Riyu's Back File 2011

What is easier to gain recognition than taking the family route?

Seeing Rimi Ishihara, who had successfully booked a ticket on the web page, she couldn't help showing a knowing smile.

### Chapter 35 Go to Ginza Celebration###

Before 8 o'clock in the morning, Miyazaki Sosuke came to the filming set of "Housekeeper Mita" early, and he just walked into the door of the studio. The familiar feeling touched him a little, and he could not help but look around as he was running around, preparing The staff who will be shooting later.

In the previous few weeks, Aosuke Miyazaki was responsible for the Wechat headquarters building and guided this newly established company through the difficult development period.

In addition, the filming work of "Housekeeper Sanda" was on the right track, so he entrusted the work of the set to Taiping University, and the other party only needs to report to him by email every week.As a result, the producer's feelings of peace have been regained in tears.

Now after returning to the crew, Miyazaki Sosuke not only has to return to the identity of the producer, but also serves as the director of the last two episodes at the same time. It can be said that the producer and director caught up and made Miyazaki Aosuke, who was the first directing director, a little excited.

In the eyes of Miyazaki Sosuke, although a producer can quickly learn and master the entire workflow of film and television production and deepen his understanding of the industry chain, his real goal is to become a director and grasp the guide tube.

No producer in the world can be called a master of film, and only the director is the first person in charge who directly controls the crew.Even in the Hollywood and Japanese TV drama studios dominated by the producer, the director is responsible for directing the entire set when shooting. The producer can only grasp the framework of the film and television works during the preparatory meeting and later editing.

"Miyazaki-san, good morning." Walking into the lounge of the studio, Miyazaki heard the Japanese drama queen Matsushima Nanako greet him, and even several supporting actors who were resting stood up and saluted him. .

"Matsushima-san, good morning. I haven't seen you for a few weeks, and your complexion is more ruddy. It seems that you are in a good mood recently." Miyazaki Nanako saw Matsushima Nanako's face in the costume ruddy, and there was no protagonist Mita Tou. The pale effect of, should be without makeup, so he said with a smile.

"It's all thanks to Miyazaki-san." Hearing Miyazaki Sosuke's words, Matsushima Nanako smiled softly. In recent weeks, the ratings of "Housekeeper Mita" have steadily increased, and it has approached 30%. This test Japanese drama God makes the standard level.

Therefore, as the main player, Matsushima Nanako's mood also remained clear. Even on the set, her smiley faces were often exposed, and the number of curses was much less.

Miyazaki Sosuke exchanged a few words with Matsushima Nanako in the lounge, then came to the side of several supporting actors, sat around with them, and carefully asked about the current status of the actors who are going to play today, kindly Keep things at home and talk about development.

After a cordial interaction with the actors, Miyazaki Sosuke said to them that after more than two months of hard work, "Housekeeper Mita" has become the leader of the autumn show. I hope everyone will continue to work hard and make persistent efforts to maintain the momentum of success. Live and achieve the great victory of the autumn file system hegemony.

After strolling around the backstage, Miyazaki Cangsuke stretched out his left hand and took a look at the watch. He found that the time was almost up, so he walked out of the lounge and came to the set.

Not long after, the crew members who received the notice came to the set, including the actors who were resting in the backstage. Even the producer Taiping came out of nowhere and stood behind Aosuke Miyazaki. A group of people surrounded Miyazaki Sosuke.

"Although it is not my first time on the set today, it is my first time to direct the tube. Sitting in the position of the director of Ryuichi Togu, I feel a little uncomfortable. Upon closer inspection, I found that this chair seems to be under the weight of Ryuichi Togu. It’s getting deformed, I said, no wonder I can’t sit still."

The words of Miyazaki Sosuke drew kind laughs from the staff on the set. They heard Miyazaki Sosuke’s second meaning. The director’s position is not easy to sit in, not only because Miyazaki Sosuke is the first director, but There is also a benchmark for Zhugu Longyi.

The chair was crushed, which means that the weight of Zhugu Ryuichi is indeed somewhat extraordinary, but more of it refers to his high status and great influence, which is a secret compliment to Zhugu Ryuichi.

"My weight is light, this chair feels uncomfortable, and I can change it, but I don't want to see everyone, just like me." Miyazaki Aosuke saw the staff all laughed happily, too. Then they laughed, and after their laughter calmed down, they said something cruel, which made the set a little quiet.

Miyazaki Aosuke used the metaphor of weight and chair to imply that although he is a newcomer, it is a big deal not to sit in this chair and go back to be chairman, but if you are sitting in this chair, if I find that you are sabotaged, you should not continue to eat. This is a meal.

Miyazaki Sosuke's words fell, and the set that was still filled with laughter was silent.Everyone knows what Miyazaki Aosuke has done when he left the studio in the past few weeks. The Wee war has not only attracted the attention of the Internet field, but even some financial and mass media will pay attention to and report relevant news.

In particular, the news that Wechat announced that it will raise funds early next year, with a valuation of more than 2 billion US dollars, let the crew understand that the Miyazaki production is different from them, and they have wayward capital.

So after a minute of silence, under the leadership of Matsushima Nanako, crackling applause rang out on the set, and everyone expressed their welcome to Miyazaki Aosuke's role as director.

Miyazaki Aoji looked at Matsushima Nanako meaningfully. He didn't expect the other party to stare at him without flinching. On the contrary, it made him feel a little guilty. Instead, he stretched out his hand and pressed it to calm the set.

"Although I was a bit harsh before, but in fact, I still want to sit on this chair." Miyazaki Cousuke patted the director's chair with his right hand and said to everyone, attracting everyone's laughter.

