Rebuild World

When Elena and the others, who received a request to investigate the situation at the temporary base, went through the rear contact line to near the massive site exploration area, they stopped going any further back and started collecting information on the spot first. It's already in the realm of communication failure. We can't send it to a makeshift base even if we get some information on the spot. It is necessary to return once outside the communication fault area. With that effort in mind, we decided to do whatever we could first, not away from the rear line of communication.

While Elena was conducting various investigations on the on-board information-gathering equipment, Sarah was exploring the surroundings as a lookout. At first glance, I can't feel anything abnormal around me. There's no sign of a massive battle, and it's a quiet place where the city's troops suddenly don't think they've been contacted.

"Except for communication problems, I feel that there are no abnormalities. Elena. How are you?

Elena stops the operation and shakes her neck to the side. The face is quite rugged.

"No, I really don't want to connect. Even if there is no choice but to contact the main unit that has been disconnected, we will not be able to connect with additional teams for investigative purposes. I think the extra pair are enhancing their communication capabilities because they know communication failures, and they shouldn't be that far away yet. So I think it's okay for us to be connected, but there's no response. I couldn't even detect the communication noise."

Sarah also makes her expression look worse by understanding the seriousness of the situation from the looks of her best friend.

"Just checking things out is a big departure from what you asked for. Elena. I'm talking about a reward increase if you go to the location of the last footage sent by a unit of man-made weapons to check the situation. What do we do?

"Honestly, I don't feel comfortable. If it was just a communication failure, it wouldn't have rubbed off with anyone by the time we got here, would it? Since this is such an anomaly, the troops of the large-scale site exploration should also try to get in direct contact with the makeshift base. And the personnel should go through the rear line of communication, so no wonder they're rubbing off with the personnel. But it didn't rub off."

"That man-type weapon is the type that can fly, so didn't you head directly to the makeshift base without going through the rear contact line?

"Of course it's possible. But..., sort of."

He may be trying to throw away the fruits of the corner (because of it) because he was a little too cautious and hesitant to go back. Elena couldn't shake off a bad feeling even though she thought so. But there's no point in returning here. Before wondering what to do, first expand the range of enemies in the enemy device to the limit. Since the perimeter investigation has already been completed, all the functions of the information-gathering equipment were also assigned to the opponent.

Now if you're not responding at all, let's go a little further into the boulder. If you think so, the enemy device captures the reaction.

"Sarah. Be on your guard. There's one or two reactions coming up. Near and far. It's a lot faster in the distance."

Copy that.

Sarah sets up a giant gun like a tank cannon and a small, large gun in comparison. Both are fire-focused armaments considering their disconnection from human-type weapons. It's a policy of immediate retreat when it's at stake, emphasizing power even if it abandons the operation's duration somewhat.

Closer reactions are coming from beyond the rubble mountains. The rubble mountains are fairly high and impossible to pass by in a normal sense, but the response is approaching with momentum.

"Elena. Can't you confirm an identification code for a lending device or something?

"I can't. Maybe it's because of a cruel communication failure, or maybe it's not. Just be careful. I'm gonna stay back a little bit."

Elena moves the car to distance herself from the reaction. You can't get ambushed because there's plenty of potential for monsters. Sarah also increases her vigilance. Meanwhile, the reaction continues to get closer. And it was accelerating.

As Sarah pointing the gun in the direction of the reaction and preparing for the enemy attack, the source of the reaction appeared in front of Elena and the others, jumping momentously over the rubble mountain. Sarah accidentally speaks out when she notices the target at Setouchi, the judge of whether or not to intercept.

"Akira!?

Akira had jumped more than expected trying to fly over the rubble on her motorcycle, causing her face to cramp (one) in the air. I'll manage to land after that. In addition to the bike's shock absorption function and advanced postural control by the control device, the tilted body was strongly supported with reinforced clothing when grounded to prevent falls. Still, my face remains cramped.

"Oh, it was dangerous."

Unlike Akira, whose limit is to reduce palpitations, Nelia laughs with pleasure.

"You like it a lot, huh?

