Large room made of the same brown soil as on the road.

"Three exits?

If you look around at the words of the Eagle, one at left and one at right, one behind the Minotaur, a leaking exit of light. The only reason I can see it clearly in the distance is because the exit and thought place are quite wide open on the dim.

Minotaur roared in the center of the room as she tried to look in jewelry at the subtly different colors of light. With its roar, the effects of small stone walls and stone floors spread around Minotaur, quickly becoming like a passage of labyrinth (...). A place that looked like a large room of ant nests leading from a round cave turned into a dark, cold labyrinth shaped by straight lines and right angles, and the exit that looked at him also hid him.

Minotaur barks again. Uncertain oddities like low, tall, fat or leaking thin through your throat. But a voice that I know is a laugh of joy when I find a prey for those who listen. Never bumo-o-o-o-o.... Is that it? I thought it was bmo-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o.

"Bumo-o-o-o-o?"

"Bubba?

"Hey, stop it, you just sound like a bmo-o-o-o-o-o!

"Homla, will you stop winding me up?

I put it in my mouth for a second and it looks like it's all safe and sound like a bmo-o-o-o-o-o-o-o-o-o-o-o-o, yokatta yokatta.

"Oh, you're not nervous anymore!

"This hierarchical wari and we are supposed to be the ones who give our lives. I'm out of my mind."

"You can't help it!

Camilla unleashes her magic over Galahad running for Minotaur. I am auxiliary magic, the Eagle is ready to recover quickly. Few Galahad and Eagle stick together to get their first blow in, except for the known enemies they deal with.

Galahad's blow only slightly behind Camilla's eye-catching magic landing.

"What!?

From between magical effects, an axe runs sideways in the space where Galahad overflew.

"Yabe! No magic, no sword!

Minotaur's body, where the effects disappeared and he could see him, had no scratches, and a few electrostatic lights ran and made a batin noise to disappear. Is it a promise to emphasise your chest muscles when you bat?

"The magic itself is playing, isn't it the difference in attributes?"

"Some kind of skill or demon-specific ability"

"You don't accept damage other than weaknesses, you need special items... heh!

Galahad accepts Camilla coming at Minotaur's eyes as she talks, releasing an arrow, but waves a stepping axe without looking at it as if she cared at all, and is taken to the axe with her body in the position she received and slapped against the wall. The arrow, which should have been hit, was insanely bounced and rolled on the floor.

I punched my back and head against the wall, and the axe swung down on the curved galahad.

"" The Bell "!

[Golden Magic] Level 35, the bell appears over Minotaur's head and drops dozens of times. Magic with a restraining effect, but as expected, it is immediately dismantled. Eagle pulls Galahad's arm during just a few moments of time to strike out the magic and pose for chest muscle accentuations.

"Oh shit! It's heavy!

"That's 55 floors, once you get the distance."

"Bumoooooooooo!"

"" Enough with the Bumoao!

They scream amicably at Minotaurs as they flee, even though it's a pinch.

"You can afford a tough demon opponent."

"Whose fault is it? Whose!

Even while Camilla gently twists me, I change my attributes to try and tap into some magic. The same effect shows up and gets bounced off the batin, but it's not in vain if you can't do damage because you stop your legs and pose for chest muscle accentuations. I feel a little sick because I'm getting closer.

"Maybe you mean direct me to one of the first three exits I saw?

I twitch too as I continue my magic attacks.

Boss, it's inexplicable that the next aisle in the room is normally closed but only open this time, and the first performance I just think I bothered to show it.

"That's possible. Not just the labyrinth here, but the dungeons hold back the way they go, but give tips to move on."

"Do you want me to defeat the demons that I have created or have been born with?"

"Or do you want to kill the stronger in a deeper place?"

There seems to be some difficult philosophy occurring among residents about the way the dungeons are.

"I don't have time to think about it, for now I'm gonna follow you to the Eagle until you get your distance"

"Okay."

"Go ahead, I'm the fastest leg and I can stop. Scream right or left at every branch."

Me and Camilla talk short while stopping Minotaur.

Copy that.

'High Haste' to everyone where I received recognition.

"Go!"

"Hema, don't be sorry!

Seeing the three running off suppresses Minotaur from trying to roar and advance. Seems like a comma feed to solidify in a chest stretching pose to discipline every time.

"Left!"

"Right!"

Where the Galahads have bent two corners, use the nostalgic [Earthmagic] Level 2 'Muddy' for the last time to follow.

Fast is Eagle, second is Galahad, and the Wizard Camilla is the last. Extremely slow like Gentiles (players), the polar swing of fixed turrets is rarely found in residents. Well, in the case of residents, there is no stepping and it naturally rises, but they can use the item to fulfill only a little hope.

"Grab it."

"Floating" across the camilla.

"Yikes!"

"Bumoooooo!"

"He's pretty fast on his feet. Stop, please."

"Okay!

Unleashing magic in the rear means that Camilla will stay stable as she looks behind, and her upper body will stick perfectly to each other while I hold her. It's useful.

Did Greek mythology extend the thread to mark the way home? All I can think of is that if I had extended the thread in this situation, I could catch it and cut it, or even if not, Minotaur would cut me. Except for the skill's [yarn].

"Left. Right is the end."

"Whoa!"

"Help!"

Running through finely divided, endless and curved passages with stone walls, as you can think of when you hear of a labyrinth in the hands of an old man. Because the pine lights are burning, [dark vision] is not dark enough to activate, nor is it bright enough to see ahead.

