Sanzen no Souru Supina
■ Thirty-seventh night: rave
Ele made a move and immediately opened a small summons gate instead.
Strange arthropods appear in response to the summons.
A corn-like organism with a sculptural outer shell made of gold.
The golden worm, it says.
Theon is trapped in his leg and hanging from the sky.
I can't tire of brackets by spell alone, and no, Ele summoned the golden worm as the stage for serving Scion as the main dish of the crazy feast that is about to take place.
Just as dressed to upside down a round table with eight legs, the worm follows Ele's life.
Theon is a butterfly cocoon that gets rolled.
Scion's face in his golden worm glassball-like eyes, where he can't find any emotion, is stained with shame.
Ashley takes off her armor as Elma urges her, leans back, and watches how it goes.
Ele seems to want to show Ashley that slutty art all the time.
Only Theon's mouth seems to be free, and Ashle hurts to the back of his head every time he is called upon to do so.
Don't scream at me, make Elma crawl her fingers, tongue, into Ashley's neck, whispering.
No, but the opposite meaning is included in the words.
"What's up? If you call him that name, he's gonna watch it all, right? What will happen to you? The terrible thing about this apparatus is that it doesn't make you feel pain or anything. Everything switches to pleasure. The flesh feels no pain. Yet reason remains - your flesh is cut and transformed into something irrevocable, yet you are shown to feel comfortable."
Ele can keep it in sight to show it off all the time.
For each one, explain the use to Ashley, the audience.
If you were sane, you would have felt that every single word of Ele was an unacceptable blasphemy to Ashle.
However, Ashley's consciousness is now covered with membranes like warmed milk.
I have a blur and myself just watching that slutty (Ibi) trailer.
Ele's caress and it, too, inspires Ashley.
Ele puts it - a fearful negative focus - into Zion's flesh: one by one "Jagri Jagra".
Each time, Theon's flesh cramps and his voice rises.
At first, the screams, which were colored with anger, eventually cry. by humiliation and humiliation.
When the last bottle was penetrated, it was replaced by a whimper.
Various human modifiers: "Jagri Jagra" makes the subject's flesh look like clay.
And Ele protruded it one by one, and first of all smeared it into Zion.
If I can really shake this up, I can change it, just so I know.
It is to experience the presence of pleasure that is more terrible than pain.
Ashle watches and listens to it in the midst of an unstoppable caress.
Chili, and the back of my brain hurt again. My chest ached when I chipped.
Sadness, Ashley understands the pain in her heart.
Elma comes to herself.
I had to accept, I knew. I love this place.
But why? Why, so, so good.
Tears spilled.
The flesh reaches out to Elma.
Keep your eyes off Zion.
Wherever you go, roll a vortex - the Will will flickers.
For a moment, Norman didn't understand what happened.
I was in distress.
It had to be described as the Night Devil's Knight, Weitz's battle regrettable but brilliant, paired with the War Ghost's gear.
Indeed, non-combatants were involved in the attack.
Speaking of ruthless, that's ruthless.
But this was the most important strategic strategic goal of the Moon Knight, its depth and core, and an inevitable battlefield.
Don't attack there, it's obviously impenetrable as a warrior class rationale.
And Norman also knew that Weitz's attack was never aimed at non-combatants, and that the aftermath, the bursting power, just made it look like a stray bullet and happened to involve people who were running late.
Nowhere is there any reason to take into account the inhabitants who belong to the enemy forces to be annihilated, in a dead place where they are detained by the Sickle of Reaper if they are distracted even for a moment.
If you make it Weitz, this is enemy territory, that is, you are in the middle of enemy forces wishing to wipe it out, except yourself and a handful of allies.
This is war. In sports, no. Kill each other.
But still, Weitz had the least amount of pride that he dared not kill the weak.
I would not prefer to take the incompetent - dare I describe it this way - = I want to settle with the ruling class as a strong man.
That's what Norman understood.
In fact, Weitz showed a tremendous fight.
In mankind, no, even if it is a night demon, an attack carried out from a place, a posture, that is never possible, is a super-speed, heavy-mass move that crushes bones just because all of it has been plundered.
Regardless, in that sense, Norman's wrapped Focus: Arman was the same.
Indeed, "Sloter Lim": "Zigabertov" added a powerful combat capability to Weitz, the Night Demon.
That is also evident from this tragedy.
But at the same time, it was taking away certain properties as the Night Demon from Weitz.
It is the ability to regenerate.
Weitz himself doesn't mean that. The device "Slotter Rim" means.
However powerful "Hiraki" = extinction, "Arman" cannot erase "Focus" in an instant.
It shows fierce resistance. It's not just a substance.
Because it is a device that converts and releases "spindle" energy, the manifestation of human will, as a physical phenomenon.
However, it also meant that if it could be destroyed - its regeneration would not be possible.
Norman finds his way there.
Just because they can't take care of themselves doesn't mean this one doesn't take into account the damage done by their allies.
Norman's arms: "Arman" is an all-in-one weapon, but his defense capabilities are significant where they are based on tactical advantages drawn from aggressive offensive actions.
It was an advantage gained by using a wide range of extermination moves, such as Void Stream, which can attack while eliminating the opponent's attack, and Bradley Turbulence, which can limit the range of travel.
Norman, who became a sealed snail of it, went on a bet because of it.
Because things were urgent.
