Reverend Insanity

Single chapter: Write patiently, read patiently

Hello, readers and friends.

It's a rare chapter, to say a few things.

This is the end of Volume 5: The Monster King. This volume is indeed very long, and it will be the longest volume in the book. But there's no way, this volume has the largest square power span, really growing from a chess piece to a chess player. I'm sure if you look here, you'll see.

To be honest, the writing pressures of volume V are enormous, and they are the heaviest compared to the previous volumes, and even the final ones that are coming up.

There are too many things to describe.

This war, which involves the whole five domains, and there are individual hollow worlds, can be said to cover the entire map of the novel.

There are at least sixty forces involved, including martial arts, Pool Quyuan, Song Qiyuan, Shen Jiansheng, Shen Injury, Zhang Yin, Yongnang, Five Lines Grand Master, Ice Sedge River, Maori Ball, Housekeeper, Long Dung, Qin Dingling, Ziwei Fairy, Yuan Qiongdu, Fangyuan, Bai Jie Bing, Shadow Innocence, Tibetan Sheng, Demonic Ghost, Starscream, Red Lotus, Yuan Lotus, Ravage, Ye Fan, Hung Yi, Phoenix Huang, Phoenix Song, etc.

Too many characters!

Each of these characters has its own cultivation, and some are merely mortal magicians, such as Phoenix. Some of them are excellent, such as Fangyuan, Feng Jiu Song, Long Dung.

They have their own killing moves. For example, the two battle systems of Lord Long, a dozen kill tactics, all fit his image design. The tactics of martial arts, infinite wind and friendly wind, these two are mutually reinforcing. Fang Yuan's killing tactics then more, the means of Red Lotus, Song Qiyuan's killing tactics, the means of Shen Huai. All require a brief and concise description.

Each of these figures has his own plan. For example, glaciers who want to complete the legacy of the giant yang, martial arts with ambitions, dragon lords who give everything for heaven, red lotus for eternal life, to overthrow destiny, etc.

These characters are not only current, but also archaic. For example, the successive honored people, such as the martial artist's mother, Wu Lixiu.

All these people must have as much blood and flesh as possible. For example, the Red Lotus Demon, for example, the Dragon Lord, and for example, Square Source. All three are focused on writing and believe that they can impress the reader. What I'd like to do more is have some small characters, and they have to be iconic. For example, Yuan Qiongdu, a key figure in charge of repairing fate, chose to sacrifice himself at a critical moment, and I believe it should leave many impressions on readers. The memory of this character's past life and the two wars of this world can be combined to form his own story. What is evident is a concept of responsibility. This, in turn, corresponds to the burden of responsibility imposed by the liberal manoeuvres of the Ancestry of Man. Other small characters, such as Yevhan and Hong Yi, also had their curiosity. Regarding Qin Song, this person is a member of the Heavenly Immortal Tomb, with little theatre in the last life, but this world has shown his strength. He will also be relied upon to complete the Heavenly Heavenly Communication Battalion.

These people, they all have dramatic changes in their lives. For example, Feng Jiu's song was transformed from a straight path into a magic monastery, and he blatantly betrayed Heaven. There were a lot of pens about his transformation. For example, he himself is a recluse, and he has had sex with the top ten ancient parties. For example, Lord Long once asked whether Feng Jinhuang was confident or not. Feng Jinhuang said he did not believe, and Lord Long once reflected on the reason, feeling that part of the problem was caused by Feng Jiu's song. This is a matter of tutoring. These pens, if you look at them again, will be clear. For example, Phoenix is brilliant. She is the seed of the Great Dream Fairy, but fate has destroyed it. Fate is gone. Her father has betrayed her again. Where should she go? For example, Fangyuan's Dividing Room is long. What will happen to him if he is trapped in the Imperial Palace?

So many characters, surrounded by fate, fighting unprecedented mayhem, thinking very much about layout.

I believe that this is not only the most unprecedented war in the book, but also a rare, super-maximum war, looking at the web literature world.

Because it involves so many people, the map is so vast, it's very rare. The harder part is that this war has to be fought twice, once before Fang Yuan was reborn and once after Fang Yuan was reborn.

The two wars required backwards and forwards comparisons, layers of progress, not too many bugs, and pens.