"I don't like it and do it!

"Again, are you kidding me? It's not convincing to do all that, is it?

"I mean it!

As Akira manages to breathe, Elena pulls the car over to Akira's side (by her side) and laughs with a grinning face from the driver's seat.

"Akira, it's a strange encounter."

"Mr. Elena? Sarah, too. Why are you here? I'm not part of a large-scale site exploration..."

"I didn't participate directly, but I was standing by the makeshift base as a reserve for unforeseen events. Then I lost communication with the expedition team, so they asked me to see what was going on. Is Akira going home to explore the ruins?

"Ah, yes. That's the place."

"May I ask what happened?

"Eh, no, I don't know what it is either..."

Elena laughs lightly when she is relieved to decide she is safe from Akira's condition.

"I'll take you to the makeshift base because it's a valuable source. Let's talk more about this later. May I?"

"Yes, please"

Akira also relieved (mostly) Elena and the others by deciding that the area would be safe. But it was only a few moments. Elena keeps pointing back at Akira.

"I need to tell that to that guy over there, too. I can't get in touch with you because of a communication failure, so why don't we just wait here? Or do you have any means of contacting me?

"What?"

Akira looks back immediately and confirms Elena's pointed tip. The face that was loose due to relief quickly turns into something dangerous. There was a familiar man-made weapon flying through the skies a little further away. It is another reaction captured by Elena's enemy equipment and is still headed straight for us.

Elena and the others had determined that the fuselage belonged to an urban unit that had joined Akira under some circumstances. But Akira and the others didn't see it that way.

"... Nelia"

"Maybe. If we're going straight back to the makeshift base, we're off course."

Zalmo came after me. Aim for yourself. As it is, it involves Elena and the others. It is a long way to the defensive point set up in the middle of the rear line of communication. Extension work on the rear contact line has been interrupted, but maintenance continues, so there are few (mostly) shields along the way. It would be good if they were targeted from the sky. Akira, judging by that instant, pulled Nelia forcefully off the bike and threw her at Elena.

"Mr. Elena! Take him back first!

Akira accelerated toward the mountain of debris that had jumped over her earlier as she flipped the bike while Elena was rushing to take Nelia.

"Hey Akira!?

Elena hurries to stop, but Akira cleverly climbs a pile of rubble on her motorcycle without looking back. And disappeared straight to the other side.

Set up a giant cannon whose body was approaching at high speed is one of the arms. A huge shell commensurate with its caliber exploded over a pile of rubble, a large distance away. A huge explosion sounds and rocks the ground. Rubble blown from the landing point flies up to Elena and the others.

Elena hurries her car and tries to avoid the debris. Sarah kicked the rubble in time to prevent it.

The fuselage stopped moving slightly as it was lost when it noticed Elena and the others, but when he punched the gap and ate countless guided armor grenades from Akira, he completely ignored Elena and the others and started chasing Akira.

Elena and the others were surprised and confused to take the next action. Nelia had an unexpected look on Akira's behavior, but it was daring (ah) to shelve and encourage Elena to act.

"I don't know who it is, but could you hurry back to the makeshift base?

Elena sends a slightly harsher gaze to Nelia.

"You, who? Do you know Akira? What happened to you? Why is Akira being attacked by the city's fuselage?

"That Q&A is more important than staying here?

"In some cases. Listen, I'll judge you."

Elena and the others are sending Nelia a sharp gaze, but Nelia kept her spare attitude.

"Whatever it is, I don't think we can support Akira in the vehicle or on foot, right? I'm not chasing you."

So Elena also decided. I was hesitant to leave Akira behind, but I have to do my best on that assumption, beyond staying on the spot and not doing anything. Then rather than looking for Akira in this vehicle, it would be better to go outside the area of communication failure, report the situation to the temporary base, and have reinforcements sent. That's what I decided.

"... Sarah! I'm going back!

Sarah also accepts Elena's decision with a rugged face.

"... ok! Hurry!"

Nelia pinches her mouth as Elena rushes off the car and tries to proceed through the rear contact line.

