The picturesque rice cakes are delicious today

Now I know.

Apparently, 'what you draw materializes' requires more than a certain degree of completeness.

To materialize a red mini tomato, you need a red color. Then I guess we need green to materialize the green pencil.

The cake was safe because it was white. The barley tea was... maybe too thick, so it was practically black, it was safe, I think.

... I guess this wouldn't materialize if it were the one with normal intensity of barley tea in a white cup. I won't try.

Come on, it's tough.

From what I drew in black and white, I can only materialize the black and white ones. When that happens, it's a lot of trouble.

I don't like cakes that much. Thoughtful, and although I don't hate it, I like it as a memory, not as food.

What's your favorite food...... uh, edamame?

Yeah. Edamame. I want edamame. But edamame probably won't materialize until it's painted green, I think.

... but if that's the case, it's quick to talk.

My immediate goal has been set.

My immediate goal... is to get the 'color'!

In the meantime, it's getting evening, so I decided to get my blanket out.

Blankets, or large blankets. I drew this because the guy I was renting at the teacher's house was a white guy and I figured I'd figure it out. Good.

So today, I can get some sleep. At least, it doesn't have to be round.

... but my back hurts, so I want to make a duvet tomorrow.

In the morning when I wake up asleep. Morning. Speaking of which, I only moved a few steps yesterday. Well, it's common when you're painting. The day I never left the room outside the bathroom or something, sort of.

Well.

I'm going to start collecting paint today. That made me feel motivated, naturally. Well, I can't help it because it's decided to be more fun looking for paint than looking for food or water.

What shall I do? The paint I used in the original world was mineral. Though I don't remember much, I certainly thought you were making red with iron trioxide or Chen sand.

And then, flowers.

Indeed, saffron was used to dye, and saffron should have become both paint and cosmetic. I remember reading it in a textbook on Japanese history. It's amazing how red colors can be picked from plants.

I don't know if there are flowers like saffron in this world, but I think it's worth looking for.

If you have any, you can eat mini tomatoes all you want. And maybe you'll be able to eat apples and strawberries all you want.

… so I decided to go out and explore much better than I did yesterday.

Before I went out to explore, I made a bag. Blankets, knives, more tools.

Because I didn't have the energy to paint things with very complex shapes... uh, for now, paper bags. The guy I followed when I bought paint at the paint shop. Though I left it at the teacher's house because I'm not taking it home.

Simply shaped, grey paper bags weren't that hard to draw. Honestly, I don't think the painting itself was that good, but it materialized. Okay.

I decided to leave with a folded blanket and paper and pencil there, then a freshly made knife and a few rounds of glowing flowers that were growing there.

Walk with a paper bag hanging.

... relatively soon after walking, I found the red flowers blooming.

"... can I"

It's a corner, so let's try it. Crush the petals and paint the color with the juice that came out.

What you draw is apples. That's not Fuji or Wang Lin, either, Red Ball.

Using the pollen of its floral majesty, it could also express yellow. Red balls are not that yellow looking apples, so this is enough.

Details were drawn with a pencil. Or painted a color on top of the pencil dessert. I've done several times coloring pencil desserts with watercolors, so I know on my own.

... so, three hours later.

One apple, done.

"... it was surprisingly hard"

It takes three hours for one apple, which is fine. A pencil dessert would take about three hours, and for me, the purpose is to paint, and nothing, I didn't paint apples because I wanted to eat apples. No, although it's fun for a picture to materialize.

... but what's the big deal, gathering petals?

Very few colors can be picked from one petal. I've gotten many, many petals, and I'm forced to use them to paint them, which is... inefficient.

Thinking about it, paint was an amazing tool. Even a small amount of the colour has grown well, and the colour is beautiful.

Yeah. I wish I had paint. With paint, I can draw a lot more...

... Ah.

Could this, if I paint, paint come out or will I...?

Draw a tube of watercolor paint and color one of its labels. Now the completion of a very common tube of paint.

And at the same time as it was done... just as it was when the cake was done, the lines shivered, and came together, and pounded, and came out.

A tube of paint came out.

... And I squeezed the materialized tube a little bit, and what a paint of color on the label came out. The color of the petals. Red. Though it looks pink because it thinned when I applied it on paper.

