Riyu's Back File 2011

This battle without gunsmoke turned into France before it even started to fight with teammates. Paris raised the white flag. Taiping University heard Miyazaki’s unkind words towards him, so he could only respond with a wry smile. He still wanted to make peace. The other party's idea of ​​looking for trouble disappeared as Matsushima Nanako's greatest hope fell.

Being able to get Matsushima Nanako quickly made Miyazaki Sosuke very happy.He was able to fix the biggest stumbling block of "Housekeeper Sanda" and had a good start, which gave him a good start in the "Housekeeper Sanda" crew.With Matsushima Nanako's appeal for the comeback of the Japanese drama queen, as long as the TV series are not bad, the average ratings are basically expected to exceed 15 points. This will be the best start for Miyazaki's career as a producer.

It took nearly half an hour for a group of two cars to arrive in Ginza on the road. Because it was the evening rush hour, the original ten-minute journey took nearly three times as long. When it came to Sukiyabashi Jiro, the lights of Ginza were already Glittering lights up the night sky of Tokyo.

Miyazaki Sosuke led the crowd to lift the curtain of the shop and walked into this world-famous restaurant. He saw Ono Jiro's eldest son, Ono Sakazu, wearing a white chef's uniform, with his hands in front of him, welcoming them at the door , Miyazaki Sosuke stepped forward to hold the fifty-year-old middle-aged man who has not taken over.

"Ono-san, thank you for your hard work this time!" Miyazaki-san, while holding Ono's hand with his right hand, patted the opponent's shoulder with his left hand to encourage him.The twenty-year-old young man encouraged the fifty-year-old middle-aged man. This funny picture, but no one laughed, took it for granted.

"Where, the principle of Sukiyahashijiro is to make every diners feel at home." Ono said a lie that he didn't believe in. It is already a middle-aged man to master it. One of the skills.

Goldman Sachs Tokyo executives are regular customers of Sukiyabashi Jiro. People in the entire Goldman Sachs family like to use this place as a place to entertain customers. This relationship has continued from the 1990s to the present, so Sukiyabashi Jiro's relationship with Goldman Sachs Some executives have reservation privileges. As long as they call the store a week in advance, they will make a day for Goldman Sachs to come out. Otherwise, even if Miyazaki Aosuke is a wealthy man with a wealth of over 100 million yuan, it will be difficult to book by himself. All day long.

You should know that there was a Citibank black card user who entrusted the receptionist to help him order food at Sukiyabashi Jiro three months in advance, but the order was still not successful.The simple reason is that there are more than 2,000 calls into the store on the morning of the first of every month. If there were no special channels, the location of Shuyuyabashi Jiro was always overcrowded.

People like Sosuke Miyazaki who can make an appointment for one day of Shuyuyabashi Jiro have counted the entire Tokyo, no, the entire RB, there will not be many people.After all, whether you have money or power, there are only a handful of people or groups that can have a good relationship with Ono.If it weren't for the extraordinary relationship with Sukiyahashijiro, even if you are the richest man in the world, people will not accept it.Even Prime Minister RB received foreign heads of state privately, and if he wanted to set the dinner here, he had to negotiate with the restaurant three days in advance. This is the charm of Sukiyabashi Jiro.

The shop of Sukiyabashi Jiro is very small. Although it has ten seats, it can only accommodate seven or eight people at the same time, otherwise it will feel crowded.Except barley tea and hot towels, the restaurant only serves sushi. There is no restroom on the basement level of Ginza. Each meal takes only 15 minutes, and the minimum consumption is more than 30,000 yen. It doesn’t look like it can be done. Make guests feel at home.

But this time Miyazaki Sosuke directly booked the shop. The meal time was also extended by Miyazaki Sosuke and his party. There will be no scenes of rushing people in 15 minutes. For Miyazaki Sosuke this shot For a large clientele, Ono is naturally full of flattery.

"Master Ono, please do your best today. Thank you for your hard work." After Miyazaki Cangsuke and the others were seated, Ono Jiro, who was eighty-five years old, stood in the chef’s counter with wide golden eyes. Looking at them with a smile.

"I don't know if several people take a break with barley tea first, or are ready to start the meal right away?" An apprentice stood beside Ono Jiro and asked everyone about their dining arrangements.

