Succubus-san’s Life in Another World

That morning's class was on Alchemy. I was just a little excited about this class, but I didn't get to come because I prioritized classes that I could get out with Urania and Sola and the others. I don't want to think so, but my students and teachers were waiting on their knees in front of me.

"Uh, yeah... guys...?

"" I've been waiting for you! Jazz!!

Students and teachers who further confuse me with an undisturbed response to their questioning of me. I'm here now with 14 students and 3 teachers taking alchemy classes, 18 including me. Alchemy classes are less popular than earthly attribute classes.

There are several reasons for this, but the biggest reason is to exhaust a plain word. Basically, those who can use magic use magic without relying on magic props. The presence of magic props exerts value by giving magical benefits to a people who cannot use magic. Nobody spends dozens or hundreds of hours researching things they don't use.

There seems to be little interest in the current development of the royal family or magic tools, and although there are research institutes placed in the country, the budget persecutes them and they are not adequately staffed? So even if you study alchemy at this Royal School of Magic, the future is the way to go. No one wants to come to such a place.

Except for some perverts.

"Stay, Jazz! Here, this! I made it……………………"

"Out of the way! Jazz! We are impressed with Jazz's burst electric shocker throwing bullets! I'd love some advice!

"Running out is sloppy! Jazz! How did Mike do when he greeted the delegate!? I've never heard of adjusting a magic fixture in such a short time!

Somehow he is sitting on a fuzzy sofa for one person that was prepared at some point, receiving hospitality from the finest tea and tea contract, and is in a question-attack. Somehow these guys have thick characters. Ask for advice 者, get excited about the demon props I submitted for trial 者, want to know how to adjust the demon props when saying hello, etc.

Even the three teachers who are supposed to be in a position to stop are mixing up with the students and throwing questions at me. I don't even know whose class I'm in anymore. I'm supposed to be here for class, but I'm in a position to teach at some point.

"Jazz! This is my paper on magic building! He wants advice on reproducing magic construction and configuring magic activation!

"You! Let me know about that paper!?

In the course of the questioning attack, a student came out asking a question of concern and accidentally grabbed the student's shoulder. What that student has asked is a theory that underlies Grimoire, the magic tool I gave Urania.

Let's talk about magic and magic here. I think we've talked about this before, but the biggest difference between magic and magic is whether you can manipulate it yourself. Magic phenomena are only predetermined objects. Once activated, it cannot be stopped on the way, nor can the phenomenon be changed. As long as the magic is properly controlled, it can be stopped along the way or manipulated freely.

Magic and magic both use magic as a source of energy, but their activation processes are quite different. Magic is made magic by gathering magic in your body, making sense of it, and releasing it outside. Sorcery then uses chanting and magic formations to impart attributes and directions to magic.

Grimoire, whom I gave to Urania, replaces her shoulder with the part that gives her meaning. If I continue to use it to some extent, I think I will be able to do so without relying on the magic props. However, since Urania is currently the only user, I have not been able to experiment with it.

There were more magicians in the student council, and I was going to increase the number of users of Grimoire, but there was a little problem with that mass production. Simply making numbers is hard. When I was thinking about it, I brought a paper in front of me that this student was pretty sure of. This would be a sign that you can use it now.

"Yes, this."

"What is it? This?"

"Alternative magic prop prototype for the magic building process."

Unlike what I gave to Urania, this only has about 10 pages of pages of what is this type. There are only about five types of magic that can be saved, and when it is more than that, it is overwritten from the old one. It's a lot thinner than Grimoire, so this is the naming.

The student I was given, his name... no, it doesn't seem to make sense to remember anything. You can call me servant number one. Or rather, I was pleased when I actually called him a servant. I can't solve it.

"Jazz! This is a magic appliance revolution!

"It's art…… wonderful………………"

My servants are starting to admire the magic tools I gave them. No, I want you to stop because it's really like some pagan ritual and I'm scared. I look at it with an elegant cheek with one hand of tea so that I don't strip off the lady's mask for once, but even that seems like a suspicious page of religious painting.

"Blueprints are here. The theory of content is this. There are also developmental types, but let's just say that's not true. The first step is mass production and experimentation of Us-y books. You'll be busy."

"" "Yes!

Having thus obtained 17 servants for the first time in attendance, I personalized the alchemy class and acquired the system of mass production of magic props.