Riyu's Back File 2011

In the tenth episode that started filming today, the play is probably Mita Toru played by Matsushima Nanako, after telling the shocking past, he left Asuda's house as agreed.But after some twists and turns, she returned to work at Asuda's house again, but she began to see the hallucinations of her dead husband and son, which greatly affected her heart.

The second son, Hai Dou, played by Shouren Ayabe, had to read the thank-you letter to his mother when he was teaching and observing, but he didn't know how to write it. He just wanted to ask why his mother committed suicide.

After worrying about it for a long time, he decided to rewrite the thank-you letter to his father, seeing Sanda in his eyes. He wanted to talk to him, but he couldn't speak.

Although Hai Dou felt a little unwilling, he still began to write a letter of thanks to his father.Mita took the composition that Hai Dou was creating and tore off, and expressed his opinion for the first time, thinking that he should write a thank-you letter to his mother.

It is not difficult to see that Sanda now has a deeper and deeper feeling for the Asuda family.So Hai Dou accepted Sanda's opinion and started writing a thank-you letter to his mother again.And Huiyi also hopes that Sanda can come to attend the audit.

One of the most important scenes is that the last second son, Hai Dou, read the composition he wrote to his mother, feeling sincere and touching, and it was also the teardrop of the whole episode.

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While Matsushima Nanako and other actors are putting on makeup, Miyazaki Sosuke is also arranging photographers to adjust the camera positions, and the lighting engineers are also arranging the light in the performance area according to Miyazaki Sosuke’s requirements. Light.

As we said before, lighting is the best time-consuming process for the crew and an important part of film and television art.In particular, the lighting of the play is also unique because of its warmer tone, and the real-time shooting and other elements are also unique in the world.

Because the tenth episode to be filmed now is the final part of the whole play, it is also the eve of the drama "Housekeeper Mita", so Miyazaki Sosuke intends to increase the warmth of the color tone and cancel the early stage in order to highlight the mysterious atmosphere. And the cool colors used.

Therefore, the lighting engineer also used the light meter to detect the brightness and color temperature of the light according to his requirements, and then accurately adjusted the lighting effect of the studio according to the parameters obtained.

Of course, not only the lighting and photography departments are busy, but other departments are not idle. The sound engineers are adjusting the radio equipment to prevent noise income, and negotiate with the boom, and put forward requirements such as the location and direction of the walk around. When shooting, because the microphone is too far away from the sound source in the performance area, the volume of the income is too low.

Most of the dramas are dubbing work in the later stage, but who calls Miyazaki Sosuke rich and high standards, not only has a sufficient budget for "Housekeeper Mita", but also requires live radio. This is because he thinks , An actor’s lines and physical performance are integrated. If they are separated, they can’t show the original effect of the place performance.

Therefore, the crew of "Housekeeper Sanda" adopted the same method of shooting at the same time, which also raised the standard for the actors.

When Matsushima Nanako and the others finished their makeup, when they returned to the performance area, the lighting engineers and photographers were not ready yet. They were still adjusting the equipment. Miyazaki Aosuke kept going back and forth between the two departments and was responsible. People discuss the effect.

The photography team was the first to get ready, and the lighting department did not complete the lighting arrangement for the entire set until nearly half an hour later.Miyazaki Sosuke asked Matsushima Nanako and the opposing actors to come to the performance area for another rehearsal.

Generally speaking, filming can be done directly at this time, but for the first time Miyazaki Cangsuke directed, for the sake of the shot, he again asked the actors to go through the process to ensure that the proficiency of the actors met their own requirements. Then I nodded and prepared to shoot.

Another important reason why Miyazaki Sosuke carried out such strict preparations was that continuous NG easily affected the performance of the actors and made them lose confidence.

After the shot is fully prepared, it can not only increase the actor's confidence, but also allow the actor to maintain a continuous state, and even show a more brilliant performance, which is the so-called extraordinary performance.

After the makeup artist finished the makeup for the actors, he withdrew from the performance area. Miyazaki gently waved his hand and cleared the performance area. Then he shouted, "All departments are ready, let’s start today’s Shoot."

Hearing Miyazaki Sosuke’s words, all work departments cheered up and started to move in an orderly manner. The camera was reset, the recording equipment was in place, the actors were in place, and the boomman moved the boom to the predetermined position, and the scene notes were also taken. The clapperboard stood in front of the camera.

"Everyone is in place, the 372nd scene of "Housekeeper Sanda", the first scene, the first one, ready to shoot." The scene note saw Miyazaki sitting on the director's chair with a big hand, and immediately tightened his nerves and shouted loudly. Said.

"Three, two, one." Miyazaki stared at the monitor and the countdown was over. The clapboard was quickly closed with a click, the clapboard quickly exited the camera, and the actors in the theater began their actions.

In this scene, Mita Tou, played by Matsushima Nanako, returns to the Asuda family. The scene of communicating with the Asuda family is almost no difficulty and very simple.

"It's over, ready for the next shot." After taking this shot, Miyazaki Cousuke briefly re-looked at the shooting picture on the monitor and let the shot pass.

The first shot passed smoothly, which also indicated that the crew's pace of work today will be smooth.After a simple preparation, the crew immediately started shooting a second shot. My sister-in-law, Ullala, and the Asuda family ate in the living room, sharing their feelings with everyone, and telling them stories about preparing for a blind date.

After the filming started, Miyazaki Cangsuke stared at the screen behind the monitor, especially the faces of several actors. He watched carefully.

In the middle, due to the long lines of Sangmu Saji who played Ullala, there were mistakes during the performance. Except for the two shots NG, there were no other problems. The entire crew quickly completed the shooting of this shot. Gao Jean Miyazaki Sosuke was very happy.

