The Villainous Daughter’s Butler ~I Raised Her to be Very Cute~

The afternoon of the first day of the cultural festival. I was set to play the role of Prince. Before the performance of Espressivo of Light and Darkness, the auditorium brings together many students, as well as their families.

In the front row, Pamela and Ferris were in formation, as declared. Not only do they seem to be because they are factions, but they also look forward wholeheartedly to Sophia ladies acting.

But a lot of the audience isn't looking forward to the ladies acting. Many of them will just want the topic of watching a child's play to connect them to the royal family and the Marquis.

- But that doesn't matter.

Senior Foll, and received the thoughts of His Highness Alforth. Sophia, there's no way a lady can fail on stage playing heroine.

The curtain rises and the Sofia lady, who plays the first girl, speaks with a transparent voice.

At that moment, the air in the passenger seat changed.

They look a little surprised and then start to take an interest in the stage.

Scene 1.

It is a scene where a lost heroine at a party venue is entwined by a nobleman's son.

With the orchestra playing back music, Aurelia stands at the party venue. There goes the narration - the lady seeped confusion in the act.

I guess it was because the narration wasn't my voice that was planned.

This happened because His Royal Highness Alforth's offer was so sudden that I didn't have time to tell Lady Sophia to change roles - not for the record.

Just a little surprise.

By the way, it is the prince of this country who serves as narrator. Those who have noticed the Lord of that voice are bothered, but His Highness Alfors is narrating the script with one hand.

A good opportunity to emphasize that I am not an electorate, but a prince leaning on the common people, let's just say.

Just because you proved you weren't an electorate at the last party, you might be told that if your subsequent actions hadn't leaned on the common folk, that was a performance.

He seemed to think that far.

Really, he's showing his growth as a prince in this short period of time.

Such a narration of him tells the pinch of heroin.

Finally, the Prince's turn has come around. I'm familiar, and I'm on stage - just before, His Highness Alforce and his gaze intersect.

He snorted and I snorted back again and took a step on stage.

The spotlight of the magic conductor pours down. In that light he headed to the center of the stage, sheltering the bewildered Sofia lady behind his back.

The patient Prince Alfred drove away the nobleman's son. I look back at Kurli in line with such narration.

There - there was a lot of heroin in there that looked confused.

"Ma'am, were you okay?

When asked as she played the prince of sparkle, the lady said in a surprised face, "Cyril?," he muttered. Sure, I'm Cyril, but now I whisper to you to prioritize acting.

Sophia, the lady corrected her spine as she reminded Ha.

"Thank you for your help. I know. I'll be fine."

"Really? I'm glad you're okay."

Sophia, the lady dyed her cheeks.

This is a scene where heroines fall in love with a prince at first sight, but I have to say that's just the lady who dyes her cheeks in acting.

- Yes, this is an act. In that evidence, you look like a maiden in love, but behind those eyes you say, 'You haven't heard, have you?' It seeps through the absurd criticism.

I can't tell you that I wanted to see the lady's surprised face even if her mouth was torn.

But this place is on stage.

A scene where a prince walks away without a name, seeing a maid who comes looking for herself. I turned myself in so that I could escape pursuit. "Well, now I am -"

- For a moment, please wait and I'll pull that sleeve.

"What's wrong?

I twist my neck wondering what really happened while asking to make it sound like a guest seat as an act. "You can't get away here, can you," Lady Sophia whispered with a naughty face.

Sophia, sooner than you think about what that means, the lady offers you her right hand.

"I was actually bored."

In this world, it is assumed that it is a little difficult to invite a woman to dance. Therefore, now is a far-fetched offer to invite me to the dance.

I don't remember teaching you such an invitation, but the lady is growing.

- Is that good enough? It's a different development than the script... but the lady's right, there can't be a development here about turning down a heroine invitation.

... No, it's not.

The lady always wanted to dance with me. And now, in this situation, no one is to blame for inviting the lady to the dance.

So - and reach for the lady. It filled a surprisingly light distance that was nearer than anyone else, but never filled.

"If you don't mind dancing with me for a song?

"- Yeah, I'd love to be you."

Shortly afterwards, the waltz began to flow as if they had shown each other. The theatrical BGM is a live performance by an orchestra. Apparently, they played the song in an add-on that I held back on the stage sleeve.

I hold Lady Sophia to it and start dancing the waltz loosely.

