Super Detective in the Fictional World

Elsa nodded: “That's true, but his young wife, Margaret Harry Johnson, came to the police station and asked us to solve the case as soon as possible. ”

Luke Hardy laughed out, “What's her background? Let's avenge a gangster? Doesn't she know how many enemies and opponents her man has? ”

Elsa looks weird: “She… may not really know. ”

Luke stunned: “What's going on? ”

Elsa: "From the information I gathered, she really thought her husband, William, was doing the right thing. And she's a Southern California art student, only 21 years old. ”

Luke: “... are you trying to say that between a 45-year-old gangster and a 21-year-old art girl, there is pure love? ”

Elsa shrugged: “Who knows? There's something strange going on in the world. ”

Luke continues to flip the file: "So where do we start? ”

Since Dustin told them to look into the case, they didn't have to worry about it, and Luke felt like he had no clue for three days, so they closed the job.

As for the widow of William Johnson's college girl, she wants to make a scene?

Whatever! Los Angeles is full of gangs, and William has left her with a lot of legacy, but she can't make a big deal out of it.

The WD-36 boss is also rich. Can he go to the press and cry and complain that LAPD doesn't care about his men getting killed?

No! Because the media, the general public, and even the wealthy class, if they understand their identity and style of work, will only be happy and clap their hands for the deaths of these scum.

The ghosts will pity the gang!

Elsa shrugged: "Go to South Carolina and meet the widow anyway. She's a little... simple, but not a bad person. If she really opens things up, we don't care, she's likely to be targeted by other gang members, and finally evaporate after handing over all her assets, or become some kind of gangster's thing, it's hard to say. ”

Luke nodded, saying he understood.

Is the boss's woman that good?

It is not uncommon for a gang to take control of a woman who is capable and resourceful and may be able to take over the position of her man.

But the widow of the art college student will only carry assets and become the target of other gangs.

Wealth obtained through violence can, of course, be seized by others through violence, which is the rule among gangs.

With patents like those made by Luke, gangs can hardly resort to violence and grab the past with the right words.

Because Luke has too much evidence to prove he's a legitimate owner, and the judge won't believe the gang, he'll support a law-abiding inventor like Luke if there's any doubt about it, not the gang.

The vast majority of William-Johnson's wealth is held through some covert channels, avoiding the worst of institutions such as the police and the IRS, which other gangs can access by taking over these covert channels.

If the widow didn't know how to converge and make things known, she would die quickly.

Now that Luke is finally unable to rub Elsa's car, the two of them are driving their own car out to South Carolina.

Soon after, Luke looked at the surroundings and muttered in his heart: Yesterday he came to visit for a little half a day, and today he came again. Well, here's to me!

Along the way into Southern California, Elsa found a studio somewhere: "She studied oil painting, usually in classes here. ”

After pushing the door open, the house was a female model of red fruit, then seven or eight young people focused on painting there, only a middle-aged man in his forties looked over and frowned.

Luke was more like a student, but Elsa was all grown-ups who walked into society, came running around randomly, and opened the door to his studio, which upset him.

Elsa lit up her badge, and the man looked even worse and walked out quickly.

When he left, he closed the door and asked, "Who are you? Can I help you? ”

Elsa: "Agent Elsa, West End of Los Angeles Serious Crimes, this is Agent Luke. We're here to see Margaret Harry Johnson. ”

This man says, "This is the school. You want to find her, come back after class.” Go back to the classroom.

Elsa squinted, “Is it important to go to class? ”

And the man looked like, “Of course, this is college. ”

“Can a dead man still go to college?” Elsa asked.

The man looked ugly: "Are you threatening me? ”

Elsa grinned, "You don't matter. Didn't you hear our introduction? We're in Serious Crimes. ”

The man lifted his chin high: "What happened to Serious Crimes? You're not in charge here. ”

Luke couldn't stand the dullness of this man. Is it stupid to learn to draw?

“This must be the teacher, right? The Serious Crimes Unit is really nothing but dealing with criminal offences, such as homicide, shooting, kidnapping, etc. So you think we're here just to give a crap to irrelevant people?” Luke said.

The man's face changed and he hasn't spoken.

"We take on a serious criminal case every other day or two, and we eat mostly fast food and work overtime every day," Luke continued. So, can you do me a favor and get somebody in there and save us some time? ”

The man's face changed for a moment and finally chose to go in and call someone.

He's not really an idiot.

It was made clear that he was not a party to certain more serious criminal cases, but that the two detectives, who had to wait for the students to paint, did not pretend to be like this.

Margaret's not a painter with hundreds of thousands of knives, she's just practicing here.

His previous behavior, which showed more absolute authority in the classroom, was not suitable for this presentation.

Elsa glanced at Luke: "Next time, it's up to you to work with persuasion. ”

Luke nodded, but said, "Aren't you the one who likes to clean up the dishonest guys? ”

Elsa laughed, didn't say a word, but remembered what Dustin said.

Give the assignment to the trusted men! That's how leaders do things.

She adapts to this in advance, and can accelerate Luke's growth, both ways.

Less than a minute later, Margaret came out and Elsa came forward as usual.

This is a moment when she needs to take advantage of women, who are less threatened and oppressed and more conducive to normal investigative conversations.