"Then let's rest for a few minutes, and we will officially start eating when you are ready." Miyazaki Sosuke looked around for a week and saw that everyone was watching him, the host of the treat, making a decision, thinking for a few seconds to decide first. Drink a cup of barley tea before eating.

So within a few minutes, two apprentices came out of the back kitchen carrying the barley tea, and poured a cup of fragrant barley tea for everyone. Ono Jiro and his eldest son Ono Ono Teiichi had entered the back kitchen to prepare dinner for everyone. Up.

"I heard that it is difficult to reserve Sukiyabashi Jiro here. Even for ordinary seats, you have to compete with thousands of people for opportunities. It is almost unheard of to pack up the shop for a whole day like Miyazaki-san." Hiroshi Tanigawa took a sip of the barley tea and sighed to several people.

"I wanted to come here before, but I made a few calls to make reservations. I was told that the seats were full. Please try again next month. I didn't expect that today I would be able to thank Miyazaki-san and be able to taste Master Ono in this way. I’ll give you a cup of tea instead of wine.” Matsushima Nanako heard Hiroki Hasegawa’s words, her eyes gleamed with shrewd light, short-term barley tea gestured to Aosuke Miyazaki next to him, and gently touched him I took a cup, covered my head with my left hand and finished half a cup of barley tea in one sip.

"Yes, yes, if it were not for Miyazaki-san's invitation, I would not have had the opportunity to taste the craftsmanship of Master Ono, and I would also toast Miyazaki-san." Screenwriter Yukawa Kazuhiko saw Matsushima Nanako's behavior, and his eyes rolled up. Bad mind, jokingly raised a glass to Miyazaki Cangsuke.

"Don't, guys, today we are here to taste the craftsmanship of Master Ono, not to drink barley tea. Drink it again, I won't be able to eat it later." Miyazaki Sosuke raised his right hand and made a stop gesture , Interrupted the thoughts of the rest of the people around.

Fearing that a few people would continue to be fine and looking for trouble, Miyazaki Sosuke quickly called the apprentice over to inform the in-house chef that it was ready to serve, and shifted everyone's attention from himself to the upcoming feast.

### Chapter Fourteen Producer First Debut###

Tokyo in September has slowly entered the early autumn, but the weather is still very hot. The aftermath of midsummer has been spreading among the tall buildings, so that people on the streets are always soaked in clothes.

It was an early morning for Miyazaki Cangsuke. The opening day of "Housekeeper Mita" was not only of great significance to him, but also made him excited.

Because most of the content of the whole play is indoor, most of the filming locations are in the RB TV studio located in Kamachi, Chiyoda District. Only some branch content that needs to be filmed will be transferred by Miyazaki Sosuke Go outside to shoot.

Miyazaki Sosuke arrived in Katsumachi by car. RB TV station has a total of four buildings here, named after the four directions in the south, east and north. The crew of "Housekeeper Sanda" is in the largest area of ​​the North Main building. Shooting.The staff in the crew are all elderly people who have worked in production companies for many years, and they know their work process very well.

When Miyazaki Sosuke walked into the studio, he saw the camera crew, lighting crew, recording crew, and crew make-up artists preparing for this morning's shooting at their own pace, and director Ryuichi Inogu was working with Taiping University. Pointing at the scene and chatting.

Seeing Miyazaki Cangsuke coming, after the two greeted them, the three of them would discuss how to use the shots to be shot and how to arrange the scenes to better suit the plot.

In RB, the filming of a TV series has a standard workflow, which is also a reflection of the professionalism of RB TV series.Only by following the process can the work efficiency and quality be guaranteed to the utmost extent, and the risk of accidents can be effectively reduced.Especially in some action dramas, there are often dangerous shots to be shot, and the importance of strictly following the standard process is even more prominent.

I remember that Turkey had been to the film production site in Hong Kong before. I remembered that there were shouts and random urging from the operation. On the surface, it seemed that the atmosphere was warm and tense, but it was actually chaotic. On the surface, every second counts, but in fact there is nothing. effectiveness.Later, I went to visit the filming site of Tokyo Fuji TV. I personally experienced the process and atmosphere of the on-site work. I found that it was very different from the Hong Kong-style practice. The atmosphere was relatively quiet. The staff performed their duties in an orderly manner, and were truly tense and orderly. The amount of script that can be completed in an hour of shooting time is not necessarily less than that of Hong Kong-produced films, and it is worthy of our domestic reference.