"I think it's loaded with enemy equipment, but if it's a camouflage compatible device, maximize the scope and accuracy of the survey."

Elena sends a gaze of suspicion. This is because of the high output reverberation positioning, and it is not a result of informing the monsters around them of their position.

"Why?

"More than harm, I want to be wary of having advanced camouflage. Me and Akira had a lot going on here. I don't want you to believe me, but I want you to consider the possibility that Akira left me with you to advise you."

Elena got a little lost, but changed the setup of the enemy equipment as instructed. The result is checked and stunned. In the direction of the makeshift base, we were able to confirm the reactions of a number of mechanical monsters that were already flying with camouflage enabled. Nelia, who looked sideways at the result, also put a little face on the boulder.

"I'll let you through, but I won't. Is that the kind of formation? Trouble."

Those who went to contact the makeshift base after the communication failure were destroyed within the communication fault zone by these flying mechanical monsters. The response of the man-made weapons unit had reduced the number considerably, but it is still there. Thanks to a wide range of thin deployments to stop flyable man-made weapons, only a handful of aircraft are positioned in front of Elena and the others. Still a sufficient threat.

"... Sarah. I'm going to break through. Good?"

Sarah giggles back at Elena with a rugged look.

"I'm leaving the judgment to Elena. Never mind."

"... thanks"

How can I help you?

Elena also laughed and gave it back to me to boost her motivation. Then I make my face a little more rugged again.

"But maybe a little short of firepower? Sarah, how many planes do we have?

"I'll try, but I can't say anything until I try."

Armed onboard and Sarah's gear alone are tough. Nelia pinches her mouth again as Elena explores the means.

"What, shall I take the place of driving?

Nelia laughs and continues to Elena, who is lost in judgment.

"Akira left it to you, didn't she?

"... ok. Generic terminals? Or radio?"

"It's this communication problem. Please use a general-purpose terminal."

"... what really happened"

"There's been a lot going on."

Elena had somewhere to think of Nelia's strange unease about Akira, but now she broke it off as not the other way around. Pull the general-purpose terminal from the control device of the car and connect it to the nellia. Then Nelia immediately took over driving the car.

"Wait a minute. Can you drive just by connecting the terminals? Still before you change your settings?

"I did it for you."

Elena was surprised at Nelia's arm as if she had taken over the car's controls, but now she decided it was convenient. Leave it entirely to Nelia to drive and stand beside Sarah herself with a large gun.

"I had a big fire priority, but I didn't want you to hit it."

Sarah giggles back in a bright voice to Elena, who smiles bitterly.

"We don't know what's going to happen. Hunter operational. If you're ready, you can do it."

"Well, that's what I'm gonna do."

After laughing lightly at each other, Elena and the others raised their minds and set up their guns.

Nelia rapidly accelerates the car along with her prolonged voice.

"I'm going in. Yikes. Three, two, one, zero to attack."

In contrast to voices lacking tension, the signal of the attack had been given at an exquisite distance. Elena, who took the lead, fires simultaneously on mechanical monsters that are invisible to the naked eye flying through the sky. A giant bullet fired by Sarah blows a mechanical monster like a bullet. Elena's anti-force field armor, the Anti-Force Field Armor, shoots down the enemy's strong armor, damaging the core system. Countless bullets fired from Nelia-operated onboard machine-guns wash away enemies in the air. The enemy, who had his surface armor destroyed and his camouflage stripped, fell as he appeared, making a roar and clashing to the ground.

The rest of the enemy releases countless bullets in invisibility. Paved ground turns halfway through holes. Nelia dodges the downpouring bullet with skillful driving.

The rear contact line is a short drive to the defense point. However, scratching the fire is a long enough distance to go. From the ground, from the air, as heavy artillery crossed, Elena and the others took full advantage of their talent and proceeded to show their strength with the wreckage of a destroyed mechanical monster.

Akira was desperately fleeing by motorcycle through the ruins. The amount of ammunition loaded on the motorcycle is known to be high. It's impossible to fight the Zalmo's fuselage directly (decently).