This is also the welfare of Miyazaki Cangsukeno, which makes the crew of "Housekeeper Sanda" a little excited, and besides his director, everyone has gone through more than two months. Running in, the tacit understanding between each other is full, and this has achieved such a high efficiency.

To know that an episode of this TV series is about 45 minutes, it has about forty scenes, and generally the scenes of an episode should be filmed within a week, so as to allow enough time for the later stage, five work On average, I have to shoot eight scenes a day. Calculating the progress, it is relatively fast.

And the crew has gone through two scenes in a row, which also made a good start for Miyazaki Sosuke's directing work in the crew of "Housekeeper Mita".

Immediately afterwards, the crew started shooting a new scene. Miyazaki Aosuke felt more and more skilled in the director's chair. Until noon, the crew had finished shooting five scenes in the morning. The efficiency was amazing. .

When it was time for lunch, Miyazaki Cangsuke also ate with the crew of the crew. Without privileges, he ran out to the restaurant.

He also specially asked the crew of the crew to order an extra drink and treat him himself as a meeting ceremony for the crew who just came to the crew, which was unanimously thanked by the crew.

It's just that during the meal, the supporting actress Saki Wu, who plays the role of Ullala, unanimously leaned toward him, making the several creators at the same table secretly laugh.

Especially Matsushima Nanako was not the small eyes that floated over, making Miyazaki Sosuke even more on pins and needles. After a few mouthfuls of lunch, he left and went back to the car to rest. After half an hour of sleep, he was refreshed and returned. Set.

At the beginning of the afternoon, Miyazaki Sosuke got together with another producer, Taiheida, and the photographer to discuss the plan for the afternoon shooting.

Since the shooting in the afternoon included outdoor scenes and needed to be filmed out of the studio, Miyazaki Sosuke let Taiping University be responsible for the coordination, and he returned to the set with peace of mind to continue directing.

### Chapter 38 The Charm of the Clip###

Two weeks later, all the shots of "Housekeeper Sanda" were filmed, and the crew also finished filming.

Walking out of the TV station’s building, Miyazaki Sosuke looked up at the somewhat dim sky, mixed with the faint light of street lamps, and flakes of snow fell. Unknowingly, time has entered December, and the first snow in Tokyo this year The one who came very early.

The eighth episode of "Housekeeper Sanda" broadcast on the evening of November 30th, with an average ratings of 29.6%, broke the TV station's 15-year record for single episode ratings.

As a result, the media this morning also used a lot of pen and ink to report this news. On average, one out of every three TVs was broadcasting "Housekeeper Mita". This record-setting ratings also allowed Matsushima Nanako to return after her comeback. , Quickly recovered the momentum of the original queen of the drama and became the most beautiful female star in the autumn file.

Miyazaki Sosuke has just attended the internal meeting of this TV station, mainly discussing the editing work arrangements for the last two episodes with the editors.

In countries where TV and film are developed, the process of editing is very important.Sometimes the production aspect and even the editing, watching is more important than shooting.

The Soviet film master Sunstein said that the art of film and television works is related to editing, and the American film theorist Stanley Thoreau clearly pointed out in the book "The Concept of Film" that the basic elements of film forms are various Different types of lenses are assembled through editing.

In Hollywood, where the film and television production industry is the most developed, many major studios will hold the final editing rights. Even if you are a film master who has won the Oscar for best director, it is often difficult to win the final of your film from their hands. Editing rights.

This shows that the status of editing in the production process of film and television production is evident.

For example, there are two "roulette gambling" scenes in the American film "Deer Hunter". When the protagonist puts the gun against the sun, the camera is cut off, and then it cuts to the scene showing the painful gaze of his comrades. It caused strong pressure and suspense to the audience.

When the audience felt the need to get rid of this pressure as soon as possible, the editor chose the close-up of the action of the protagonist's hand slowly pulling the trigger, so that the action was in a slow execution stage and prolonged the psychological process at this time, which caused the audience. A greater sense of oppression.

Just as the audience was expecting the result that was about to happen, the editor removed the last trigger action of firing the gun. The gun did not fire, and then there was a big panorama. The protagonist was laying on the table in pain.

The process of disconnecting the gun action during repeated editing so many times has caused the audience not to be released and added a long-lasting sense of oppression.

And when the protagonist is best to raise the gun at one time, the front lens will give the audience an illusion, so that the audience will still have the psychology of accidentally disconnecting the gun, but this time the film shows the whole process of the shooting action. , Produced a shocking effect.

The processing of this paragraph shows the importance of choosing the right and choosing the editing point. It also shows that when the editor handles this part of the shot, he feels it from the perspective of the audience and processes the shot, which can often resonate with the audience. Effect.

Some directors only regard editing as a means of technical processing. This is a completely wrong concept and is rejected by Miyazaki.

Although he is also a director who is a monk, his learning and practice process is more profound and richer than that of many academic directors.

Every week, he reads many professional books in private, and spends several hours on one-on-one video exchanges with the professors of the University of Southern California's film and television production majors, and ask them some questions about practical work and professional knowledge.

In addition, he has the opportunity to discuss with senior directors such as Longyi Zhugu who have been in the business for more than ten years. He has even directed two episodes of TV series.

These experiences and resources were not created out of thin air, but he relied on his status to exchange resources for them.This is also a way he likes.

For example, the small class at the University of Southern California was specially hired by Miyazaki Cangsuke through his colleagues in California, and he also specially donated a lot of money to their college.If it weren't for him, he really didn't have time to study in Southern California, otherwise the admissions committee of the college would invite him into the college.