What you can use and what you can use is like a different story.
And there is naturally a certain stage in being able to use it.
For example, students of mountain water can imitate mountain water to some extent. But it is an imitation to the extent that we do not come up with our assumptions under conditions of overwhelming superiority.
Of course, that's not a problem. But as when so much mountain water eats an unexpected and leaves an emergency, it would be a no to say whether the best action can be taken even in unexpected circumstances.
That takes a lot of time to be able to use your moves.
Even with one bare gesture, we need to know exactly whether the muscles and skeletons of the whole body are moving correctly.
In time, it must be optimal in the unconscious, but also in the midst of a breakdown in posture or posture.
By that logic, mountain water can be used indefinitely and in turmoil, but it has not been used.
The practice period is too short in the first place, even though it can be more difficult than other shrinkages.
This does not mean that it can be activated without any foreshadowing, as in other shrinkages, and can be quickly transferred to the next action.
In time, Mountain Water also believed that using them was the best way to do so.
(Well, it's about time)
Naturally, both Mountain Water and Lloyd are fighting with the intention of beating their strong enemies.
to get here, I don't think my opponent is stupid, dumb, and easy to defeat.
That's why we couldn't fight while keeping ourselves safe, even knowing it was a dangerous act to each other.
To be clear, if this is not a 'duel', the optimal solution is decided.
Lloyd should consolidate all directions in defense, and mountain water should be significantly distanced in shrinkage.
If it's to protect your life, there's no point in doing something dangerous.
But this isn't that kind of fight. That is both sides' understanding, and that is why the readings are concluded.
(The others are coming this way... before we do, we'll settle)
The most troubling thing for Lloyd is that the mountain water pops into his nostalgia, but conversely, if you don't do that, the mountain water will be thoroughly avoided.
Or so, if we keep creating a relationship up and down, the mountain waters will be delayed by one hand or both.
Lloyd had to invite mountain water, keeping his upper and lower advantage.
"Attack, Four Dances!
I dared to launch a long-range attack by a rapid railroad, not a treasure for a long-range attack.
Injection from above, by air-to-ground.
It wasn't a fast attack by engaging gears, but it was still pretty quick.
In the first place, firing at the highest speed did not make sense for mountain waters, so that is now the case.
"shrinkage"
Mountain water avoids it in shrinkage.
It's not the minimal evasion you need, it's disappearing from Lloyd's sight in an instant.
Even Lloyd in the sky couldn't look over and find him.
But Lloyd already knows where he hid.
We already knew that before we attacked.
"Keep it up, crawl the ground!
Change the orbit of the four unleashed gears. Keep it that way, obviously, let it go without hesitation.
I knew it before I let it go. Because the mountain water must first disappear from Lloyd's sight.
And the quickest way to hide from your opponents in the air would be to lurk in the woods.
The secret cell is quite large.
There are rocky mountains because of their size, and some forests that are quite large.
Lloyd did not hesitate to unleash an attack on that place, where many Tengus were trained.
It is an inference, not because I saw it with my eyes. But you were right. The mountain water was indeed hidden in the woods.
Not as much as the woods I spent swimming in boulders, but in a rather large coniferous forest he was hissing signs.
(Again, have you read this far)
No matter how powerful Lloyd's unleashed gear is, and that's what allowed the trees to be cut down lightly, they still can't hit the mountain waters lurking in the woods.
Nevertheless, if we cut off all the trees in the woods, that will make it impossible to hide, and we have no time on either side to do such a lengthy thing.
The mountain water grabs the chopped tree and throws it at Lloyd.
Cut off and Sangzhi's flourished, that's what people were throwing the extra straight tree.
(Again, this is how it comes!
At the same time he saw it, Lloyd erased all the gear he was using to attack.
And once again, I produce four sheets around me. Because I use one for my scaffold, it is five pieces.
In time, they attack trees where humans can hide.
To the point that humans cannot hide, they amputate.
Naturally, there is no mountain water in it.
Just in case, Lloyd looked under the back after eliminating the possibility.
There was a silent, rising figure of mountain water
(There was no chance he was hiding from me, but he still did! After I threw that tree, I went out of the woods in shrinkage, moved behind this one, and rose with light weight work! You're going to go up to altitude where you can keep moving in shrinkage!
