Tsumi Kake Tensei Ryoushu no Kaikaku

Episode Seven: Bad Man

Sola's letter was delivered to Mathier at night.

Though Sola started getting ready for bed around noon tomorrow, when she heard the weak noise of knocking on the door of her private room, she learned that Cole had arrived.

"You can come in."

When Sola allows her to enter the room, Cole pushes open the door she fears.

"Um, I've kept your reply to the letter. Well, since I'm a cook, I don't know if it's the Flame Squad's job to deliver letters to other noblemen's mansions."

"If the Fire Squad goes, they can write to me."

Sola points out, Col has clogged the word "ugly," giving away a reply from Mathier, as he gave up.

"That's thick. Is it even in the wooden plank?

I let him stand on my desk to try, and he was brilliantly independent.

Sola takes a paper knife decorated with an elephant embellishment from her desk, opens the envelope, and reads the reply.

Reading through to the end, Sora sighed, guessing that the situation was more complicated than expected.

"Don't Miss Mathier herself know who she's dealing with...?

The reply had begun: "I am glad that you will receive your reply for the first time".

The contents were answers to each and every topic of the letter sent so far, which spanned several copies. Perhaps I left behind a reply that I had no prospect of receiving whenever a letter was sent to me by a thinker.

The last piece of paper contains a reply to a letter written by Sola. There was a slight clutter in the letters because there was no time or compared to others.

Though I can read from the context that I seem uncomfortable with Sora's letters in various places, I don't seem to be thinking deeply about whether she is rising to the assumption that she will receive a response for the first time.

"Don't get worried Miss Mathier is going to get caught up in a bad guy"

"... there's no worse man than Master Sola, who faked a love sentence."

"Cole's got one stick, too."

"I was in charge."

Sora shakes her head, grinning bitterly at Col, who is in tears.

"In the meantime, I'm going to apologize for inviting Miss Mathier on a date tomorrow to trick me. Let's apologize and talk about love."

Sola, who lowered the col, sits on the edge of the bed and looks sideways at the thick bundle of paper in reply.

I guess this bunch of replies caused me to watch you eat into the noon play.

For Mathier, who kept writing and accumulating replies that were not expected to be received, the protagonists in the play would be heartbroken to watch, having misled just not getting one letter.

Still, I used to take a trip to the Grand Theatre to see The Maiden of Letters, because at the end of the day I would always have a happy ending?

"When I think of that face, I want to be there for you while you're in other HR."

The next morning, Sola offered to take Mathier out to the Marquis de Giestra to watch music.

Permission was granted without waiting for noon, and a letter of acceptance was also received from Metier himself.

"You know exactly what I don't like."

I accidentally compare it to the reply to last night's letter. The difference was evident from letter by letter.

He really said last night's "Now don't invite me from Master Sola" as a social dictionary.

Razette was not proud to have hit the reading, but only groaned, "See, I knew it".

A little weakness strikes me, but Sora tells herself that the production is coming.

"Gorge, turn the carriage"

Sola, who was ready, leaves the carriage owner to Gorge.

Gorge returned the script to Sola yesterday when Mathier asked her to write her name.

They have names written for everyone, including for those who were guarding the mansion yesterday.

Just the right souvenir.

In the carriage leaving, Sola reads the reply to the letter in detail again.

Because it is in the form of a reply, I can only get fairly fragmentary information, but it seems that the person in the letter is also in love with Mathier, just as Mathier is in love with the person in the letter.

But it will be certain that the person in the letter who hides his or her identity and even does not receive a reply has something that could be an obstacle to his or her marriage to Mathier.

In order for Sola to avoid bonding with Mathier, the obstacles need to be removed after finding the person in the letter and the marriage to Mathier needs to be backed up.

In addition, we also need a way to overcome these two obstructions, as this fringe is due to the thoughts of Prince Wang and Marquis Zistra, the father of Mathier.

"We should also consider the possibility that the person in the letter is sending a letter to Miss Mathier for mere mischief."

Most of all, it is difficult to believe that there are those who benefit from the letter as a hoax.

Rather, it would be important if you made fun of the Marquis' daughter.

Within devising a way to solve the problem, Sola's carriage arrived at the Marquis de Giestra residence.

Lending a hand to Mathier, who is grinning her leeway without knowing anything, invites her into the carriage, and Sola looks around at the servant who is picking her up.

Soon we found the person we were looking for, and Sora spoke up.

"There's a few things I'd like to ask you about Miss Mathier. You come too."

It was a young maid who bluffed that Sora spoke. He was the only maid to have reacted differently than any other servant due to Mattier's lapse yesterday, while at the same time informing Mattier of the arrival of the letter.

Ordered to accompany Sora directly, the Count, the maid looks suspicious.

"I'm sorry. I have a job at the Mansion."

The young maid of the scabbard says no.

I had no choice but to take a piece of paper out of my nostalgia and give it to Mathier.

I glance softly at the paper that Mathier received with a loving laugh was handed to me.

- Aloyrie, come with me.

I command the young maid whose letter is rounded, Mathier, to make her face bow down and blush.

The maid, apparently named Aloyrie, blued her face when she noticed how mathier was bewildered, but her eyes glanced up at Sola resolutely.

Sola ignores Aloyrie's gaze and invites her hand to the carriage.

"Hurry up. I'm not gonna make it bad."

Sora mouthed a line like a villain and let Aloyry get in the carriage.