The Traveling Hero Won’t Let the Innkeeper’s Son Escape

The doll man pimping even when Ruth hit him with a book began to say he was hungry afterwards. He's caught, but what a figure. I wonder if you're used to this kind of situation.

He came all the way back from the church to the Blau family in search of food, too. It's called, "You can't imitate insanity like taking food away from a church that provides for children who have lost their parents."

How do you know you're keeping children without parents in church? Because you left a man with a doll in the priest's office, he looked at his work and guessed a lot.

(That doesn't mean that other houses would be nice...)

Ruth decided to think it was better than bothering the priest.

Having listened to the whole story and just in time to prepare the inn dinner, Ruth left a doll and an orha in the room to help Celine in the kitchen.

The doll man was quiet in an instant when it came to 'If you make me big, I'll bring you a warm dinner'.

Ruth was worried about how to secure a doll meal as she laughed bitterly remembering that.

(I don't make a lot of extra weight)

Honestly, there's no reason why Ruth has to feed the doll man. I don't care if they make a scene, and if I get into another battle with Orha trying to escape, now it's time for Ruth's room to collapse. A few days ago the food pantry was a mess, too, for the two of us (?) The story is that it is because of.

When Ruth entered the kitchen while worried, Celine was already on the move.

I know this is her battlefield, so moving on your own will annoy her the other way around. Ruth was always thorough in doing what he was told.

"Mother, what can I do?

"Right. Will you slap the meat there?

Ruth starts pounding to soften up a chunk of Boreal meat, the main dish of the day, as she thinks.

(Same goes for the meal thing, but what should we do about that guy... usually we take thieves to the village chief...)

If you're a regular thief, it's up to you to tell your parents you've caught them, take them straight to the village chief, and have them decide what to do with them. Most of them end up going from village to king's capital as criminals.

But this time, the killer is the "arr” who looked like a flor doll.

I took the doll man to the village chief and just told him about the situation, Ruth was more like, 'Have you gone crazy?' It is decided to supposedly.

(I know if you tell that guy what you did in front of the village chief, he'll understand that it's not “just a doll"... he won't talk to you)

I knew if I opened my mouth and talked to him, he'd get caught, and there wouldn't be anybody to scatter who I was. If you keep quiet, you won't have to get caught just because you suspect Ruth's head, so you don't have to be stupid honest.

(……… no, seriously. Assuming that guy talked to me and the village chief believed me...... is that guy going to get caught up in a big way?

Even if the man of the doll is taken to the village chief and decided to go to the king's capital for the crime of thief, he cannot be relieved where he has been detained. He seems to be reflecting on me at first, but even though I don't know what kind of treatment it would be if I was escorted to Wang Du with a doll, I don't think it would make me feel better.

Seeing the battle with Orha, I found that the doll man was quite hand-worked. In fact, Ruth has also been stunned by a single blow when confronted in the food bin, and he is the opponent who came out even when trapped in a box tied with wilderness rope. Strength is immeasurable.

It would be tough if a man with such a doll would resist and break out. There is no Alec, and in this village to which Wonok is not addressed, it will be noisy when it comes to seizing it. Worst of all, someone could get hurt or something. That's not the result Ruth wants.

(... Then I'll just give you a meal this time and then you can leave?... No, if you do that, that guy is going to go to another house... that body is going to make it difficult to secure food on its own...)

The mouth moves freely, but sometimes the building of the body is a child's play tool, basically with fewer joint parts and less physical movement than human beings. You don't seem to die as long as you can take off your legs or have a hole in your body for that matter, but you won't be able to move like a human. I might be able to figure it out if I get used to it, but it's only been about ten days since I woke up, and it'll be hard to get to meet him.

"Ruth, cut the vegetables there next"

"Okay."

As I think about the doll man, I take the meat to Celine, and now I wash and cut the vegetables in the cage. I am surprisingly good at simple tasks that do not involve flavoring. Correct, because Celine says' I don't have a sense of splitting ', I just align my shape exactly as I was taught.

(Kicking that guy out too...... I guess I should stop)

Even if he kicked out the Blau family, the doll man would go to another house to live and steal food. There will only be more thieve-damaged homes.

"Ruth, plate please"

"Yes."

Take a plate of people out of the shelf and take it to Celine. While handing over the plate, I place the raw vegetables on a plate with the roasted meat on it. Autumn vegetables taken from the high ground of Hashi village can be eaten fresh and raw enough.

(I'm in trouble. I don't know what to do... but the only salvation is that that guy doesn't seem like a bad guy... no, I guess it would be evil if a thief were to talk about evil or good)

I'm pretty sure thieves are evil, but I've felt from the beginning that the doll guy doesn't seem to be the root bad guy.

Considering that the disturbance and deprivation of food at the Blau family was also due to a desire to live in a body that would not be free, I cannot say that there is no room at all for circumstantial discretion.

That's why I'm not saying I can do anything, but I've spoken a few apologetic words about what I did once, and I don't think I take it for granted. I knew from that background that that man wasn't the one I couldn't talk to.

(If I complained, I would apologize... and I'm still in love with her...)

