She Professed Herself The Pupil Of The Wiseman (WN)

eighty-seven

After dinner with Kagra, Mira revealed the night in a room prepared in the back and back, where she had an old-fashioned breakfast of five vegetables a juice.

And now he was merging with both sasori and snake names before coming to the front of the tower, the main exit with the drop-off cagra.

Upon climbing, he looked up at the tower, which was likely to sigh, before Mira followed the three of them to the spiral staircase.

Arriving in front of the gate separating the lake, the top floor of the tower, from its main base, there was already the figure of Aaron there. Reinforced with metal, it hardens itself with lightweight clothing, seeping through skilled piercings.

"Good morning, Mr. Aaron."

"Oh, good morning"

Kagra Things When the quail called out, Aaron, who was looking up at the sky (...) shining and swaying in the morning and yang, looked back to the line as he replied, glancing at the four of them and smiling. It seems customary for the Fifty Bells Federation to meet on this occasion during missions.

"This is another gorgeous blush."

Aaron says with pleasure. Today, those who line up in the front are the apex of the Fifty Bells League and its elite and even wise disciples. I look forward to this journey, and Aaron has woken up so early.

In contrast, Sasori confidently raises the end of his mouth. Speaking of snakes, after a glimpse of Aaron, he quietly laid his eyes down and murmured "Ouch." He seems to care about the wagon tolerances.

Well, I'll make sure it's final.

Once changed and his expression hardened, the quail begins to explain the operation.

"First, the destination is the castle fortress of the balance. The means of travel are from the sky in Mira's wagon. The aim is to capture the Chimeraclo-Zen executives. So far, so good."

"Oh, no problem"

When Aaron answers that, they all snort and agree. Confirming that, the quail turned his gaze to Mira.

"The wagon is being transported to Garuda, right?

"Um, yeah!

It is not just a fight, it is a meaningful use of summoning by wagons. Mira strained her chest just to say how it was.

Mira's quail, who knows Danburgh so well, shrugs her shoulders small when she thinks of the style of Garuda she once remembered.

"You need to stop by Salut's union to get a permit, so switch to the carriage then. Because if such a bird flies, it could be too conspicuous and alarming."

Yes, a quail that unleashed words that restricted the chances of subpoena activity.

"Um, okay..."

Mira drips her spine round like a kitten. More whales say there.

"Oh, once you see the salute, turn it to land. You have to be careful with your camera opponents."

Mira leaked a sigh of relief that the reconstruction of the subpoena was still far away, hammering at the words of the quail.

"We don't know when the Chimera executives will show up, so maybe we'll have them stay at the scene for a while. I'll be in charge of sasori and snakes for sleeping and watching, so Mr. Aaron and Mira should be ready."

"Oh, I got it."

Aaron answers that and sends Mira a glimpse. Because I could see from the words of the quail a tremendous trust in Mira. To the girl in the eye, Aaron inflates his expectations more.

"This member has nothing to worry about when it comes to combat. You're handing over restraints to the sarcophagus and snake when it comes to capturing them, so you just have to hurt them to the point where they can't move."

That word, like stabbing a quail nail, was straight against Mira.

"Hmm, I just need to concentrate on the fight."

When Mira understood the meaning of the word, she said so and smiled thinly. Because I thought it would be a good opportunity to review the summoning technique, which I was dubbed a snob. In contrast, Sasori, who had been asked about the operation earlier, turned to Mira and said confidently, "Leave it to me." The snake also nodded forcefully, without words.

"Well, nice to meet you!

The quail sends out the closing four like that at the end. Is it because it is currently a task to be challenged with the best possible candidate, nor was there a slight dust anxiety on its face?

As we ascend the underwater staircase as if in an aquarium, the silky smooth air greets the four of us. The four seasonal forests brilliant in the morning dew were white and sumptuous like pale dreams. It is dim, standing around like the exhalation of the trees, but the discomfort is free of fine dust and full of mortal sobriety.

It's a good place.

The scent of the forest is gentle, and the Spirit peeking from everywhere gives shelter to the four who are on their way to the task. Mira gained a sense of relief similar to her hometown with the warmth she felt in her body.