In the three sections of 943-945, you should see my carefully laid pen. These pens were laid out more than half a year ago and have not been activated until now. These pens, on the surface, are just irrelevant stories, and they have to be well disguised. It is then when they appear together that the true intentions of the author can be revealed. It is gratifying that no reader has yet seen this through.

In order to accomplish my writing goals, I need to refine the character, I started laying out more than half a year ago, and I need a collision of ideas.

In the last World War, I mainly wrote the idea of heaven, and many people were moved by it. In this world war, I mainly wrote the ideas of Fangyuan and Red Lotus, and many people were passionate about it.

That's exactly what I want to do.

Only collisions and victories at the conceptual level can demonstrate their greatness and better understand the dynamics and behaviour of these roles.

And I'm writing these arguments to deepen the exorcism that this book discusses.

What is the righteous light and what is the demonic darkness?

Mature people know that the world is not black or white. The line between right and evil, between darkness and light, is actually very blurred.

The first half of this book focuses on the distinction between Orthodox demons. The second half begins to describe the commonalities between Orthodox demons.

Sometimes the right way is the right way, and at another angle, the right way is the right way.

This is not the shallowest concept of "king defeat".

For example: the greatness of heaven, the justice of sacrifice, is indeed the crown prince. But Liu Shuxian would rather sacrifice himself, but also help Red Lotus to prosper with this strong will, in fact, is against humanity. Isn't that magic? Red Lotus first loved her and was reborn, but eventually killed Liu Shuxian herself, more of a human choice.

To give another example: Fangyuan, the great demon head, became the greatest minister of destiny, and we all know that he was deeply magical, and only started out in pursuit of eternal life, very selfish. But in terms of his actions and results alone, he freed the entire nation from the bondage of destiny and freedom. Isn't that justice?

I was relieved to finish this big roll.

Expected Goals: 1 Character Shaping, 2 Layout Pens, 3 Ideas Collision, 4 Deepening Orthodox Ideas.

I'm pretty much done.

To accomplish this, I changed the outline a dozen times, and when I conceived the pen, I threw away the vast majority of the apparently obvious pens. Often conceived, they sit at the table all day long, writing a draft, and throwing a draft. The characters involved so much, I promised them portrayals and tricks, and so on, there were hundreds of sheets of paper. At the time of writing, I laid my desk full.

I don't want to compliment myself on these facts, I want to explain: I wrote this book with all my heart!

I admit, I write slowly, but there's no way, I'm not strong enough to write fast, and I'm prone to errors.

I know, I've been writing this book for about five or six years, and it's been a long time. But the more patience I have to write, the more patience I have at the end of the day, the more relief I have to get!

So I would like to appeal here to our dear readers:

I write patiently, please read patiently!

There is a difference between this book and the vast majority of web texts. Differences in writing, layout, subject matter, plot construction require more tolerance, understanding and anticipation as you read!

I am confident that, as long as you see the end, this book will satisfy the majority of readers.

First of all, I implore you to be patient.

Secondly, I want more support!

Please support authentic reading.

A bar of about 3,000 words, just a few cents. But I'm going to code it out. It's going to take about two hours.

My novel chapters, unlike most web texts, require more ideas and more hard work before writing.

The energy and effort involved in writing 3,000 words is different from the energy and effort involved in writing 3,000 words. But we priced the same, got the same money.

But I'm willing to spend more of my mind and energy trying to present you with a living magic world, a different reading experience.

In fact, because of the dark text of the book, the marvel in the way it was written, it kept me scolded and misunderstood. Make this work public.

This book is coming up to its final volume.

Everyone's destiny will come to an end. Square source, square, business compassion, white ice. The defeat of Heaven brought about a different five-domain chaos. The shadow of the Red Lotus, the Ghost and other great dignitaries will also become more intense and become a major obstacle on the way to Fangyuan. Blue Dragon Whale, Crazy Cave, Mysterious Black Fire and other secrets will also be unlocked. Ancestry will also be updated in its entirety. The idea of this book will also really elevate to the level I want to write. The subject of this book will also truly stand out.

Please support more authentic reading, please be patient.

Stay tuned: The Last Volume of Magic Man - Everlasting Life!