Instead, they are extraordinarily small turns compared to larger vehicles. Leveraging its advantages, it had escaped the attack of Zalmo by passing through narrow alleys that could not be passed by man-made weapons or by entering the building while on a motorcycle.

I still manage to exhale in the hallway of a building that I was forced to jump into. I'm trying to get as far away from enemy opponents as I can by activating the defensive coat camo feature, putting the bike on standby and lowering the output. But that doesn't last long either.

"I don't know what to do."

Akira had a troublesome look on her head. I don't think I can get away with a man-made weapon on foot. The opponent overwhelmingly wins both the speed of movement and the range of enemies. So far I've managed to keep running away using the bike, but its energy runs out sooner or later. It was a lot of stuffing.

Take Dare (A) Repeat your deep breath and take a small amount of recovery medicine to heal as much physical and mental fatigue as possible. I used my brain too badly in the battle with the Katsuya and the others. No wonder he suddenly lost consciousness because of his actions.

The healing medicines you are taking also include the effect of staying conscious as part of your ability to maintain a state of continuous combat. If that effect expires, he faints instantly and does not wake up for a few days. Akira somehow thought so and continued to take additional medications (to avoid fainting). But the healing pills will soon run out. That's one of the reasons for the blockage.

The building began to shake heavily as it rested for a while. It's a precursor to collapse. Thanks to the ruggedness of the old world, it never breaks apart in an instant. But it definitely collapses.

"Not again!

Akira ran all at once as she tongued and started the bike. He then crashes into a wall with a pre-cut in, breaks through the momentum and escapes the building. And when you land cleverly, you grab (or accelerate) the ground securely with the tire.

Zalmo's fuselage emerges from the smoke rising from the collapsed building. It was Zalmo who collapsed the building. If he lost sight of Akira and decided he was nearby but could not be found, he thought he was lurking inside the surrounding building and repeatedly imitated (well) collapsing the building and broiling it out.

When Zalmo captures Akira coming out of the building with high-performance enemy equipment, he shouts in the cockpit while still being (straw) as expected.

"Oh no! All right. Come on, let's go!

Missiles fly out of the large missile pods of the fuselage one after the other. Each flies through the universe with very different ballistics and strikes Akira at different angles.

Akira fired countless guided armored grenades as she stood directly on top of the SSB compound gun as she raced on a motorcycle. All bullets are for interception. Low-speed but highly inductive settings have been changed. Those bullets land on missiles one after the other.

But it's not powerful enough to shoot down missiles. Missiles with Force Field Armor withstand the detonation of a guided armored grenade (Ryudan) and advance to target. Still, ballistics went crazy on the boulder. The missile lands a little further away from Akira and blows off a strip. Part of the building collapses, and the rubble falls into the rain.

Akira scratches the rain of the rubble with all her might. He has similar experiences, but this time he is on his own, and before the falling debris blocks the way, he breaks through in a frenzy of death.

The fuselage holds a large cannon. When Akira realizes it, she points the SSB compound gun at the fuselage and continues to expose herself to massive anti-force field armored Anti-Force Field Armor ammunition.

One bullet after another lands enveloping the fuselage with impact converted light. But Zalmo ignores it with high-output force field armor, Forcefield Armor, to maintain the shooting posture of the fuselage. And fired a giant shell.

When Akira realizes that she has not lost her opponent's posture at all due to her shooting, she immediately halts the shooting and moves into evasive action. I looked around and jumped every bike inside a nearby building.

Shortly after the shell aimed at Akira hits the building directly with a slight delay, crushing the wall and reaching the inside, it explodes. An explosion in an enclosed space blew part of the building from the inside out, halving a robust building made in the old world.

Akira walks down the aisle in the building with that blast on her back and escapes straight from the opposite side of the building. Much of the power of the shelling was mitigated by the structure of a sturdy building, but the endurance of the defensive coat was shredded. When out on the road, he looks around and looks for the next hiding place, shield replacement building, etc., while replacing the energy pack on his defensive coat. In the meantime, the bike keeps accelerating as much as it can.

