The story of the son of the mercenary in the north enrolling in the magic school in the south
[]/(n, vs) service/(P)/
The title of the play is "The Queen Who Doesn't Laugh".
As Buyer and Pillman said, it seems to be based on historical incidents, with the names of real people appearing.
Long ago, when the Kingdom of Galais was still without shadows or shapes.
The play is based on a famous legacy known even to children in the south: "King Amor's Lady Without Laughter".
In this inheritance, only the names of two kings and two kings are passed on to future generations.
Namely Amor king of the kingdom of Gabel, and Demigal king of the kingdom of Mulboard.
The queen of the good King Amor was beautiful and wise, but she was known for not laughing at all.
King Demigal of the neighboring kingdom of Mulboard, who once wanted to attack the richer kingdom of Gabel, invites King Amor to his palace and after having done his best to welcome him, demands this.
I would like to visit your country from my side next. At that time, there is no need for all the hospitality you have put into luxury, only the beautiful smile of the Queen's Palace. No way, I can't even say that.
King Amor knew the evil intentions of King Demigal.
But that's all I got in trouble for.
I've been married for years, but I've never even seen the Queen's smile.
King Amor, who remained without a good idea and received a visit from King Demigal.
What King Demigal saw entering King Amor's palace, willing to make a claim, was the appearance of a queen with a beautiful smile.
Welcome aboard.
The heir tells the queen, who laughs softly, that King Demigal has gone home awesome as he was poisoned.
With one smile from the queen, the kingdom was saved.
Why didn't the queen laugh? And why did you laugh in front of King Demigal?
The inheritance has not conveyed anything.
So Curimet spread the wings of his imagination freely.
I wrote up my own story with this inheritance underneath.
To the role of King Amor of the kingdom of the good Gabel, Reido.
To the role of King Demigal of neighboring Mulboard, Torque.
Only these two people who are actually famous in history have a unique role name.
All other performers will have their names as they are.
The queen who doesn't laugh is Leila.
Lilty is the only daughter between King Amor (Leido) and Queen Leila.
Pillman is the minister of the Kingdom of Gabel.
A cursed witch takes a smile from Queen Leila, Serrah.
It is the knight Nelson who embarks on a witch crusade journey with his queen's maiden, Norish, to save the country's crisis.
Other servants are Wallis, the Spirit King, who imposes a test of bravery on the knight Nelson in the Witch Forest, and the Spirit Buyer under his command.
Hunter Morgen helps Knight Nelson in the woods.
Almark, the cursed swordsman who served as the witch's subordinate, and his dead lover Wendy.
Galein and Deg, loyal followers of King Demigal (Torque).
Fifteen non-Curimes were given their respective roles and were to be in the play.
The story begins with a conversation between the two kings, where Nelson, the knight who received the life of King Amor (Reido), and Norish, the lady of the Queen, go to the woods of witches, where they are challenged by Wallis, the Spirit King, to defeat the witch.
Before the Nelsons, who managed to break through the trials with the help of hunter Morgen, Almark, the Kingdom's best swordsman, stands before them, who became a witch's subordinate by curse.
Leaving Almark with the help of the ghost of Almark's former lover, Wendy, the Nelsons use the power of the Spirit to literally bring back the Queen's smile with his life at stake from the witch Sellah.
The story ends when Queen Layla laughs and Princess Lilty sings a song dedicated to King Demigal on a banquet with the visiting King Demigal (Torque).
"It's kind of illuminating when the role names go with their own names."
Norish says as he looks at the script.
"Brave knight Nelson. Your endless courage is the pride of the kingdom, the jewel of the shining lower realm. Ugh, embarrassing."
"Why, isn't that great?"
You can say the lead. Nelson is motivated.
"For peace in the kingdom and unwavering loyalty to King Amor"
After saying that with a definite look, I can smile happily.
"That's cool. I used to have these real knights."
"You know, it's all Curimet's creation except for the king"
"I think you might have been there. It's not a water difference."
Nelson flaunts his face.
"This is why the woman. You don't know how good a knight is."
"What you don't understand is not the virtue of a knight, but your virtue."
"Hmmm!?"
"Fair enough, both of you. Keep it there."
The look on Nelson's face changes as Reido gently enters the stop.
"Ha, if the king says so."
"You're lying, this guy."
See Nelson with Norish's pulled face.
"It's already working."
"Ha, nice, Nelson"
Reido laughs refreshingly.
"Look, Norrish needs to get into the role soon, or he'll leave you at Nelson's."
"Er..."
Norish looks down.
"I told you I'd leave it to the guy who writes the script."
It was torque that opened my mouth.
"I don't want to complain about anything else, but I think it's pretty fractured, except for the important dialogue. In parentheses, a soothing conversation between two kings, what does it just say, how can this be?"
"Yeah."
Curimet nodded.
"You know, for example, the conversation between Nelson and Norish traveling together, I thought it would be more natural to have them made on their own except for the important part of the story. 'Cause I'm sure it would be more interesting to have Norish and Nelson do it the way I do now than to write about it."
Listen to that. Nelson and Norish face to face.
"Yeah."
Torque snorts.
"I see. Is that why we're using our real names?"
"Yeah."
Curimet nods.
"You wrote all this by yourself."
Torque shrugs his shoulders.
"Until the play, you're the head. I'll do whatever you say. Hey, Raido."
King Demigal. Torque calls another king, Reido.
"Let's have a secret conversation with the king."
"Oh, please be gentle."
Reido nodded calmly.
"... Leila"
It was Lilty who called out to Layla, who was reading the script.
"Um, I'm Leila's daughter."
"Yes."
Leila nods.
"Princess Lilty. You sing well, don't you? It's perfect for you."
"Ugh, yeah. Thanks."
Lilty blushes and points at the script.
"So, here's my conversation with Leila, right? I thought I'd talk to you there."
"Yeah, right."
Leila nods calmly.
"I think I'll stop laughing today."
"Eh."
"Just kidding."
Layla smiles.
"But I'd like to show you something solid to do. I'm sure I'll really stop laughing when the production gets closer. Well, I hardly laugh from time to time."
"Oh, no."
Lilty said hard.
"Lately Leila, I, uh, think it's great. Soften up, in a gentle atmosphere"
"Thanks"
Leila laughed.
"But when you look at this script, the queen in the first conversation doesn't seem to have a very nice vibe."
"Oh, yeah."
Lilty nods.
"Looks like it."
"Then Lilty, let's think together. I'll be your bad Layla again, but forgive me."
Layla tightened her expression and Lilty nodded nervously.
"Wendy, this is our last conversation."
"Yeah. You don't have any designation."
That's what Wendy answers to Almark's words, who has been peering into the script.
"Earlier Curimet said something like leaving it to everyone, but it's just not writing too much here,"
"Yeah."
Watching Wendy snort, Almark glanced at Curimet talking to Serraja over there.
"Let's ask Curimet for once"
"Right."
The two of us get up and speak from behind Curimet.
"Curimet, do you have a minute?"
Curimet, looking back, looks at Almark's face and smiles.
"Almark. Thank you, too. Thanks to you, I managed to get a script."
"No, I didn't do anything. It was a great script, as I thought."
After Almark says so, he opens the script to show Curimet the scene where he and Wendy leave.
"By the way, here I am"
"Oh."
Curimet nodded quickly.
"You can do whatever you want there."
"Like it."
When Almark looked bewildered, Curimet laughed a little mischievously when he saw the two of them.
"Think about it. If the two of you were really in this position, what would you talk about? I'm sure that's the best part."
To the words, Almark and Wendy looked at each other like trouble.