But this is... very convenient!

Then I made paint, as many as I could. Painted more than food. Humans, I knew it wouldn't change that much. It's no different than when I was putting all my lunch money into the picture material.

Even the same red, there are all kinds of red.

Red picked from petals is not the same as red picked from nuts. I rubbed the red soil on it and used it, and I developed paint of that color.

... but there are limits to it.

"Thin"

The colour is light.

... The color coming out of the bright red petals is not bright red.

What's the matter? The colour gets lighter. Then it dulls. So when I paint the red petals and paint the paint, I really... I get a little dull thin red, about paint.

So I thought maybe I should paint the petal color, then dry it, and lay it over there again to darken the color, but this didn't work either.

... because the tube of paint has materialized at the time when the paint of "Tube of Light Red Paint" has been made.

When it comes to the stage of painting the finish, it seems to materialize first. Then I thought I should paint first and finish the paint tube paint later... I tried to paint the petal color over it and the color got darker, but it was the same that only turned out to be a dull color after all.

Well.

The darkest and brightest color to this point was the color of the soil.

Red brown, made with red soil applied, is by far the prettiest color, what... after all, this is not enough.

Bright red, wouldn't it have fallen somewhere? It's like apple skin, it's like sunset, it's like chubby meat, it's like the belly of a larvae in American silohitori, it's like blood. That kind of red, isn't it somewhere?

... Ah, 'like blood'...

"Done."

Got it. I got a really red paint. I have to be very satisfied with this.

By the way, at the price of the red paint, I was supposed to cut my arms a little, but I can't help it. I can't help but get some injuries for paint. I left a bandage wrapped around it, so maybe it's okay.

Okay. When I get red, I want yellow next. I also want blue at last.

When red, yellow and blue are aligned, most colors can be made. The three primary colors of color are not Dada.

... but regardless of the yellow, where do I get blue? Blue is a very small color for nature, so I find it difficult to make it.

Well, no. In the meantime, let's collect them from where they can be collected.

The yellow was out of the picture, and I got the beautiful one right away. There was a big enough lily flower for me to go inside and sleep, and I got one of the majestic tips I had on there, and they made me paint the pollen I had on there.

Flower pollen is an amazing color. It turned yellow. Finished paint, but more than that, my hand.

... I wanted to wash my hands once, so I let the water out. Glass cups with water can be painted only in black and white, so.

"Speaking of which, I want water"

So I remembered.

I want water. I want water. Even if we don't have food, we need water. More than just for drinking, watercolor paint is watercolor paint, so you can't use it without water.

Although you can color the paint directly... if possible, you want water.

Hopefully, I don't have to draw one. I want an environment where water is available. Faucets, water supplies, I don't say what luxury, but I want clean water.

But so far, no water fields had been found.

I think there's water in the ground. Because plants are growing.

But there was no place like it was gushing out, and I hadn't found a single creek.

With those things, it'd be really easy.

... but because there isn't.

So let's draw. Draw water.

In the meantime, I guess if we produce a huge amount of water in a very large container, we'll save ourselves the hassle of the moment.

So I decided to use the paint I was getting now to paint a ton of water.

To do this, first look for land that looks just fine.

... As a result, I found a place that was moderately open, had no rocks or fallen trees, and had such a blemish as' everything used to be a fountain, but it died out ', so I decided here.

Well.

I sat nearby on the ground and quickly began to sketch out what contained 'a huge amount of water in a huge container'.

What you draw is stones, soil and dead grass. Then, 'non-existent waters'.

Add non-existent water to the view almost as you see it.... The point is, I'm going to paint a 'huge amount of water' in a 'very large container' called the Fountain Trail.

How the water surface reflects light. How the water is brilliant on the water. Ripples made by gushing water. to the ripples. Also, the light that reflects.

That kind of thing, the point is, it seems to be drawing water, it's like drawing light. And drawing light means that you can handle just black and white... Plus, if you have red or yellow or brown paint to make the color of dead grass or soil, well, you can draw something there. I finally thought about letting even the fish swim, but I stopped because it was going to be complicated. I just kept painting 'Tons of water in a big container'.

... so, in the evening, at night, to sleep, in the morning, to draw again... finally, it's done.