"Shit! Awesome! Easy shooting of a bullet of power! How much is it? He even uses man-made weapons, and that's what he does to the extent of attacking a Slam Street store!? What are you gonna do with all that money and kill me!? I don't know what profits it would have, but it would be an absolute deficit!

Akira had been licked and nearly killed by others many times before. It also meant that they saw it as a cheap life that could be killed at a low price for one bullet. But not now. I am trying to kill Akira until I fully consume ammunition for a man-type weapon that has a different price digit than ammunition for personal use, using even a man-type weapon that costs a lot to operate.

My life became so expensive that I spent that huge amount of money to kill it that it was worth it. A helpless child in Slam Street became so much by then. Akira was not happy at all, even though she thought so.

Wouldn't it have been better if it had been licked a little? Such an idea floats unconsciously. So when Akira realizes her weakness, she intentionally changes the harsh look that was on her face. Shape the grin to override the inside.

Someone else is trying to persevere in killing himself until he throws a huge amount of money. Akira scoffed at the irrationality.

"You don't think you can kill me with that amount of money!

It doesn't fit the bill. It's the other person, not yourself, who misjudged the decision. Flip the bike vigorously to push the result. Half a turn while scraping the ground with the tire's powerful grounding function, it accelerated sharply.

Zalmo was frustrated that he couldn't kill Akira. But it also included unconsciously trying to deceive someone who didn't know what to do. He was breathing once he retreated and changed his fuselage gear, saying this time he could kill him. But they're still alive. That reality was causing Zalmo haste and anxiety.

After the modification of the fuselage, the equipment was focused on power, prioritizing the destruction of rugged large cars. Blow up the perimeter and roll the vehicle over even if it comes off slightly, then destroy it reliably. It was packing an armed weapon that would compensate for the hitting rate in its destruction range with that intent.

But now Akira is fleeing on a small bike. With current armaments, it's hard to target Akira exactly as she bends at right angles and escapes into an alley. Sturdy old world-made buildings also made it difficult to blow Akira apart.

Zalmo even remembered the creeps on Akira as if she had switched means of movement to match this one's armament.

"... calm down. The opponent can only escape. I'm overwhelmingly more in favor."

He whines (crushing) to tell himself yes, and once again releases countless missiles from his fuselage. Zalmo is after Akira, but he doesn't pack more than a certain distance. It was also to maintain an effective range of armaments, but it was also due to the unconscious avoidance of packing distance from Akira.

Power-oriented equipment is very heavy and consumes the energy of the fuselage quite quickly just because it keeps flying. Even enough residual energy can evacuate over the sky at any time. Zalmo had more time to bring the fuselage down to the ground (to save energy in case of a situation).

Inverted Akira goes for Zalmo. Ahead of that sight is the appearance of enemy aircraft firing one missile after another on the ground. Many missiles arc from above to target. But some of them were flying high on the ground, aiming directly at Akira through the roads of the ruins.

If Akira keeps moving forward, she won't be spared a direct hit with the missile ahead. A direct hit would definitely kill you instantly. Akira, however, continued to accelerate the bike even further while she was there. It is already impossible to get off the sidewalk and crush a missile. The distance between Akira and the missile continues to shrink rapidly.

Akira points an SSB compound gun forward and fires a guided armour-piercing grenade. But it wasn't aimed at the missile. Countless grenades exploded after landing all around Akira and the middle of the missile. Explosive flames and debris are scattered around the area, smoke explodes, blasts scratch (or disturb) the air, and significantly disturb the concentration of colorless fog in the air.

Missiles explode in killing range without having to hit the target directly. A mechanism that captures and tracks enemy positions with embedded information-gathering equipment and detonates when it enters a pre-set effective range. Although it originally explodes even when instructed to do so by the fuselage, at present the function cannot be used because of a communication failure.

Akira substituted a local, short-lived, but powerful intelligence-gathering jamming smoke screen (jamming smoke) for an induced full-armour grenade explosion. In that meagre amount of time, in the meagre range, the missile rubs off temporarily losing sight of its target with Akira, who accelerated to the limit. Akira broke through the dead spot on a piece of paper with a strange exaltation on her face as she tasted the feeling of a giant object rushing straight through the side and heavily disrupting the air with her skin.