That's a very generous drop off.

"We have a common interest, and most importantly, everyone here is one of us."

Sasori replied Mira's whining as she waved back to the spirits.

There are two types of spiritual protection. It's the type that works permanently and the type that gets time-limited effects. The former is often given by becoming intimate with the Spirit and is a condition for the acquisition of various special skills. The latter is mostly the whim of the Spirit. And this time, the protection given to Mira and the others is the latter type.

Mira feels its tenderness, warmth, with multiple protections, and decides to defeat more chimeric closen to her heart.

Walking along the shores of the lake thanking the spirits who provide protection, we trace our children to the swarmed wagons.

"No..."

"Great. You've been turned into a playground."

Those were the young spirits that dwelt in the woods. Hanging on the strut, or climbing on the wagon, trying to jump, is overflowing with blooming smiles.

The white wagon, also visible in the green of the forest and in the blue of the lake, seemed very rare on this occasion, turning it into a perfect playground for the young spirits.

Although it took a lot of work to strip the young spirits obsessed with playing from the wagon, now the young spirits want to play around with the four of them. Mira keeps the child in her chest with the caretaker's spirit, although she seems to regret it a little.

Refreshing her mind, Mira opens the door of the wagon like a lot. Then the sasori peeked into my face first and from Mira's side and said, "Whoa!," he exclaimed, snakes and Aaron continued to be invited to it.

"I've never seen a Japanese-style wagon before, but this one's good. Sounds comfortable."

"This is unexpected"

Aaron likes the unique calm atmosphere of the Japanese-style, and exhorts the interior of the wagon, which puts together its goodness in a small way. The snake, by the way, seemed different from the interior I had imagined, and I'm confused. Sasori, by contrast, looked at the large windows visible in the front and was full of expectations for the view from the sky from which he would be able to hope.

"Take off your shoes there."

When Mira said so, Sasori and Aaron, shining their eyes like a child, immediately took off their shoes and rode into the wagon, as they were told.

Inside the wagon made for Mira, Mira, Aaron, and the three sasoris are correspondingly cramped if put in, and the snake stands straight at the corner of the room as he enters, looking sorry.

"Hmm, what's going on?

When Aaron asks by looking at the snake that is stuck in the corner, he replaces the snake that remains silent and explains that the sasori depends on the matter. Because the wagon is not huge, it was originally a task that the three of us were supposed to go on, but the snake really wanted to follow. Therefore, I think you're trying to stay out of the way.

I'm convinced that's the case, Aaron. However, as for Mira, it is more unsettling to do so.

"Snake, why don't you hold that end?"

With that said, Mira puts her hand on the edge of the torch at her mid waist.

"Okay."

Nodding, the snake grabbed the torch by imitating Mira. And lift it up with the ringing and move it to the corner.

"Now we're a little wider."

The torch was sitting in the middle of the wagon, so it just seemed to have gotten a lot wider off. Mira urged the snake to sit down when she said satisfactorily, and herself began to prepare for her departure with her face on the table.

Aaron, who confirmed his physique, looked down at the heads of the other three and compared his outfits, lowered his back, trying to pack them on the wall without saying anything.

When Mira was ready, if she carried a seat by the torch and lowered her hips there, a slight sense of compression wrapped the four of them like they would be pushed in from the top.

"Wow, it keeps floating!

Sasori, who was arrayed at the window, raised her delightful voice as she watched the colorful forest swoop away.

"A little bit scary."

Says Aaron, who made sure he could stick to the sasori and gazed at the window. The snake, seated properly next to it, had silently sparkled her eyes on the earth that spread everywhere as she peered and turned her gaze under her eyes.

Flying from the woods of the four seasons and enjoying an empty journey for about four hours, the town of Salut was seen in the direction of progress.

"Almost there, the town of Salut"

Tell Mira to relax in her seat, as the snake reports.

"Hmm, so let's go down."

Mira said so and stood up reluctantly, making sure to sew the gap between the three of them and go all the way to your table, from where she would show her face and give instructions to Garuda.