That situation you tied up and poked Orha into should also be easy to get out of, given your earlier movements. And yet, instead of trying to escape, you don't complain, you don't even try to move. I guess I make a big deal out of that situation because I understand that I did something wrong and yet I recognize Ruth as a being who listens to me.

(Because if I trick him into taking him to the village chief after dinner... he won't just run away, he'll be angry)

Perhaps there is now a slight relationship of trust between the doll man and Ruth. Ruth, who started listening to him from the person who beat him up to seize him, and a doll man who talked about the situation while making love to him while he was supposed to be able to escape. You should both be somehow thinking, 'This guy can tell if you talk'.

Yet if Ruth imitates that he has deposited his identity with the village chief, there is a chance that he will remember his anger because he thinks he has been betrayed. That kind of emotion is more deeply rooted than usual.

Ruth sighed heavily, confirming the cooking. The rest would be enough without Ruth.

"Mother, it's time to start speaking to customers."

"Right. Please."

When Ruth leaves the kitchen, where she begins to cook, she cleans the dining room and then heads to the room to tell her that dinner is ready. They all couldn't seem to wait and headed to the dining room early enough. Some of them complained that it wasn't too late to do it, but when Ruth said with a smile, 'It took a little while to make the meat roast and subtract the best,' he completely fixed his mood and went down the stairs in a light foothold. To this extent, Ruth will understand properly even if he talks.

(... Oh, you're right. If it's someone you can talk to, why don't we just offer them food and shelter and let them turn to apologies while they bother us instead of catching or kicking them out poorly?

Ruth came up with a phrase, a third way, that was troubled with the treatment of a doll man. No one is hurt and should be better off flattered and encouraged to reflect in the provision of clothing and accommodation than to be poorly tied up and rammed up and injured out or kicked out and recidivized in other houses.

He said that he was busy fleeing to Hashi village and had never stolen a large quantity of food, so he should at least be allowed to send an envelope wrapped in reflections and meals. And I have no choice but to make money working at the Blau family. We were talking about rebuilding the warehouse behind us, so maybe we could get them to do it there.

(hmmm maybe this is really wrong, but you can't think of any other way to do it)

Ruth doesn't know what's right either. Maybe there's a better way. Maybe I don't need to go that far.

But if there's even a little trust in Ruth across the corner, there's no way he won't use it. We'll think about how far we can go to tell our parents.

"Okay, I've made up my mind. Let's take care of it for a while."

Of course, I was willing to work hard and get my share back for stealing and eating at will at the Blau family. I can't move freely because of a body that is not a person, but the contents are human, so I will be able to come up with an idea.

(Not alone, not -)

I inadvertently remembered the words Tiana said during the day.

"One. Yes, but not one. I live while I can, I don't know. I have balls, Tiana, and I don't know what to do. That's why I figured out," Sift, nasty smell, my balls creeping around. "

Is she referring to the 'grunting balls' that she was referring to the man with the doll?

------------

My father, Rosa, didn't come home when it was dinner. Discussions with that group may be difficult to navigate. Sometimes when there was a big thing going on in the village, Ruth and the others didn't care because Rosa stayed in and was at the village chief's house.

I'm sure the village chief will get rid of the group tomorrow.

It has not been once or twice that I have seen a well-mouthed troublesome pedestrian expelled from the village by the village chief. I can't say he has a good personality, but that doesn't make him evil with people outside the village, either, because he has a good mouth.

Ruth completely forgot about the group and finished serving the inn dinner with her mother Celine.

When we finish our own meals, we collect the leftover dishes as we clean them up. It's not leftovers, of course, it's Rossa's share I left behind.

(Dad won't be back, and you can give this to him)

As Ruth gently tried to bring it up, she noticed Celine looking at it jiggly. It still seems impossible to take it in silence.

"... uh, Mother, you know, Father won't be back, can I get some leftover rice?

"Why, you just ate, didn't you?

"No, um... I was just thinking about taking care of the tools now, and you'd be hungry, so I thought I'd have a night meal. - Hmm?

Ruth was laughing bitterly, trying to mislead Celine, but suddenly the back of her ear hurt. Try blocking your ears with one hand, but the stinging feeling won't go away. I didn't like it.

"What's going on?

"Eh, can't you hear anything?

"Like what?

Celine looks worried as she tilts her neck. Apparently you haven't heard. Ruth rushed her hand off her ear and pretended it was nothing. Making Celine worry poorly can be a lot of trouble. Imprisonment in the room was only enjoyable enough when my arms were lifted, so I don't want to beg any more.

"Uh, maybe it's because of my mind.... So dinner, okay?

"I don't mind if I eat properly..."

"Thanks."

Ruth grabbed a dignified meal from Celine upstairs. When I eat a lot from time to time, I like to have an excuse when this is the case.

(Oh, the sound is off... what was it now?

Weird noises had disappeared if I noticed. It didn't seem to sound like Celine, and it could be Ruth's physical problem.

(Sleep deprivation, maybe)

I think I've heard something about the lack of sleep making me sick and hearing tinnitus, etc. I had a memory of an omen that wasn't in very good physical condition, so I thought I'd have to get some sleep today.