Sword of the Philosopher

Following my lead, my people pushed forward and ran into Silver Road, the demon, again in front of the stairs. Behind it was Maygus withholding, together with the past. Therefore kill the avant-garde demon instantly and defeat Maygus in the rear for a short time.

From there one goes to the lower level... but for the second layer there was a similar structure.

"Is there a trick yet?

I reply to Reese's question, "You're right."

"With the knowledge I have, there's got to be a first trick on the third tier... and this hierarchy is just the enemy, too. Ignore treasures and stuff, so let's prioritize breakthroughs anyway."

That's why we're even going for the next staircase. In the meantime, I also encounter demons... but I notice a little bit of a change in how my people are doing in them.

More specifically, we are determining how best to do it and we are moving. I didn't think my people would understand when I said RTA, so I lay low on the word, but I'm changing the way I fight because it means I attack fastest.

For example, the difference between first sight and battle. The first encounter was also a combination of Silver Road and Maygas, but for Silver Road, the defense is first played by the unchanging magic of Kuuza, and Leese finishes it. Sophia and Oldia to Maygas in the meantime - these two have a role to play in targeting the rear guard enemies at once because, if you ask me, they can act quickly within us.

Eina is the one who follows to cover those two. In preparation for further unforeseen events, Kati and I will try to grasp the place... and the time it takes is reduced compared to the first battle. Optimization is underway to see who can move how.

But the next demon had a slightly different combination. The avant-garde was Silver Road as always, but what was behind it was a new demon. A demon with a lion's head while holding human hands and feet. Yet he possesses a great sword in his hand.

The demon's name is Grand Warrior, a warrior-based demon located in the advanced class in the third edition of Elders Sword. Basically it also seems odd that this guy is protected by the devil because he also has an avant-garde role... because he can use all kinds of sword moves, leaving him alone is not a hassle.

"He's the enemy of a swordsmanship subject!

That's what I told you, arrow tip, magic flew out of Kati. That's a direct hit on the demon standing in front of the Grand Warrior. Plus Kuuza's unchanging magic hits him straight to continue standing, and he succeeds in destroying it. Here my buddy made an unexpected move.

Sophia, Oldia and Reese. Those three launched the attack in pursuit of the Grand Warrior at exactly the same time. My advice seems to be to take him down with man-made sea tactics before letting him put out the moves themselves. But instantly, and yet the three of us have the exact same idea... no, is this a little different?

Timely enough, Sophia tried to start running as soon as she defeated the avant-garde demon. Plus Oldia and Reese followed it half-reflexively...... I guess that's the result.

Naturally, the warrior demon showed a plan to respond, but is it difficult to exercise his moves satisfactorily in a three-on-one situation? If the surrounding Silver Road were to be a shield, I might still have had eyes to resist, but with the backward support of me and Kuza, I would interfere with the demons who tried to turn to cover the Grand Warrior. This allowed the three to attack intensively.

As a result, the three slaughters enter decent. Exactly how this can't stand advanced class demons, but brilliant destruction. Silver Road has arrived, but it's already late. Sofia and the others dealt with it sparingly.

Sounds like we can work together with Ayumu's breath, even with my advice. By working out together in the organization, we grasp each characteristic and so on, and instantly derive an optimal solution to the labyrinth situation.

If this could go on all the way, the offense itself would never be difficult...... but fatigue also builds up as we move on to the lower levels. If you lose focus, you miss judgment, and you fall into a predicament. Running the shortest distance increases the likelihood of being put in a dangerous situation if you get out of it. My buddies should take that into account in the corner of their heads, but I want to be able to cover them at any time.

As far as I'm concerned, I'm in the rear guard to keep track of the war. Something like adjusting the resbail so that I could get it out immediately… I kept going through the labyrinth, looking at the movement of my people and moving my head again.

The second level is done without the need for time, and we go downstairs. If it's true, maybe we fish crates and stuff, but ignore it all because it's one purpose. Well, unlike the game, there was hardly any angel ruins in the case of treasure rolling, so you wouldn't have to think about it.

"Apparently, it's not like a maze."

Oldia spoke first. Until now, it was simply a maze structure, but not here. First there is one large iron gate directly in front.

When I touch it with my hands, I feel a pale magic. I guess there's protective magic hanging like building materials in the labyrinth. It's tough to attack and break through at your disposal, and most importantly, you shouldn't do it because if you do that and the labyrinth collapses, you can't even see it.

"At first, I don't think the gimmick itself is that hard...... If it's the same as my knowledge."

I look left and right. The passage is stretched, and we can't move on without disarming the two tricks.

"Uh, do we attack one at a time because we don't need to split up yet? There are no demons."

"In the meantime, let's go in one way or the other and see if Mr. Leon's knowledge makes the offense easy"

Sofia suggested. Yeah, that sounds good because if my knowledge can be harnessed, I won't have to waste it.

That's why we head right first. There was one door in the back, which could be opened. So, inside - it was dark, so maximizing the light, it was a straight square room.

There were stone statues in the center, at the right edge, at the left edge, and at the back of the center and in the four positions. They were each imitating warriors, magicians, etc., and about this - apparently they thought it was the same thing as my memory.