Then, the wagon, which slowly began to descend, landed on a meadow a little off the street.

(Well, who should I have it towed to?)

Once you get down and go by road, it's to keep you from being alerted by Chimera Clozen. Then it must also be appropriate to carry the wagon. With that in mind, Mira thinks.

(Griffon… stands out……. Pegasus might be able to do something about it if he folds his wings. But because of the low land aptitude, it may be a lack of power. In that regard, if you choose it for land aptitude, it's Umgarna... because it's a serpent that looks like it could even swallow a horse. Don't be conspicuous.)

"What's the matter, Miss Mira?"

As I stood, yeah, Mira kept roaring. Aaron asks, mindful of the state of departure.

"Nah, I can't think of anything that can drag the wagon unnoticeably."

"You know what?"

Now in front of me is the girl who says she is a disciple of Dumblrf, the wise man of summoning. Aaron is convinced that it does seem difficult, thinking of Garuda's shining wings behind his brain, which he has confirmed.

When Mira started the idea again, the snake that was twitching beside her gave her a name to a good opportunity to be active, "If you want to tow the wagon, I'll take care of it," she said.

"No, the snake lady was a necromancer."

Aaron says in his face that there is no question.

"Hmm, I'll take care of it."

Mira nodded, judging from the straight gaze directed from the snake and from Aaron's words, whether the Necromancer would have any hands. The snake only answers "Thank you" and opens the door of your table. That face, which was basically faceless, had a slight grin as to whether it was happy to help.

Snakes out of the wagon activate the technique of creating a four-legged golem.

Mira is interested in how to fix it and peeks softly into your podium. Then he looked at its golem with its round feet as thick as a round too growing from a torso similar to a lizard and three tails with hook-like tips, frowning back into the wagon with an unusual force. I was wondering if it really doesn't stand out in the golem with this look.

But Mira's worries, Aaron and Sasori remain generous. I realize that Mira, who realizes that there are still many things she doesn't know about the world that has become a reality, has no problem with the two of them.

The technique exercised by the snake was one of newly-developed necromancy as a workforce that led to wagons and others. It is therefore widely known to the public, and those who use it range from adventurers to merchants and aristocrats.

If there is a service system that can do similar things, there are yin and yang techniques and summoning techniques, but this necromancy was particularly stable. As a result, the towing golem was no longer a common sense of the journey, and its visibility could easily be achieved.

As Mira returns her gaze, the wagon moves slowly. Seeing, the golem tangled the three tails in the strut, towing them really lightly.

"Okay, I asked for it"

Mira says, impressed that it's a tough figure and clever one. Besides, the snake nodded forcefully, answering "Leave it to me".

The sound of the caracallas and wheels rolling, the petty vibrations creeping up his whole body. The journey on the wagon and on the ground, unlike the journey in the sky, was relaxing and calm, and Mira, who was velocity-oriented and full of sky, threw her gaze out the window saying that this was also a pleasure.

The wagon carrying the Mira and the others takes the streets smoothly and arrives in the town of Salut around midday.

The snake, who had checked the union's location beforehand, skillfully manipulates the golem and proceeds with the wagon. It was a boulevard with famous shops and numerous carriages in addition to people. Looking out the window at the boulevard, Mira understood the snake's intentions, seeing as it was so different from a number of towing golems that it was not noticeable for these reasons.

The town of Salut is dominated by wooden buildings, while large buildings and important places are stone built. In western plays, you can see the elaborate design of western architecture. So it didn't break the atmosphere, it was full of unique landscapes by trees and stones.

While Mira enjoys such a township, the wagon arrives in front of two lined stone buildings. That building, with its palace-like appearance, was engraved with the crest of the Union, which is common to the continent.

"Well, let's go."

Saying so, Aaron went down the wagon and into the union in order to get a permit issued for the castle fort in the balance.

The permit process was completed in about five minutes. When Aaron makes sure he gets back on board, the snake runs the wagon again.