Landscape painting. I've never written in this world before, landscape painting. No, it's a landscape painting.

Right in front of me, in reality, is a dead fountain. But in the landscape painted on a piece of paper in my hand, there's a fountain where the water rolls out.

... Nothing happened.

I guess I couldn't, I thought. 'Cause if you're going to materialize cakes, knives, apples or something, it's still this, it's a landscape. I guess I should have painted a 100 liter polytank with water in it. But I also wanted to paint a landscape, so I couldn't help it.

... Well, I could draw what I wanted to draw, okay?

That's what I think, and again, I drop my gaze on the painting I just drew.

Then.

Sifted, and the screen shook. And like when the cake materialized, Kiku, and the painting concentrated on one point...

... fluttered, and spread and disappeared.

"... Huh?

Don't materialize, it's gone. I thought so, but in particular, the water didn't materialize...

Face up from the paper, surprised.

The fountain was formed. Where there should have been no water, there was water.

The landscape painting I painted, which I didn't have, changed the landscape of reality.

And... as soon as I confirmed it, I suddenly felt unconscious and forced myself to sleep another night.

... The point is, I passed out. Maybe.

It was after noon when I woke up. My head hurts terribly.

But there was a fountain in front of me. There was a beautiful, very clear spring of water gushing out there.

"... it wasn't a dream"

I touched the water to try it and it was definitely water. Put water in both hands and drink.

Somehow, it was delicious. It's water, so it's not flavorful, but apparently my body did crave water.... Speaking of which, I don't even think I had a busy cup of wheat tea yesterday. Could it be that it passed out?

Yeah. Yeah. I passed out, I think.

I remember the fountain was completed. I also remember that was the dawn.

But it's past noon now. I think my consciousness was interrupted the moment the fountain was completed. It was too abrupt for me to fall asleep twice, maybe, fainting.

... Why did I pass out? I'm a little scared.

I've thought about it, but I feel awesome about my work. I also feel wasted thinking about it.

But... maybe I fainted because I materialized the fountain.

Until now, all I've been able to materialize is cakes, barley tea, knives, mini tomatoes, exquisite blankets, and so much so that I can hold them. Suddenly, I painted and materialized a big thing called a fountain, so, well, it was different than before, I think. Maybe.

In retrospect, after all, things were different when they materialized. Instead of materializing, like cakes and tomatoes, kiku, sopo, and so on, the landscape changed when I realized it was spreading.

... or because you painted something that doesn't exist? Because you've added something that doesn't exist in the original landscape?

Hmmm...... well, no. For now, let's remember that in the future, 'you may pass out if you draw and materialize something big'.

Well, when I drank the water, I remembered I was hungry, so I'll make it a meal.

Today's dinner is for now...... meat.

Yeah. Meat. I turned it into meat. I think that if you don't eat meat, the boulder will be nutritionally biased. Conversely, I thought you could live for what you're eating meat for.

I drew raw meat because I wanted to try it, although maybe I could have painted the guy who was cooking it as it was.

Steak meat came out like it was painted. No, it's painted meat.

When the meat comes out, draw the frying pan too. This is easy because it's black.

If the frying pan also comes out...... draw the lens.

I managed to draw the lens in black and white. After all, drawing something transparent is fun.

Okay. When the lens is ready, collect the sunlight with the lens.

The destination for collection is black-filled paper.... the guy who drew it in an attempt to materialize his bike but eventually turned it off on the way. Part of it.

When the light gathered there, the paper was heated step by step… Eventually, it burned.

As soon as it burns, I throw dead grass or something in there. When the fire grew that way, I put the tree branches on it and set it on fire.

When the fire is ready, sprinkle a frying pan with meat on it and cook.

... Along the way, I realized I didn't lay any oils on the frying pan, but, well, I can't help it. I decided to cook it with cow fat. The point is, I baked it just like that.

Somewhat stuck to the frying pan, but safe, the meat was cooked. The roasted meat is placed on a plate of leaves......

"I'll have it."

I ate.

... It was meat. But I'm not using salt or anything, so really, just beef.

I want salt.

Salt was also drawn.... This has been quite troubling. Because salt becomes like just a white powder. I was wondering if that would make it impossible to distinguish sugar from flour or anything.