At first, Sophia, take a loose step to ask how the lady is doing, and immediately move on to a more difficult step.

Delicately, sometimes boldly, the lady in the spotlight by the magic guide is exactly the heroine on stage, taking complex steps to brighten her silver hair.

"... so why is Cyril acting as a prince?

"Oh, didn't you like it?

"... if you don't want to, I won't dance"

Distract your gaze just a little bit. Maybe it's lit? When I thought of it that way, those amethyst eyes reflected me again.

My gaze prompted me to explain, and I speak lightly of my interaction with His Highness Alforth.

"Really, Your Highness would have to thank His Highness for that."

Smile like a rose stump blossoms and gently take steps. Maybe the lady realizes with what thoughts His Royal Highness Alforth has given way to the role of Prince.

But now it's more theatre than anything else.

The dance begins at the beginning, worrying that the audience is bored, but some looked envious, and others admired, paying uniform attention to this one.

Especially since this is where the lady's faction brightens their eyes.

- Cyril.

"Yes, ma'am."

More leads to boil the audience. I feel such a lady's will. I take bigger steps than usual. The noise from the guests' seats disappears and their consciousness is immersed in the music.

Think of the lady and take steps by focusing solely on making the lady shine. Unexpectedly, there was a slight resistance to the lead I showed.

Surprised by that, change the pattern of the lead so that the lady shines by other means. But there is still resistance. The lady went on to express her dissatisfaction with my lead.

When I questioned why, I noticed my face in the eyes of an amethyst.

- Look at me.

Sophia, the thoughts of the lady all the way through are conveyed.

He showed the lead with all his heart to make his partner shine, and he hadn't seen about Lady Sophia. Sophia, what the lady wants is not for herself to shine.

We both hope to shine together.

Don't be too conspicuous - and our Lord's advice went through my brain.

But it doesn't matter.

Sophia, if that's what the lady wants, just move on, no matter how much difficulty you have. I didn't shine my lady, I showed her a lead to shine with.

Now I can't resist. On the contrary, the lady begins to take steps to flow, as if she were predicting a lead.

The lady's feelings are communicated in her hands. At the same time, I guess it conveys my feelings. A lady blooming like a rose smiles innocently.

And I laugh when they catch me. I danced just the two waltzes under the spotlight with the unity that the lady and I had become one.

"My name is Aurelia. Can you tell me your name?

Shortly after the dance. That's what the sophia lady who let herself go said. But when I reveal that I am a prince here, the story breaks.

"You can't name it for a reason. So call me Al."

"... Dear Al. One day, I'll come and see you."

The lady with the determination is very pretty, but there is no such masculine line in the original. It's like Alicia in this world going to see herself instead of meeting again by chance...... no, let's not think about it.

My plans went crazy from the outset, but the theatre goes on fine.

Eventually, the two reunited at the school will be rapidly attracted.

But the prince has a fiancée, Elvir. Knowing that fact, the heroine holds a grip, but still makes him recruit love for the prince if he can't give up the prince.

Around here too, the original finally embraces the love of the prince by being pushed back by the maid - and it should have been a somewhat passive development, but the heroine played by Lady Sophia is a little carnivorous.

Adrift is in for a long time, but Isabella as a maid follows without difficulty. While she is a maid of honor, she has not taken a single step toward Lady Sophia.

Become a good understander of Aurelia and give her a boost.

Thus, the heroine and the prince begin to let their thoughts pass, but Elvir falls in darkness when he realizes that the prince's heart is away from himself.

"- Why don't you look at me?

A line that will be a cut off from the dark fallen. Standing across from Alicia as Elvir, I look guilty, but look her in the eye and open my mouth.

"I'm sorry. I've loved Aurelia."

"Still, that's okay. So look at me too!

Oh, no... the lines are different.

Or if I nod there, I'm just a two-stranded Prince Chara.

"Elvir, I'm really sorry I hurt you. But I swore I was on her side. That promise will remain the same no matter what happens in the future"

Change the line to get the story back on track.

The truth is, it was a line that threw away a little more villain warrant lady. In the first place, the villain warrant lady had already begun to get sick around this time and had been distanced by the prince.

That's why it's a breakaway scene.

"I don't think that's a reason not to look at me because I'm at her side. I'm just saying I want you to look at me!

Hey, I'm starting to feel like I'm being blamed myself.

No, calm down. This is acting, theatre. I follow the script and return my heel to escape. Behind my back like that, she raises her sad voice.