The next place we arrived was the big inn. There is a splendid stables and a garage for placing wagons there. As a place where I could safely keep my wagon, it was an inn that snakes were looking into during yesterday, that I could just use the garage. If you get in the dungeon with Mira's wagon, if Chimera Clozen comes later, you'll know someone is ahead of you, and that might be all you need to be wary of. This mission will be carried out with the complete elimination of such elements.

The snake exchanges words with the innkeeper and then follows the directions to advance the wagon to the garage, and completes the detailed procedures for the number of days and fees of use on arrival.

The three get off the wagon with that interaction on their backs.

Various wagons, large and small, are accommodated in the wooden garage, and the attendant dressed in work clothes can be seen carefully cared for. As Mira looked around, she convinced herself that it would be safe here.

"Thank you for waiting."

I'm sorry I left it to you.

When the snake who has completed the process returns, Mira speaks that way as she receives her wagon parking ticket.

"No problem."

There was no discouragement in the snake's reply, but the expression seemed only a little happy and slightly irritating.

The town of Salut seemed to have many adventurers, and many gatherings had been made by those who could see at first sight that it was quite powerful. It's commonly called a party. Mira goes down the boulevard trying to follow a snake who confidently leads the way, appreciating the balance of the party in her eyes on her own.

On the way we enter a path a little off the boulevard. Many carriages lined up ahead. If you look at it, many of the adventurer parties are gathered, and you can negotiate something with the owner of the lined carriage and get in.

"Ho, on the carriage."

When Mira shrugged so, the snake looked back and shook her head to the side.

"A little different. This is a carriage taxi stand. Higher than a boarding carriage. But I can lend it out on a personal basis. It is commonly used as a substitute for the feet of adventurers. I've decided this is the best place for us right now."

Will the boarding carriage be close to the carriage version of the bus, which travels around a certain section and is ridden by various users on the road?

Apart from that, a carriage taxi is a means of getting individuals, or parties, to their destination, which is also already a classic way of getting around. This is the perfect vehicle for the Mira and the others moving on top secret missions of the Fifty Bells Coalition, where contact with others is kept to a minimum and therefore unobtrusive due to the classic.

"Ho ho. A cab. Sure, it's easier."

Now that we don't know where anyone is connected to Chimera Clozen, a carriage taxi with less need to be distracted can be considered excellent among the means available at present.

When Mira agreed, the snake jumped into the carriage line willingly.

A few minutes later, I talked to the owner of the carriage cab, the snake. Apparently, we've seen the best carriage out of the line, and the footsteps that guide Mira and the others are light.

Lines of carriages passing by were so varied that they were likely to hesitate to bundle them with carriages. Even from classic horses, they range from light to heavy species, and towers vary from bulls with other splendid horns to mighty nosy big pigs. Plus the towing golem.

Each type changes the distance and speed you are good at, and choosing by purpose is common sense. The castle fortress of the balance, the destination, is in the middle of Rock Mountain, a place that will require a lot of horsepower. For this reason, there were two carriage taxis chosen by the snake, and two towing golems, one bigger than what the snake showed them, were connected.

With Mira and the others on board, the snake was sending Mira a gaze as a carriage taxi with power and considerable speed entered the street into the mountain path, gazing into a fearful mood. Anyway, it's because Mira doesn't have a lot of mouth after getting in the carriage. The snake was causing such anxiety whether he didn't like the carriage or whether his presence, which he was forced to follow, was neglected.

(Even though the golem lined up to see the ceremonial god... Why isn't there a whole summons...)

Mira, at the end of her gaze, cheeked on the window frame and watched as the grass became neglected as she went down the mountain path, and was frightened by emotion that the subpoena would also decline like this grass.

Afterwards, the snake's anxiety is dispelled by Aaron's voice, who cares about the two. Mira said she wasn't dissatisfied with the snake, she was just concerned as a summoner that she didn't see the summons.

At the same time, Mira's worries are also cleared first by Aaron's words that magicians capable of summoning a flying presence like Garuda are held by executive officers and are higher than carriage taxis.

Then a line disguised as an adventurer's party arrived at the castle fortress of the balance, all soothing.