Lloyd bought time by slowly raising the gear on the scaffold, while releasing something toward his head.
burst in the air. It scatters massive amounts of black yarn.
A treasure, a contact bride, a restrained treasure that uses women's hair as an ingredient and is entangled when touched other than by the user.
If you're going to say greed, throw it at close range, poke it at you, and you just don't want to get involved, but you decide that's impossible on a boulder. Because throwing requires a lot of preliminary action, and not being able to deal with mountain water in melee.
(This is fine now, both me and Sansui are in the range of effects of the contact bride. Whether approached by shrinkage or drawn by tow, mountain water is entangled while attacking. Of course, mountain water can be pulled here, but in this battle involving the honor of the master, I don't think it will)
The liaison bride, who began to scatter from above, has naturally not yet pretended to be either in the mountain waters or on Lloyd.
Still a few matches, there's as much room left to fight. That's why it's an invitation.
This left the mountain water with no choice but to re-compartmentalize it while exploring ways other than its present hand, or to defeat Lloyd sooner than to be tangled by the bride in contact.
And as Lloyd read, the mountain waters had chosen the former.
(After all, was there a suitable treasure for restraint? It's also, like, a mesh of smoke, something extensive. It's the most troublesome thing...... and if you detain it, you just have to go ahead and make a quick railroad attack. So this one's over)
Even if they remain in captivity, mountain waters will also be able to fight to some extent depending on their posture.
But I don't think we can avoid a rapid rail attack with the shrinkage unusable.
Above all, Rapid Railroad's attack power is more than magic. Whatever the nature of the restraint, it can destroy and mutilate the human body without bitterness.
(But I'm not willing to pull. push through)
"Qigong Sword Method, Cross Characters. Momentum, Whale Wave"
He swung the wooden knife wide with his right hand and cut it from the top right to the bottom left.
Place the paralyzed left hand in front with it open. Prepare for momentum.
Instead of being unstructured, the structure revealed the behavior.
Keep that attitude, it's going up.
Under circumstances where black thread was pouring from the top, the two were confronting each other again.
And the real last offense begins.
(As you read)
(As you read)
(From here, over Sansui!
(From here, over one hand Lloyd!
Both prepare unexpected trump cards for each other and try to go beyond their opponents.
And the first thing that moved was mountain water.
Impossible for Lloyd to know the normal shrinkage, he began to shake the wooden knife without shrinkage.
(Stupid, shrinkage rests after moving! Even if you start shaking, it doesn't make sense! Even if you use a technique that makes sense just by hitting it, you just have to use it with your left hand, not via a wooden knife!
And naturally, even if you can see mountain water waving a wooden knife, you can't deal with it.
Once it begins to descend, Lloyd's ability to think prevents him from behaving optimally.
(No way, are you going to fly something you put on a wooden knife with a few beads belts like you did earlier?! Unlike shrinkage, it should really slow down. By the time we hit this one, the bride will be covering the whole thing already!?
And past footage runs around the back of your brain.
I imagine and think about the fact that the mountain water threw stones earlier by waving a wooden knife empty.
(No, it's defense anyway!
The treasure and physical defense you are wearing, not the defense of the Xun Railway. Raise your arms high and stiff your body.
Lost thoughts could only stiffen my body anyway.
"Ink Flow Immortal Art"
What you can use and what you can use is a different story.
But naturally, 'usable' and 'unusable' are also as if they were another story.
Even if it is not enough to be used during melee combat, it is naturally possible to use it as long as it is prepared in advance for a few seconds.
Shrinkage, more than that.
And in the first place, the more than just is a move that absolutely requires preliminary motion.
Whatever the situation is that you can take the other person's back and strike completely unintentionally, even if you use as much as you want in a situation that confronts the other person, you would rather be a bad guy.
Anyway, the shrinkage that never stops, the attack must behave in front of us.
Suppose, in front of a human who knows somewhat about something called shrinkage, a mountain water standing in the distance began to wave a wooden knife and make offensive moves.
In that case, the opponent decides with certainty that he is going to 'shrink' and will either stiffen his body or dodge it.
The shrinkage that Suibok was aiming for is only 'no spare motion and can be moved anytime, anywhere'.
The effectiveness is therefore extremely high, but Swivok's own fairy art, more than just that, is even easier to understand than the common shrinkage used by Fuukei.