She mourns why she doesn't look at herself, eventually to one conclusion.

"... right. If it weren't for him, he'd look at me."

I'm so scared. Something tells me there's a cage of intent to kill. Is it your fault that the villain warrant lady feels darker and more corrupt than the original?

Plan the annihilation of Aurelia in a solo play. Even those in the guest room are shivering at Alicia's acting full of madness. It was just a truly imminent act.

Alicia, even though the heroine's maid wasn't good at acting because she couldn't get emotional, the villain warrant lady plays a hell of a good role.

I mean... I guess that's what this is about.

While exposed to unexpected fears, Alfred develops love with Aurelia.

The light part of the Espressivo of light and darkness. But in the dark, Aurelia is being harassed by Elvir. Alfred stood up when he noticed it.

There's no point in stopping one harassment at a time.

Alfred dares to invite Elvir's evil by distancing himself from Aurelia and detains her in the name of the prince the moment he tries to cross the line.

Elvir is drawn to the public.

Being Alfred, I expose the sins of the villain warrant lady one after another. Though acting, Sophia, I'm trying to save the lady, and I'm trying to get the villain warrant to execute her.

In a complicated mood, he handed down a guilty plea against Elvir.

- Please wait.

Sophia, the lady's voice echoes.

This is scheduled harmony in the story. Heroin gives the Villain Warrant Lady the opportunity to redeem herself, but darkly fallen she is executed by throwing up curse words against Heroin.

I was supposed to...

"I love him"

From Lady Sophia as Aurelia, she suddenly plunged into a fight.

"Wow, I love him too!

Alicia as Elvir buying fights.

It is a sudden training ground.

"I know. And I took the prince from thee, knowing it. So..."

Sophia, the lady turns her back on Elvir and turns back on me.

"Have mercy on her, Prince Alfred"

"... okay?

It was best to ask back.

This is only Espressivo's play of light and darkness. It has nothing to do with the original, let alone with the reality of this world. But still, a Sophia lady, who is nobody else, has unspeakable feelings about trying to save the villain's warrant.

"I don't mind. I took someone more important to her than my life. So I forgive her once for trying to take my life."

"If that's what you want."

Given the sins we have just read out, it would be unrealistic to make them innocent. With that in mind, as Alfred, I declared her closed to the monastery.

The Sophia lady who hears that walks over to the villain's warrant who is kneeling.

"I'm not giving up."

Alicia looks up at Lady Sophia as she sits on the floor. I don't know if that's just an act, or if it has real thoughts in it.

But Lady Sophia laughs, "You don't have to give up," she said.

"But I will never lose. So I'll always take it and stand."

Declare yourself exalted and flirt. To signal it, the spotlight that illuminates Alicia disappeared. The only two people shown on stage are me and Lady Sophia.

Finally, the last scene begins.

"Your Highness, I apologize for imitating the past"

"No, you don't have to worry about it. I exposed her sins to save you. So if you want to forgive her, I'll forgive her again."

In response, Sophia, hold the lady. There are too many adds in there to retain the original shape, but I swear to eternal love here for a happy ending.

- But, Sophia, the lady opened her mouth first.

"... it's your fault in the first place, isn't it? Make other women careless by accident. Think about how they feel swinging, and weigh in a little bit."

I almost apologize for being vegan by accident.

The voice was so small that it wasn't the kind of line that would reach the guest seat. Given that it's not even connected to the previous line, it's probably Lady Sophia's heart.

That's what I thought and when I looked at him, he laughed at me with a scratch.

"- I love you like that"

proclaimed in a loud voice.

The line as Aurelia, but “you like that” is hung by Alfred like forgiving Elvir, or...

I shake off the idea, "I love you too," holds Lady Sophia.

Here the lights are dropped and it's over - but the lights don't. If you turn your gaze properly, the figure of Dr. Tristan laughing in front of the device that manipulates the magic guide of lighting.

"... Cyril, what's wrong?

"The lights don't go off. Looks like Dr. Tristan's flirting."

"Oh, that's troubling. What are you going to do?

Whispering sophia the lady is laughing like a naughty boy. Speaking of which, when I pulled into the stage sleeve earlier, Lady Sophia was giving him some ear punching.

This situation is also a joke for Lady Sophia.

"Bad kids need to be punished"

Lift the lady's jaw with her fingers.

I looked slowly as I peered into the open amethyst's eyes.