"So, if the filming of the last two episodes goes smoothly, I invite everyone to go to Ginza to celebrate after the finale!" Miyazaki is naturally not a young man who has just entered the society. He knows that he will hit a stick to give a date to the horse to run.

After hearing Miyazaki Sosuke's words, the staff on the set slapped their hands again with more excitement, and even several main creators responded excitedly.

Although Miyazaki Sosuke did not mention the specific store name, as long as it is in Ginza, no matter which store it is, it is a sales vault that they usually cannot go to.

Although the TV crews in Japan will hold finale banquets or something, it is often just a gathering of the chief creators of the crew. Ordinary staff still have to return to the production center to clock in and go to get off work as usual.

And it's impossible for the creators to go to Ginza to spend. Most of them gather in a quiet store, just like the celebration party of the previous "Spark" crew.

In Tokyo, as long as it is a shop with the word Ginza, the rent alone is a high figure, so the shop consumption in Ginza is extremely high.

Hearing that Miyazaki Sosuke was willing to invite the entire crew to Ginza to celebrate after the filming, the ordinary staff in the year had a share, and the working status of the entire crew was up.

### Chapter 36 The director who can talk about the play is a good director###

The crew of this TV series such as "Housekeeper Sanda" generally declines to a certain extent due to more than two months of long-term work.

It's like a person who works continuously at night, and when he is about to get off work, his attention and the state of the whole person will definitely decline to a certain extent.

The crew is the same. Twelve hours of high-intensity shooting every day, even if the crew of "Housekeeper Sanda" is an old employee who has been working for many years, they are used to the rhythm of the studio. By this time, most of them feel tired.

Actors still have free time. Sometimes they don’t have their own shots. They can also have holidays. Like makeup artists and photographers, every day is a happy day at work.

But after hearing about Miyazaki Sosuke’s finalized benefits, they were all very happy to go to Ginza to spend a pass after work, and their working status and positivity naturally also picked up slightly.

"Okay, let's officially start today's filming. The staff of each department are in their respective positions. The actors of the first scene come to me, and the others are gone." Miyazaki Aosuke saw that his motivation had achieved good results. Said with a smile.

When he shouted, a few actors walked over, and the lighting engineers, photographers and sound engineers also followed him to his side, ready to listen to his next work instructions.

Today's work flow is still the same five steps as the old one, before shooting starts.Through the actor's position before shooting, the scope of the performance area is determined, and then the photographers and lighting engineers, art and venue management and other related staff can perform lighting and mirror movement according to the location of the performance area.

After seeing that the people were almost there, Miyazaki Cangsuke brought several actors to the center of the performance area and arranged for them to move.

Because there is no Ryuichi Inogu to discuss with him, everything depends on his own control. Miyazaki Aosuke is still very careful about every step of the work process. He deliberately asked the actors to go through twice, thinking that the effect is good before working with the photographer. The staff determined the scope of the entire performance area.

Then comes the second step of the drama.After Miyazaki Sosuke determined the scope of the performance area, he took the actors back to the director's chair and gave them a lecture on today's scene.

From an important point of view, this part of the drama is the most important step before shooting.It can be said that when the director mobilized the actor's thread and controlled the actor's style and details when telling the actors, these are the key factors related to shooting efficiency and lens effect.

Even when necessary, the director has to perform a performance in person, give the actor the feeling, and instruct the other party how to perform the scene.

Only in this way can the director accurately convey the lens effect in his mind to the actors, and then complete the lens effect through the other's acting skills, and finally present the scene that the director wants to achieve on the screen.

Therefore, the ability to direct a speech is also a very important factor in evaluating a director.Although there are directors like the King of Sunglasses who can’t talk about dramas, and only give the actor a note to keep the other party NG until they encounter the effect they want, it’s clear that their kind of director is a different kind of filming. The efficiency is also very low.

Sometimes, in order for the actors to maintain a coherent and accurate thread, the director will choose unusual shooting methods, such as sequential shooting according to the sequence of the script, rather than regular scene shooting.

Although multiple entries and exits in the same scene increase the difficulty of shooting, this shooting method can also strengthen the actor's grasp of his own mood and state, and it is very helpful for the actor to maintain a consistent and accurate thread.

It can also be understood that an experienced director will first fully understand his actors, and then formulate a shooting plan, and even adjust the appropriate shooting methods according to the status of different actors, so that the actors can be in the most relaxed environment and in the most comfortable state. Complete the expression of the director’s needs.

Having said so much, I just want to show that the state of the actors is really important to the filming work, and the drama is an important link to guide the actors into the state.

Since several months of filming have passed, the actors in the crew are performing well. Miyazaki is not ready to be different. He just analyzed the motives of the scene, the psychological state of the characters, and him according to the filming script. Regarding the performance requirements of the actors, etc., it is a normal way of speaking.

This is also because it was filming the TV series, and Miyazaki Sosuke was very busy during this period, and there was no extra energy and time to prepare.If it were his movie, he should paint each scene in advance.

Learn to draw and divide shots for each scene in advance to see if these shots can achieve the effect and thread you want, and be well aware of it in advance. This is the truth that an academic director should know in the first professional class.

Only when the sub-shots are done, can director Miyazaki Aosuke know which shots can play what role, which shots are essential, and which shots can push the thread to the exact point.

Because the shooting scene will change due to various issues at any time, and only when you are prepared in advance, these external factors will not disrupt your plans and ideas, and will not mess up your measures.

But for TV dramas, Miyazaki Sosuke lowered his standards.After speaking to the actors, he let the actors go to the next step, took the actors to the performance area to rehearse twice, and then asked them to put on makeup and prepare to start the formal filming.