But when I reopened it and drew the salt crystals intact, it worked. I licked it because the palm-sized transparent cube materialized, and it was properly salty.

So I could eat salty meat safely. [M]

... maybe for the time being, starting tomorrow, meat.

If I eat meat, I'll go find the next paint.

The paint I have now is red taken from petals, nuts, red soil, and blood red. Then the pollen yellow.

There are other flower juices that look like yellow soil loess, black of rotten soil, gray of stone powder, light brown of sand, I'm not sure what it is...... there are all kinds of paints.

...... but.

"Mostly all, red, yellow and brown..."

It was well established that colors readily available from nature are limited.

What should I do? Trouble.

I've been making paint, but it's all, the colors are similar. Mostly, slightly dull light red or yellow. And brown. I wonder if white, black, red and yellow are the colors you can make them all, this.

... Hopefully, I want blue. When red, blue and yellow are aligned, most colors can be made. But I know that blue is a difficult color.

What is it? You were crushing a jewel called Lapis Lazuli and making blue paint. There are no other blue colors that can be easily obtained, even though they are made from cow's blood. I guess that's why mankind was making blue paint until they crushed the jewels.

Others... although if dewgrass or something grows, I think I can make a blue color. But I haven't seen any blue flowers before. Will there be one somewhere if we look?

Then, I want green.

With green, I can draw plants. There may be occasions when you can substitute for blue.

... but green is surprisingly, less.

I tried crushing the leaves, but they couldn't make it medium green.

Even if the light green-like juice comes in, it quickly turns brown in just a few minutes. I rubbed the grass onto the paper as it was and it developed a slightly darker color, but it was difficult to apply it evenly.

... but somehow, I want green in the form of paint. I want green as well as red and yellow. I want blue too. I want to use the colors freely.

I've come to a weird world, but if I'm here, I can paint all I want. So this isn't such a bad world. But then, I want to be free to use paint. I want to use all kinds of painting materials freely.... corner, because I'm here in a world where that's allowed.

"Beautiful."

One picked leaf has a beautiful green color. There's no such thing as paint mullet, and it's solid green in every corner. Natural things are beautiful in themselves. I just have difficulty processing and making it into a material.

"I wish this color could be painted as it is"

If I crush this leaf too, take the juice and apply it, it will turn thin and dull green as soon as possible. The colour of this leaf is beautiful, but it cannot be painted.

In that regard, I think the minerals are amazing. The colour is the same even if it is shredded. I paint the sand and the red soil, but after all, it's good to get the same color.

I wish these leaves could be made into paintings just like sand and dirt.

When I was looking at the leaves, somehow, I remembered the edamame. No, because the color seemed like it.

... I was going to serve the edamame when I made the green paint. But maybe I'll keep the green paint until I find the minerals.

I was a little sad, so I cut the leaves out with a knife for comfort.... in the shape of a sheath of edamame.

That's not like edamame, so cut through the brown-like leaves to describe the color of those who were connected to the edamame branches, or cut through and paste another leaf to describe the swelling of the sheath in the area containing edamame.

... Ah, instead of paste, it's a large lily flower nectar. I took care of it with pollen when making yellow paint, but also with honey as a paste substitute.

During the trial and error, leaf edamame was formed.

This kind of thing, is it called collage? It was a drawing method that I had never done much of, but when I tried it, it seemed like a little workmanship and I enjoyed it. If I made it on a larger scale, it might be more fun.

That's how I was satisfied to see the leafy edamame that I had just been able to do. It's fun to be able to do new things, and it's fun to try and make things by mistake. On paper, the green of the leaves is bright, which is also a cause of satisfaction.

... Oh, my God, I was looking at the leafy edamame on the paper.

The leaves on the paper shivered and gathered at one point... Pong,.

Edamame came out.

... Oh, this is fine...

If you know that, it's a quick challenge. I use the tip of the knife again to carefully cut the leaves.

Be as polite as possible about the absence of any discoloration in the leaves. Fits the shape of the part of the paint label that is colored.

Once you have that green fragment, apply the lily nectar back and insert it inside the label of the tube of paint painted with a pencil.

... and.

"Green!"

The long-awaited green paint was born in my hand.