Because the dreaded collaboration and cunning ploy of the earthspider assassins - Ele and the Elma sisters - had caught both wings of the Normans small squadron and was breaking down.
Norman watched his companions fall into distress in the sight of the blinding attack of Weitz, almost blindly twisted.
Theory is the first person on the battlefield to take over the Commander.
In the end, the war of this era, whether it originated from a desire to conquer, stemming from ethnic and religious rivalries, or even from invasions by other races, was a conflict of ideas and thoughts if aggregated, because in the end it could only be held by a ruling class of commanders.
It brings together an elephant group called the Army because it is nothing more than the ideas, philosophies, and thoughts listed by its rulers, leaders - let's dare to call them "will".
Ele and Elma understood, embodied and executed the Theory.
Their aim was Ashley.
Perhaps I was taking a look at the fact that Ashley was at the heart of the earlier collaboration.
in his role as commander of Ashley during the collaboration.
This battle is attributed to the 'twist' of a man named Ashley, if you refer to its roots.
Indeed, Archbishop: Dashkamarier prophesied the trend more than six months ago, helping him and assuming that the Son of England was the “Savior”.
The Knights of Catel Hospital thus exhausted their dying power because they agreed to that intention and decided to share their destiny together.
The earthspiders that are supposed to be enemies: Isma and the Night Devil: Working with Theon would also have been impossible without the asylum provided by Dashkamarier and the miracle - the Virgin Mary's rebirth by "Construx".
The achievements and presence of the Knights of Catel Hospital played out here are immense.
However, at the beginning of all of the events, the action of a man named Ashledau is involved.
To the actions he wants and has taken to make that hope come true.
They poked me there.
And to Ashley's predicament, Theon popped up.
The princess of the devil, usually calm and settled at night, was distraught and moved.
It is nothing short of proof that there is nothing that can be done about this battle, about a man named Ashledau at the heart of this series of events.
Just a few seconds, Norman thought.
I wanted to buy you a few seconds.
I wanted to get out of this onslaught and release a dozen dozen dozen dozen dozens to overshadow the battle as I was about to fall into an irrevocable situation.
To do this, you can't just "twist" it.
You have to act.
In the blink of an eye, a powerful attack by Weitz that should have been avoided was fired upon before Norman.
Breaking and destroying everything adjacent: Rusty Red Death Sickle, rolled out in collaboration from Blasting Pathway - as its name suggests, the Sickle of the Red Rusty Reaper.
A blow to the leg that has been turned into a blade that prunes lives.
Shockwaves hitting from left to right took the escape, and a heavy mass heel fell looming from overhead.
That's also a blow of lightning speed rolling out of a leap based on a spin.
If you are a martial arts coach, Norman experienced with his own hands how a must-see move can be a terrifying jaw gate of death - when it is incorporated as a collaboration, when it is unleashed by a "focus" through a super-fast and well-crafted "spindle".
Obviously, there was a "will" for the special.
That's why I dared decide to be prepared to take it.
Norman saw the appearance of a reaper raising a large red rusty sickle eroded and corroded by blood.
A roar reminiscent of a meteor clash pressed the perimeter.
Norman knelt down to the impact.
There was a squeaking noise all over my body.
Norman felt his blood tide blowing like a magma out of his cut wound.
In exchange for the blood to be lost, I become aware of the cold air blowing in from my wound.
But still, Norman was alive.
Overhead a similar crushing sound sounded to the Wesen's Terminator.
Norman's readiness to abandon finally surpassed Weitz's unleashed Rusty Red Death Size, defeating it and capturing its right leg.
Weitz's flesh: A spark rose violently from the heavy metal that builds the "Slater Rim".
The artifact that presides over the extinction of "Hiraki": the blade of nothingness that generates "Arman" was evidence that it finally reached its true core, eating through the strong protection of "Slater Rim".
My left foot struck Norman like a whip made of steel.
Bone-crushing attacks strike Norman even from the top of the guard.
But still, Norman didn't let go of the right leg he grabbed.
Probably wouldn't have had a few seconds.
The right leg of the "Slotter Rim" was crushed and more reddish-brown liquid sprayed along with the sound of a high-speed spinning blade bowl through the lavish chandelier.
It was the moment when mankind prevailed in its "will" in a mighty storm of death.
It was, at the same time, a precious moment that Norman thirsted for.
Desperately wandering over and disconnecting his consciousness, Norman tried to rub through the side of Weitz, who was sitting on his back.
Ashley, Zion, to save the predicament.
I was wrong.
His abdomen was cut open.
"Rusty Red - let me change the name of Rusty Red. Bloody Moon Death Size. That's the name of this move."
Weitz laughed thinly.
Weitz's entangled "Slater Rim" was originally described as a prosthetic, prosthetic leg, and even a prosthetic body to the warrior ghost (Ouga).
It means sharing lubricating fluid that fills the entire body with the (Slotter Rim).
Otherwise, there will be no “relationship".
And this "Zigabertov" did not leak into the example again, and he wanted Weitz to “relate” to it.
He also stated that manipulating blood is a fundamental alien of the High Night Demon.
For Weitz, this "Slater Rim": "Zigabertov" was an extension of the flesh, a weapon, and a sheath (...).
To hide the last weapon called your own blood through.
The attack of heavy mass was only camouflage, to conceal this sharpened blade of blood.
It sounded like a skin bag filled with wine ripped open.
Norman can be beaten.
It was such a wound that it led to death.
Norman no longer has the power to take even one step.