No, I'm really hoping for backup fire from a long distance. The arm I showed you at the ruins would hit that distance, wouldn't it?

".................. Huh?

When Rayna gives a short reply that sounds like she's free for a little while and then returned to the state of confusion as she did to me, Akira returns her dissatisfied voice.

"What, no. Your car is in an automatic driving setting that wanders around after some distance. If you want to stay too far away, you can either call me or you can drive yourself. You can use your car's machine gun, but you haven't adjusted the settings or anything at all, so be very careful with the misfire."

"Oh, yeah?

"I know you're upset about being thrown away, but you need to calm down. I guess I was thrown away because without Ciori-like melee technology I would have gotten in the way of melee, but that depression hit the Ciori and the others myself later. I don't care if you hit me."

I'm sorry.

"You can use the ammunition around there as you like. Must be plenty loaded. So I'm not gonna let you tell me you're running away from me because I'm out of ammo and I can't cover you anymore."

Rayna changes her expression and yells back.

"So, who's running away?!? No kidding! I'm not running!

"Right. Then I asked for it."

That cut off communication with Akira. I scream after Rayna finds out she's out of communication already.

"He asked me to!

Rayna gave an angry look to misdemonize the joy.

"Togami! I won't let you tell me to run away!

"Naturally!

"That's what I have to do!

Rayna regained her strong temper throughout her body. He breathed heavily of his gushing readiness, lifting it to his fingertips, toes, and head tips.

"I'll do it!

Togami laughed as happy (of) as she was about herself when she saw Raina regained her mind, and she threw her weakness out of her head as well.

The broken support became stronger. Things haven't changed at all. But it was certain that Rayna and the others had changed from being driven away to being disobedient.

Next to Akira riding the motorcycle holding an SSB compound gun in both hands, Alpha has a slightly suspicious face.

"Akira. Is that good for you?

"The brother-in-law of the companion is fulfilling. It's not my fault Rayna and the others didn't escape. I didn't ask for an escort, I didn't take it on. Wouldn't you?

You can owe me if you run away with Ciori and the others. So if Siori and the others die, you'll owe them even more. At least that happens by Akira's standards. Even if Rayna and the others died as a result of Akira's trip to help Siori and the others, it doesn't really matter to Akira. At least, the degree to which you care is much lower than if you didn't go help the Sioris. Akira jumped out of the car according to her own priorities.

Alpha exhales in this sight.

'So, how supportive should I be?

"Please don't die."

"Okay."

Akira did not speak the subject, nor did Alpha listen back.

Activate the knife function while Siori packs the distance from the feminine automatic doll. Shivering and glowing, he instantly slashes away the agility (pungency) created by the limb that gained the physical ability of the fortified garment on the knife. From that blade there was a wave with the cutting capacity produced by the emitting particles, a light blade that clearly allowed for the amputation of objects outside the intermission.

Originally, it was a special slaughter where the enemy flew out of time and was severed by a stretched light blade. However, while the female type flew away greatly from the physical body, it took the light blade stretched from the physical body with its own light blade and diffused and attenuated it to prevent it.

The splashed light illuminated Siori's rugged expression and a faceless expression that made her feel even feminine margin, making its shadow stand out as an indication of the advantage of the offense.

The female shape wields a light blade. Siori is taking a low concentration of accelerator that reduces side effects and prolongs the effect time, and tries to receive the enemy's light blade in the physical part of his sword in order to see the movement of the light blade, to have bullets (inclusions) and to disfigure the enemy. But when I noticed the swing of the light blade there, I switched to completely evasive behavior reflexively.

The light blade, shaken by the female shape, double-crossed the space on the spot through Siori's knife. The knife was intact, but the plants on the ground that lay ahead were torn apart from the ground as they burned.

(The type that can be switched with or without the blade entity! That's troublesome!

Female-shaped weapons are relics close to telescopic batons. It was enabling output beyond its original performance by using the energy of the automatic doll body as a power source. As a result, sufficient cutting power was retained at close range even in the reduced state.

The enemy is powerful and cannot be protected while defending Raina. Ciori decided yes and threw Raina all the way to Akira's vehicle. In order to prevent further damage to Akira's car, Rayna remained on the ground to prevent another feminine attack. Even though he was relieved (mostly) that the decision was correct, he looked at the fact that the female form was more powerful than originally expected.

Siori and the female shape keep waving each other's blades as they move at high speeds. The trajectory of light, which remains marginally whenever the light blade was wielded, continued to carve the intensity of its offense into the universe.

A kick of kanae pierces the abdomen of a male automatic doll. The kicked male type also flies back and forth, attenuating the power of the kick. And when you rebuild your posture while writing a long line on the ground in a way closer to the brakes with your legs stuck to the ground rather than landing, you point an artifact like a pistol at Kanae. From there, a light bullet was fired in a straight line that also appeared to be a ray drawn by a traction light bullet.

Kanae prevented it with the barrier of Forcefield Armor, a force field armor that emanated from his right hand by cutting out the rays. Bullet (incl.) A light bullet draws a line of blunt angles and disappears into the wilderness. A further three degrees light bullet is fired. Kanae similarly prevented it with his left and right palms.

The male type stops the movement while still on the energy plane. Kanae had a provocative smile on her face, but suddenly she squirmed (crushed) with a slight sigh of breath.

"Uh, you can't. Even in human fights, it's just like beating a sandbag when the machine is your opponent. It's boring..."

I might enjoy it quite a bit. At the same time that expectation disappears, my heart cools. A smile disappears from Kanae.

"Break it down."

Leaving behind the undulating disappearing whine (crushing), Kanae quickly packs the distance from the male shape with a ruthless look. Avoid the light bullet that was fired out again in a slight motion such as to plunder (drain) the ray with just the necessary evasive behavior that cut out the ray, and instantly fit the male form in between.

At close range in front of him, Kanae slaps his right fist into the male chest. Without shards (pieces) such as the joy of the struggle, and without interest in the subject, the blow that was therefore carried out only by poking at efficiency broke through the sturdiness of the old world-made garments and the toughness (ginger) of the old world-made automatic doll body, causing damage to the male shaped chest.