"If it hits the end of the line, don't be sure they catch up to you."

"I want to avoid going back down that axe."

Camilla sighs around my clavicle. There is already no sign of Minotaur, either because of "High Haste" or because he never went down the trail.

"Bumo-o-o-o-o-o!!

"Wah!"

The walls of the passage just passed along with the roar break and a huge axe protrudes. Camilla unleashes her magic without waiting for the dust to subside where a little red copper giant could be seen from between the ragged and crumbling stone walls.

"Abou! From the wall!

Galahad didn't stop while screaming, nor did Eagle.

I'm that one, I stopped for a moment quite surprised at what I was thinking about the benefits. I'll be honest with you about my self-declaration.

What I found out after chasing for a while was that if I was too far away from Minotaur, I would break the wall and shortcut it. We're not at the end of the line, but it took a crate to explore in [yarn], so if you're confident about waxing the axe, you might want to challenge it.

"Exit!

I see a white light at the end of the bend, as Eagle said, and the four of us go outside to roll. At the end of the day, the reddish wilderness, like the western play that shoots in the morning sun, is littered with soil lumps pulled from the same color of ground.

"Well, shall we start fighting back?

Galahad laughs niggardly and bears the Great Sword on his shoulder, turning to the exit of the Labyrinth of Minotaur, which came out earlier.

"I'm curious there were three places."

Eagle performs [sacred magic] that also helps restore qi. Camilla took MP restorative medication to help her get Camilla down and increase her defense and other aids in [Kuroyao].

"Bumooooooo!"

Out of the labyrinth, Minotaur gently swings and barks down the troublesome giant battle axe of the retrieval to the ground. Wind pressure hits and the air trembles.

"You're here! Cow bastard."

You were stressed about running around, or Galahad goes in without waiting for Camilla's magic. The body of Minotaur is scratched when it is cut to the side as it creases under the axe to be shaken. Camilla's magic before Minotaur moves on to his next action, this time unlike in the labyrinth. The movement won't stop, but the running effects of static electricity seem to bounce unharmed.

"Yikes. Ahh!

"Oh, my God, magic doesn't work."

"There were three places. Isn't this physical?

"Maybe one of the other two places is magic."

I checked later and the sunset was magical as I and Eagle expected, and the light of day worked both magic and physics but it was something like half the damage.

"Well, it's huge and I'll join you"

Watching Camilla just replace her wand with a bow makes me sword too. Three people in close proximity in a narrow place like the aisle are inefficient, but they'll be fine here.

At the time Minotaur stepped out to reorient toward Galahad [shrinkage], the aim is a finger holding an axe. If [shrinkage] is used when the enemy's consciousness is facing this way, it will not be used more often because accidentally it will have wings that jump into the weapon. Until recently, my physical-defensive ignorance skills had begun to sneak (hissing), but it seems to be working now. Because it's a convenient effect, I can't even rely on it because it's a sign that measures are being taken to avoid it as much as the boss who comes out later.

"I know it's okay, but don't hit it!

Galahad calls out.

"I know, thanks!

It's a power that Galahad couldn't stand, it's not hard to imagine that I would be blown away if I took it. There's a limit to flushing it with a sword, and it doesn't seem like there's any other option but to dodge it.

Avoid, and stop the Minotaur attack, which this one wields on both of us by letting the attack in. Each other repeatedly shreds Minotaur's health. The solo is easier to read the enemy's attacks, but it's easier to avoid them instead thanks to the two followers.

"You're so focused on your skinny ass on the road."

"Now that magic is powerful, you lose confidence."

"There's only one thing to think about."

No. Two? Enemies to defeat (Minotaurs) and allies to protect.

Minotaur doesn't make him feel the weight on the way he waves the axe, but the sky with the axe torn up winds and tells him he has a definite mass. Continue the sword dance, looking at both of them with minotaurs in the middle, even as they put their movements into view.

"Bumooooooo!"

The color of Minotaur's body turns bright red and is blown away by the mood that put him on the roar. Ignoring us, inhibited by the fighting wind that blows out, he shivers with his axe on the ground and his hands resting on the patterned head (or shingles) and his hips dropping.

"I wonder if the ground is shaking?

I do shake when I'm aware of the ground in Camilla's words.

"Don't even sound grounded."

The first I heard sounded slightly like the roar of Minotaur, which grew louder and louder.

"'Floating'! Maybe there's an earthquake coming, on a dirt mass!

'Floating' on the three of them with insurance, with flat surfaces jumping on cone-like earthen masses with no height above them.

"We've Got Solo's First Crusade Title [Creator of the Labyrinth]"

"You've earned the reward of your first solo crusade, Once Upon a Time Labyrinth."

"Solo Crusade for Ingredient No. 30, Floor Boss, 55 Basement, Labyrinth Ingredient Route"

"Note that this information will be kept secret."

"I've got 4 x Minotaur horns"

"Got Minotaur Skin x 5"

We've got the Minotaur Stone.

I've Got White Bull's First Stomach (Minotaur) x 10

"I've got the White Bull Tongue (Tan) x5"

I've Got 10 x White Beef Roast Meat

I've got Minotaur's Axe.

"I've got 1 x Skill Stone/Power Double"

"Yikes!!!!

Not minotaur meat!!!!!

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Title

[Creator of the Labyrinth]

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