The perfect future of rebirth

Jiang Wen listened to Zhao Po. The question, loudly, then nodded: "He is very interested in my proposal, expressing his kindness through broker."

"Is it?"

Zhao Poked his god and laughed: "I didn't think it was."

Although it is very clear that this matter is probability that the probability may succeed, Zhao Poisheng really did not expect that Song Kangxi, actually returned to Jiang Wen's invitation.

"It is an individual who wants to be famous."

Jiang Wen seems to see Zhao Poisheng is a little surprised, laughing and laughing: "Although Mr. Song is already a household name in South Korea, it is not high in the international popularity. Now I have the opportunity to go out of the country, he is of course very happy."

Zhao Po lifetime thinks, it is really this.

In the entertainment circle, it is not a place, this is unquestionable.

Just like Jiang Wen said, the Actor of Song Kang, this level of actors, can say that most people have been familiar with him, people pursue, naturally, it is impossible to be simple money benefits.

The reason is very simple. If it is just for money, there is a lot of investors waving the check book in Korea waiting for him. Therefore, for the actors such as Song Kang, he cared, it is his own reputation.

It is precisely because of this reason, after the contact of Jiang Wen, the Song Ying Di actively said that he is willing to cooperate.

"What are you going to have?"

Zhao Poheng lives to Jiang Wenhao.

"After fifteen." Jiang Wen thought that Zhao Poked life: "The development of movies on the Korea in the past few years, in fact, I think, this time I take a look."

Although he did not say, Zhao Poked lives already understands what he meant.

Talking, Lao Jiang went this time, it is a mentality of learning.

This is the truth, although I don't want to admit it, but since the mid-1990s, the development of Korean movies has indeed began to surpass the mainland.

Although the Korean movie in the seventh or eighties is in the stage of learning to Hollywood to Hollywood, it is indeed a learning attitude of his essence to abandon its muddy, which makes a large number of outstanding Korean movie people, grow up quickly. And after the 1990s and Millennium, the huge power broke out quickly, quickly supported the Korean movie market.

Not only that, the realistic subject of Korean movies can be said to be quite excellent, saying that the air is not too air, and even if it is officially blocked, they are not afraid.

This spirit is worth learning.

"Take a look, take a long time."

Zhao Poheng said to Jiang Wen.

Jiang Wei sighed a sigh of relief and silently.

Some things, even if Zhao Poisheng does not say, he is actually understanding, and it will not be existed because he deliberately avoided.

The so-called realistic movie, from a professional perspective, refers to the content of movie creation with a certain specific time and space history or a particular event as a background show the social situation and people's lives. The core is a direct social problem, revealing society. The contradiction between life, inspiring people's reflection on society and life.

Korean reality theme movies are in the process of Korean film development, the revocation of the Korean film review system and the background of national and society support and help in the support and help of domestic film industry. South Korea's reality theme film has become a major movie type in Korea's local movies in the 21st century, and has repeatedly invadational achievements.

Finally realistic creative characteristics and their significant practical significance to social life, there have been an important enlightenment in the development of the China film industry in several discussions before Jiang Wen and Zhao Po.

At the end of the last century, South Korea's film has developed rapidly, and has become a black horse in the world movie industry, and in this, the Korean reality theme movie is both a rapid development of Korean local movies and its powerful booster.

A certain period of time is a certain period of political economy, movie as a typical cultural carrier, records and reflects the history and memory of a particular era.

The revocation of the Korean film review system, as well as the support of the government and society, which has strongly promoted the development of Korean realistic theme movies.

The revocation of the film-prior review system can be said to be an important step in the development of the Korean film industry. During the Government of Park, South Korea has begun to implement a film before the film, and the creation of Korean filmmakers is a great constraint. The 1984 South Korea Government began to abolish the prior review of movies. In 1996, I made a violation judgment on the prior review system in 1996, and finally abolished this system, completely clearing the obstacles on the road of Korean filmmakers.

Since then, a large number involving political democracy, crime, and slamming the current legal system, etc. It can be seen that the revocation of the film review system provides an indispensable system guarantee for the development of Korean reality theme movies.

The development of a business is inseparable from the support of the government and society, and the film is no exception. The Korean government's support for movies is mainly reflected in policy support and financial support. In addition to the abolition of the movie prior review system mentioned above, the Korean government has set up movie assistance, providing financial support for film creation in school students, providing business movies, providing interest rate or low interest rate loans to reduce commercial film raising funds. Difficulty, the South Korean Qinglong Movie Award, the Korean film industry has been excavated for the Korean film industry, and the Busan International Film Festival is launched, providing channels for the overseas output of Korean movies.

On the other hand, the support of the Korean people is also a powerful driving force for the development of Korean realistic movie. The opening of the Korean Peninsula in the last century, the invasion of Japanese culture and the United States directly with the movie wind wave caused a huge impact to Korean local movies. The Korean people realize the necessity and importance of local film development. At the same time, they also saw the trend of local movies and the development of the local movie, and they focus on domestic movies, achieving the return from foreign movies to local movies. It can be said that the support of Korean society or the support of South Korea is an important mass protection for the development of Korean realistic movie.

Watching movies is better than listening to stories, movie uses its audio and video combination to tell the audience to talk about another story, and the reality theme movie is no exception. However, different from the general story film, documentary, reality theme film "story" is mostly straightforward, and in the "story" point of view, the realistic film focuses on the drama conflict of the event.