In fact, the filming process has no stereotypes, and there is no bible to guide it, and no one in the circle has written a book such as "The Filming Process" to summarize.The filming process of RB TV series is only the experience summed up by film and television people in continuous practice for decades. Because it is very effective, it is followed by film and television staff.

To put it simply, the workflow of RB TV series can be divided into five steps: Block, Light, Rehearse, Tweak, and finally Shoot.

The first step is to move. In short, the producer gathers all the actors of the scene in the performance area. The photographer, assistant, lighting engineer, art staff and lighting doubles are watching and observing, and the director directs or leads the actors to walk. Use the easiest way to roughly perform the content of the lens once, and then study it together with the photographer.

Soon after Miyazaki Sosuke discussed with the directors, Matsushima Nanako walked out of the makeup artist with a few actors who were about to shoot later.At this time, Miyazaki Aosuke stopped chatting, and Taiping called for other staff from the shooting scene to come over and prepare to take a place.

A staff member took two small stools and handed them to Aosuke Miyazaki and Taiheida, and asked them to sit aside, so that they could see the movement of the actors and take a break.Except for the fixed-camera photographer and director who have chairs at the shooting scene, everyone else can only stand or squat.Only two producers have privileges.

In general, the crew sometimes uses the naked eye and sometimes uses tools to fix the position.For example, this time Tokugo Ryuichi used the viewfinder and other tools to set the camera position, scene and movement method to accurately move the positions of Matsushima Nanako and other actors to the track's rise and fall, lens focal length, and high and low positions. There are detailed records.

After deciding on the ranking, the camera assistant on the side is busy marking the positions of the actors who have just moved, and also the moving position of the camera.After a lot of busy work, when Zhu Gu Longyi led the actors and finished their walks, nearly half an hour passed. This is due to their quick work.

The procedure of walking position is very important in TV series shooting. Only by doing this, each department can clearly understand the design, scope of view and required elements of the lens, otherwise it is easy for the actors to walk out of the lens as they act. .

When shooting film and television works, it’s best not to rely solely on dictation like some directors do, "Actor A walks from here to there, Actor B rushes in from outside to meet A, and walks here to question Actor C..." or lift up The two fists represent the actors’ dialogue and so on. The result is blind lighting. In the end, the effect is not good, or it has to be redone, which wastes time.

Immediately after the end of the ranking, Matsushima Nanako was invited to the outside of the performance area, and started discussions with Inogu Ryuichi, Taihei Yamato and Miyazaki Sosuke, mainly Inogu Ryuichi, the director who analyzed Mita Tou for Matsushima Nanako. The character's motivation, personality, psychological state and performance requirements, etc., are commonly known as drama-telling, and the two producers of Miyazaki Sosuke and Taiping University just listened quietly, only occasionally adding a sentence or two to the side.

On the other side, the operator took the camera crew and the lighting crew to install the camera, lay out the tracks, and rehearse the movement of the lens according to the instructions of the photography guide.In most production crews in China and Hong Kong, there are very few camera sports rehearsals.At the same time, the director of photography also cooperated with lighting engineers to use "light for" lighting, which is also a shooting condition that many crews do not have.

After all, asking two more lights to increase the budget for nature.That is to say, "Housekeeper Sanda" is the most famous water ten program of RB TV station, and the production funds are sufficient, so that it can afford to "replace".Before Miyazaki Sosuke's "Spark" crew did not have this extra budget, so at that time it was all actors who acted as tools in person.

Lighting can be said to be the most time-consuming process of the crew, and it is also an important part of film and television art.Like photography technology, the lighting system also has its own unique equipment and many changes in the language of the picture.If it is not used well, it may cause confusion in the picture.

The lighting engineers of Japanese TV series are famous for being unique, not only because of their warmer tone, which makes people look more comfortable, but more importantly, because Japanese TV series have many professional TV series, and these TV series are often shot on the spot.

Such as the operating room of medical dramas, courts and prisons of legal dramas and so on.The principle of real-scene light processing is to use as little light as possible, and to give full play to the lighting effect of each light source. Often one light is used for multiple purposes. Therefore, the difficulty of lighting is extremely high, which tests the skill of the lighting engineer, and it is also RB. The TV station has trained a group of excellent lighting engineers.