But only if you use it alone.
In a situation where the opponent is reading deeply and consolidating his tactics, but also if he has a good understanding of shrinkage.
That is, if the fact that the preliminary operation is greater than the normal shrinkage puts the opponent's void in consequence.
And if you are using a combined whale wave that works in full defense against your opponent.
"Guh!?
Not only are they not as good as towels and weaving princesses.
Still, however, in this situation, it can be said to be the optimal choice of moves.
Lloyd received a wooden sword in the mountain water with his arm because he made a large preliminary motion and stumbled upon it.
That is, whale feeding.
(What?! This is a bargain!
(Is this a whale wave? But I can move!
Lloyd was wearing long-sleeved clothes. Naturally, it is a treasure.
He had his armor under his sleeve. Naturally, it is also a treasure.
But even if you take it with you, it doesn't mean you can block the force of power unlike a quadruplet fist.
The treasure Lloyd is wearing on his hips, Ogi Man.
I can only use it for a short time because of the high consumption, but when activated, I can absorb some simple blows and fairy attacks on the wearer.
The principle is the same as Ink Flow Immortal Light Body Method Absolute Attack, "Question Sanskrit".
Lightweight work is a way to distribute your weight around you, but Swibbock can apply it to disperse and disable kinetic energy and fairy attacks on you.
The cell had been able to incorporate it into the treasure, dispersing kinetic energy and fairy attack on the wearer for a short time.
(I can move!)
To a boulder, it is not deactivation.
But still, Lloyd was able to move. Unlike when we were approached earlier, it was possible to strike back as sane. Alternatively, defensive action was also possible.
The bride Lian had already touched the head of the mountain water and should have been entwined all over her body in seconds as it was.
(If you raise it until then...!
There was still a winning chance, Lloyd recognized, first completely blocking the mountain water exit, creating four gears around him to surround him.
We've already released a blade, and the only way to escape is to dodge it up. But there's a contact bride upstairs.
And Lloyd still had three pieces, able to produce perfectly manipulatable gear.
(I saw this handy, special defense. I mean... it's no problem to go kill him with everything you can!
The two who had pierced the void, but that was why the difference had appeared.
The mountain water was utterly accidental. I was sure I stopped moving on the whale waves, so it was really surprising that they acted
But that is why the strength of mountain waters, from which we can act without joints, comes to life.
At a time when he felt affordable discomfort, the mountain waters were already packing up further in time as he let go of his hand from the wooden knife.
(Slow movement, which means you're not completely deactivated!
With a full right hand, grab the head as you slip through the opponent's arms.
Push.
Hit a direct attack on the head while taking away your sight.
(I tried to turn this way off, didn't try to use gear in the melee. I mean, Rapid Railroad doesn't envisage fighting in this time in the first place, or as a matter of urgency, and they don't have the moves to slash me with the gear around them)
Think, feel, move.
There are no joints to it, no strays.
That is why the frontier of perplexity.
(Block the opponent's vision and hit the opponent in the head. That way, the opponent sometimes has a hand right next to his head, and he should try to attack my right hand first!
Lloyd acted faster than assumed for mountain waters.
He was creating gear in both hands and punching straight into the right arm of the mountain water.
It eats into the right arm of the mountain water, which cannot be said to be so sturdy, and gropes at the meat.
And the moment Lloyd put his hands away from his mountain water hands for safety, he was being cut off by a blade.
(Taken!
(Wrong!
The mountain water was touching Lloyd's abdomen even with his paralyzed left hand.
(You made a mistake! You should have cut your left hand, not your right!
For mountain water to use this technique, it takes a few moments of preliminary motion.
That's what you have to contact your opponent for longer than a weaving princess.
"Inkflow fairy art, shrinkage, turmoil!
Moment after moment, Lloyd's vision flipped.
I should have seen the hand of the lost mountain water fall and the blood flooding from its cutting surface.
But lose sight of the mountain waters.
He was touching his head on the scaffold, the gear he put out.
shrinkage, turmoil that manipulates the direction in which the opponent is standing.
It even manipulates the heavens and the earth up and down.
"Strike your feet!
With its gear as a blunt instrument, the mountain water was punching in its full force as it stepped on its jaw.