Finally, reality is one of the most prominent creation characteristics of the real movies. In recent years, the Korean reality theme movie focuses on social hotspot issues, showing the characteristics of social hot topics, a large part of the real incident as the background, based on social reality, serious narrative. Due to the revocation of the film review system, the Korean filmmaker has a large free space in the selection of the movie theme, and many sensitive topics involves political, legal, sexual, crime, violence, etc., all have been moved on a big screen.

In South Korea, many low-cost and restricted movies have achieved high-box office achievements, the biggest reason is also the material and attitudes of it. Realistic themes will always win the weapon of local audiences, because the reality theme is not only psychologically close to the audience, not only in space, reflecting the dominant opinion of society, and meets the mainstream values.

At the same time, the "true" of the society reflected in the realmes, far more than the "real" of art, not only allows the audience to get audio-visual shock, but also a kind of spiritual shock, promoting people to reflect on true events, Reflecting social reality, having a deeper understanding of social reality and life.

Conflicts are essential elements of movies, referring to the narrative method of expressing contradictory relationships between people and people, which can be roughly divided into people and human conflicts based on their expression, and conflict in persistence, character and environment Three of conflict and so on. Although the reality theme film is mostly based on real incident, it is not tile in the process of expressing incident, but emphasizes the ups and downs of the plot, emphasizing the drama conflict. Korean reality theme movie is often striving to depict different conflict contradictions in society, making movie mainism through dramatic conflicts.

Korean reality theme movie is facing the reality, emphasizing the creation characteristics of drama conflicts, showing the social situation and people's lives, revealing social contradictions or social problems, and stimulating people reflecting social life, taking into account sensible expression and rational thinking, in sensibility and Rationality has important practical significance for Korean society.

On the sensor level, the Korean reality theme film has played an important role in "social unzip valve". For example, the film "Su Yuan" will focus on the narrative of the father's father's love, through depicting the warmth between the family, so that the audience gets pressure release in heavy real incidents, feel The warmth between people and people reaches the purpose of emotional ventilation. The Korean reality theme film passes people's emotional transition or zoom in people with a unique narrative angle of real incident or social situation, making people feel a kind of pressure in the real society. Released, it has been relieved.

After the new round of movie reforms, Huaxia, the government introduced a series of admission thresholds, actively absorbing powerful social forces to participate in the film industry, reducing government approval procedures, and encouraging film products innovation, let movie products more Well, facing the public, facing the market. These regulations have been significant since the implementation, and these years have grown rapidly, the total box office and a single videos are highly innovated, and the film market has been expanding.

However, the level of Huaxia film seems to be behind the development speed of the movie market, far from Hollywood, and even the neighboring South Korea, India's movie level.

Which one is there?

At the view of Jiang Wen, the reason is not in funding, but is attitude, the entertainment and depth of the movie.

Of course, there is still a lot of serious movies, but we can't find more than a business film that is "called seats but not good". In order to take advantage of interests, the blog audience smile, there is almost no deep content.

Of course, Jiang Wen didn't know, in a few years, even there will be a so-called variety film.

What is a variety movie?

This type of film takes about a week of shooting time, in just two months of post-production, it is entirely the derivative of variety show, no movie level.

Of course, the movie is a public art. It should be created for the public. It is one of the important elements of the movie. However, the level of entertainment is debatable-excessive entertainment and ignoring the teaching of movies, perhaps in front of you. The interests of high box office are difficult to make the film industry for a long time.

........................

........................

Perhaps because of the reason for the development of the movie, Zhao Poheng and Jiang Wen two people have a little low, and the Fan Bao and Zhou Wei, who gave it back, I thought they had.

"What happened to you, quarrel?"

Fan Baby is strange to ask Zhao Po.

Zhao Poisheng shakes his head: "It's not quarreling, it is to talk about something, it is a little worried about the future of the movie industry."

"worry?"

I heard Zhao Po.

"Yeah, worry."

Zhao Pokedly smiled and said that he and Jiang Wen chat said it once, and finally said: "Do you believe it, maybe for ten years, our movie market will become confusing, even our audience, will not Not facing a choice, you don't know if you enter the cinema, you will not know if you see a bunch of stacks ... "

"But it is their matter."

Fan Baby looked at Zhao Po lingering, she said: "You don't think you are worried about it?"

"What do you mean?"

Zhao Po lian and Jiang Wen two people looked up and were a little surprised.

Zhou Wei explained: "What is her meaning, no matter what the film has developed, as long as someone goes, the audience will naturally use the eyes to judge, whether it is a bad piece or good film, must pass the market inspection."

Zhao Poheng and Jiang Wen two people face each other, although I really want to deny it, but they have to admit that it seems that two women have not said wrong.

Practice is the only standard for testing truth.

The same truth, a movie is good or bad, and ultimately it is to be judged by the market.

What's more, the word of mouth is not so easy to fake, even if you are a high box office, the word of mouth is not will push.

In other words, the worry of both of them is indeed a little alarming.

Looking at each other, Zhao Poheng and Jiang Wen have chosen to shut up, after all, this is not a face.

Two people who are deeply deeply fragrant, but they are placed on the top of the child, and a woman who belongs to a semi-retreat is a lesson. He is really no face!

"I blame you!"

I got a look at Zhao, and Jiang Wen said that he didn't say good.

Zhao Poisheng is innocent, and this is the case, it is obvious that you feel more.