Chapter 530 - 280: What the Hell, This Is a Game?
The video was in first-person.
The camera panned left and right around a room, which was clearly a girl’s bedroom.
Then, a familiar voice spoke. "Damn, my head is killing me. I drank too much again. Where am I?"
Wasn’t that Chen Jincheng’s voice?
Was the video from Chen Jincheng’s point of view?
He’d gotten drunk and didn’t know where he was?
Instantly, the entire audience’s curiosity was piqued.
Then, some people started to realize. Were all those behind-the-scenes videos Chen Jincheng had shot with the girls for a game? Not for a movie or TV show at all?
Then, everyone saw a mouse cursor appear on screen. Chen Jincheng began to control the male protagonist, walking him around the room to observe the surroundings.
The protagonist could even inspect various items in the room, including the girl’s wardrobe. When the wardrobe opened, revealing all sorts of little items... well, those who know, know.
"Holy crap! Are you kidding me? This is a game?"
"Damn, this game..."
"..."
From the very beginning, everyone felt like something was off.
Sure enough, just as the protagonist picked up a small, lacy, cutout item from the floor, a pair of long legs appeared in the frame.
It was a beautiful woman wearing a white button-down shirt.
Isn’t that Miss Cheng, Xiaoju?
A note with the woman’s information also appeared on screen. In the game, her name was Zheng Ziyuan.
A flashback scene appeared. It was the first time the protagonist met Zheng Ziyuan. It happened at an art exhibition where her dress was torn, and someone was secretly taking pictures of her exposed leg.
This scene made all the pervs in the stream start spamming the chat:
"Nice legs!"
"Seriously, nice legs!"
"..."
At that moment, everyone noticed three prompts appear on the screen:
1. Quietly let her know. 2. Take off your jacket and give it to her. 3. Help her solve the problem completely.
Chen Jincheng laughed and said, "Everyone, which one should I choose? These let you control the game character’s actions toward Zheng Ziyuan."
The viewers in the stream were amazed. They were finally understanding how this game worked.
Many people started posting in the chat, telling Chen Jincheng which option to pick.
Chen Jincheng chose the second option: take off his jacket and give it to Zheng Ziyuan. After hearing the girl thank him, everyone was surprised to see that as the plot progressed, she actually took the initiative to invite the protagonist out to eat.
The key plot point was insane.
The protagonist didn’t have money for the meal, but the beautiful Zheng Ziyuan told him not to worry about it, said it was her treat, and even actively pulled him along with her.
Wasn’t this a stroke of incredible luck with the ladies?
The scene changed, and they were suddenly in a bar. Then came the drinking scenes, all in first-person. Xiaoju’s charming and flirtatious movements were just... wow.
And what was the most crucial part? Zheng Ziyuan actually invited the protagonist to go somewhere else... and they ended up at her house.
This...
Chen Jincheng then deliberately remarked, "So, is that why the protagonist ended up at this girl’s house? Isn’t that a little too fast?"
Hearing this, the entire audience was speechless.
’You know it’s too fast, too?’
’Didn’t you freaking make this game?’
But for some reason, this short gameplay clip suddenly made people want to play it.
And it wasn’t just one or two people who felt this way. It was mainly because, in first-person, admiring the girl and watching her chat with the protagonist felt as if she were chatting with them, creating a strong sense of immersion.
Especially in the bar scenes, the girl’s charming allure when she was slightly tipsy, and the way she flirted with the protagonist... it felt like she was flirting directly with them.
This is seriously a game?
If the content was any racier, it probably wouldn’t have even passed the review board.
Such a style... it was just what you’d expect from Chen Jincheng. Who else would have thought of making a game like this?
The crucial thing was, they were all instantly hooked.
’Are we beyond saving?’