### Chapter Seventy-Fifth Impressive (seeking collection recommendation) ###

While the lighting engineers are lighting up the scene, the recording assistant is also using this time to install wireless microphones for actors who have lines, while the art staff follows the operator and consciously presses the camera's frame. , The frame (that is, the reduced range of the lens) cleans the site, purchases and organizes props.

Since the department is shooting indoors in the morning, there are no extras, otherwise the producer will take advantage of this time to arrange the extras in the background to move in order to increase the sense of reality and atmosphere.If there are scene effects such as smoking, watering, blowing, and blasting in the lens, the coordination of the producer will be even more onerous.Broadly speaking, all the work within the scope of the camera is under the management of the producer.

When the lighting is over, the work required by the various departments on the shooting scene is also coming to an end. Director Zhu Gu Longyi patted with both hands, and invited the actors back to the performance area, instructing them to act according to the marks originally drawn.

At this time, director Inogu Ryuichi can ask the actors to make detailed adjustments in their performances and rehearse until he is basically satisfied.If it is filming, or the director has harsh requirements for acting skills, such as Comrade Wang Sunglasses, he will often get stuck in this link.There are many directors, such as Inogu Ryuichi, who let the actors play freely, especially when encountering the trump card chief of Matsushima Nanako, it is more like a cutscene.If you change the national teacher or a director who has high-quality acting skills like Ang Lee, he will often know the actor to repeat the rehearsal until the actor's performance meets his expectations.

The biggest role of rehearsal is to save money, which is also a tradition left over from the film era.After all, after rehearsal, the number of actors NG during the official shooting will definitely be reduced accordingly, which also saves the crew a piece of film expenses.With the progress of the times, the development of digital photography has also greatly reduced the cost of shooting, but this link has been retained as a tradition.

After the lead player Matsushima Nanako followed the filming process, Inogu Ryuichi was basically satisfied with his previous work, so he stopped the rehearsal. At this time, the makeup artists on the side walked into the performance area and performed for the actors. To touch up the makeup, the costumers also leaned in to help them organize their clothes.

Ryuichi Zhugu and the operator discussed the effect of the lens movement just now, and asked the photography lighting department to make corresponding fine-tuning according to the results of the rehearsal. At this time, the follower also measured the exact distance of the actors and prepared to follow the focus.

At this time, Taiping and Aosuke Miyazaki watched the work of the entire crew from the plastic chair beside them, exchanging opinions on the performance of different working groups.Taiping University also told him some anecdotes that happened during his previous career.

In certain crews where he has worked, there are some inexperienced hair combing, makeup, and costume crews. Because they are newcomers, they are afraid that people will say they are lazy. They will often blindly run out at any time and stand in front of the performance area and the camera. Doing makeup and getting hair done are both futile and hinder the work of other departments, making a joke.

And the crew of "Housekeeper Sanda" are all elderly people, so this will not happen.Taiping said, he glanced at Miyazaki's face.Seeing that he didn't react too much, my heart sank.

Miyazaki Cousuke laughed when he heard it, but did not answer.Taiping University educates him through short stories. The crew of "Housekeeper Sanda" is an old man. Newcomers should not blindly intervene in their speech, otherwise it will only hinder their work.

But Miyazaki Cangsuke did not take it to heart. As long as Taiping University and others can work seriously, a little vent is nothing. After all, he is the first producer of the crew. As long as the crew succeeds, the credit will naturally be him. Account for the bulk.No, Matsushima Nanako should be the lead player, but Miyazaki Sosuke will naturally not lack his share.

At this time, Matsushima Nanako put on her makeup and walked out of the theater to the two producers.

"How about, two producers. Any tips and suggestions?" Matsushima Nanako is now wearing a costume, with a white lady's shirt on the upper body, a long skirt with a lattice on the lower body, and a black dress around her neck. In her apron, her hair was tied back.

"I haven't played in a few years, Matsushima-san's acting is still so good." Seeing Matsushima Nanako approaching, Taihei Yamato Miyazaki Sosuke got up from the chair, rubbing his hands, admiring Matsushima Nanako's acting.