A missile passing next to Akira failed to modify its orbit and burst into nearby debris. In the wake of that blast, Akira accelerates even further. The rest of the missile significantly modifies the trajectory to follow Akira.

Zalmo shows slight upset that Akira, who was an escape option, suddenly turned toward herself. This slightly delays the reaction. I was surprised at Akira's suicide attempt to jump from the front into the missile, and was even more surprised that she couldn't kill him, which further delayed her response. Whether you should respond with a cannon or fly over and escape, the stray delays your action even further. That delay was less than a few seconds altogether, but it was enough to fill Akira, who was accelerating at all costs, with a distance at once.

So Zalmo gradually flew the fuselage to the sky with its maximum output. A powerful propulsion device pushes up a huge mass. We crossed the roof of a nearby building and allowed humans on the ground to reach a height that looked like bean grains all at once. The distance to the ground appeases (mostly) Zalmo. Restore calm and point your gaze at Akira through the camera of the fuselage. In the meantime, Zalmo's face stained with amazement. At the end of his gaze was Akira's motorcycle chase of an airborne fuselage and countless missiles following that Akira.

Akira used the rubble (spring) on the ground while maintaining the acceleration of the motorcycle, and as she jumped onto the side of the nearby building, she was pushing through the side with that momentum and flying out into the air for Zalmo's fuselage.

Akira's aim is to hit herself with a subsequent missile. Zalmo determines that to be the case and does his best to avoid it.

"Don't lick me!

Avoid motorcycles where the fuselage dances through the universe in agile motion and jumps in. The missile that continues to arrive also manages to kill. Subsequent missiles strike simultaneously on motorcycles that have no choice but to fly according to inertia in the air. The motorcycle was swallowed by multiple missile explosions and in an instant it blew into wood dust.

Zalmo's fuselage had also been blasted and blown away, causing him to lose his position greatly in the air. I manage to rebuild it and point my gaze at the blast point. The amount of smoke bursting through the air showed the seriousness of the missile's power. The look on Zalmo's face is filled with joy.

"I killed him! Fuck you!

The sense of victory was loosening Zalmo's tension. Only for that loose minute, the next sight shocks Zalmo. The look of joy freezes in an instant. Akira was poking the muzzle at Zalmo over the camera in the fuselage.

Akira was jumping off the motorcycle and flying to the fuselage the moment she crossed with the fuselage. It was then affixed to the fuselage with the grounding function of both feet, and part of the fuselage was firmly grabbed with one hand by the physical ability of the reinforced clothes to avoid being shaken off.

Hold the SSB compound gun with the other hand and push the muzzle against the fuselage to pull the trigger. Countless counterforce field armored "Anti-Force Field Armor" bullets are shot out at the fastest set firing speed. The intense shock-converted light that showed its power enveloped the fuselage.

The semi-frequent Zalmo moves the fuselage to the unscrupulous (mucky) in an attempt to shake Akira off. As intense inertia hangs on the fuselage that keeps flying through the air into the dark clouds, Akira continues to shoot as she grabs (or) on the fuselage, desperate not to be shaken down. The arm of the fuselage tries to knock Akira off. He shoots it hard and changes his grasp. He shoots anyway.

With both legs apart and only one arm grasping (one or the other), the anti-force field armor Anti-Force Field Armor bullet damaged the propulsion system of the fuselage on the verge of shooting up an expensive expansion magazine in a position that could not be targeted directly (decently). That drove the aircraft mad and crashed into nearby skyscrapers.

Akira had skipped to the side of the building just before that. Watching the airframe crash into the building and fall, sticking to the side of the building, the airframe was regaining its posture in the air and showing its survival, albeit in some unstable and unstable behavior.

Akira makes a face that she doesn't like in the bottom of her heart.

"Can't you take that down... It will be as sturdy..."

Sticky as this is. That's what Akira thought. When she exhaled and pulled out the knife, she slit the side of the building and went inside.