I'm going to work out a proposed stop design in my work room at home.

Running the pen toward the drawing table, the door opened without sound.

"... interrupt, do"

"Don't."

To answer immediately, Teten comes into the working room pretending not to hear.

Teten, lying down in the corner of the working room, took out the pen as he spread blank paper on the floor.

He's going to write a GL novel here.

"Do it in your own room."

"... switching air"

"You think I can't write a secret novel because the window's open?

"Yes..."

Teten to answer short and run a pen on blank paper.

Well, if you're just quietly writing a novel, isn't that so intrusive?

Leaving my left and right legs up and down while I fell asleep, I head to the workbench again.

Deadline expires next spring. Now fall is near the end, and we don't have much time because it's almost time to say winter. The results will be announced over the selection period around next summer.

Draw blueprints with attention to the length of the columns while sometimes checking the paper on your lap that wrote the calculation results.

As I was working on it, I could hear Teten sleeping. If you look to the side, you're lying down on paper and breathing.

"You're going to choke."

I can't help it, so I roll the tetens over and turn them over, and then hang the kneecap I always keep in my work room instead of a blanket.

Just as the herbal tea was gone, I peered into the living room as I went to get the blanket.

Richay, who was sitting on the couch and embroidered, notices me and looks up.

"You're out of tea already?

I look back at the work room to Richay, who looks strange.

"Teten rolled in, and we were drinking together, so we lost it fast. Now that he's asleep, the quantity is just as good as it was earlier. I'll get my blanket."

"Yes. You were there when you thought you couldn't see him. You're not interrupting me, are you?

'Cause I was a big boy.'

So much so that I forgot to exist until I started to take a nap.

With that said, I look around the living room.

"What about Melmie?

"I put everything I could on Kenagen and I went to deliver it."

"Oh, the furniture I was ordering before I went on my journey. If you'd told me, I'd have helped."

No matter how much wooden it is, it is heavy when it comes to furniture. Whatever it is, you can't carry it in Melmie if it's like a garbage.

"Let me know when Melmie gets back. I'll help you carry them, too."

"They're bringing back fellow craftsmen on the way home from delivering the trinket compartment, so that's not enough to worry about. I don't think Melmie wanted to interrupt Amane's work either."

"Oh, is that what you mean? Well, I'll stick around and get on with it."

Drop Richay off as she walks into the kitchen to brew some extra herbal tea and I turn to the stairs.

I arrived under the stairs barely in front of Melmie and my work room and left the windows of the stairs open for ventilation and went upstairs.

Though a blanket for tetens, you can't just go into his room and get it without permission. I don't know what's coming out. Some scares.

Enter your room behind the hallway and return to the ground floor with a spare blanket.

Hang a blanket on a teten that is still sleeping in the corner of the work room and fold up a novel that looks like it's about to be written. No matter how many cryptographically written it is, it would be easier to keep it hidden than Richay brings tea from now on.

Instead of the blanket, fold the knee and pinch it between Teten's head and the floor. Instead of pillows.

And I fell asleep feeling so comfortable. Shall I pinch your nose?

I reckon it's just noisy to wake him up and walk over to the workbench. Lishay knocked lightly on the door and came inside as she shelved the material she would no longer use.

A wooden dish with a few cookies is on the basin with the tea.

"I thought you might want something sweet too, so I brought it."

"Thank you. I was hungry."

I pick up the basin and put it at the desk next to the workbench.

I felt a hint of fragrance along with the sweetness of a piece of cookie. Looks like they have sliced it thin and added fried mammals. Where did you buy it?

Richay looks at Teten and smiles bitterly, shifting his eyes toward the drawing table.

"As planned, it's a treehouse. Pretty massive though."

"I still sharpened the unwanted part as much as I could. There isn't an infinite number of demon bug hunters in defense, and I've worked out a way to intercept demon bugs in small numbers, but I think this is the limit."

It is a defensive strategy that leaves part of the defense to the town behind it and crashes the bow against the demonic worms coming from the front and side, and the yarn net of the bird eater spider if coming from the back.

"When I accidentally hit a bow behind my back, an arrow poured down on the town, so I took an online operation to crash the demon bug that attacked me to the roots of the world tree to death."

"It doesn't work when they take the top, does it?

The specification is to cover the net from the top and cause it to crash to death, so I'm pretty sure it can't be used if a demon bug hits from an unreachable height of the net.

"I don't have the means to attack highly advanced demon bugs that can't reach the internet, but that's the same for the demon bug side. We have to get close enough to cover the net to attack the stop."

Moreover, even if the net is cleverly avoided and fleshed to a stop, it cannot be immediately attacked by an internal human being. It's designed to keep the weight of the Demon Bug from collapsing even from the top, and the moment it hits through the wall, the Demon Bug Hunter who's holding it back inside launches a total attack. You don't have to worry about the town behind you because if you're close enough to destroy the wall, you won't have to remove the arrows.

I think the defensive strategic issues are clear.

"Only a warbug hunter, and you're good around here."

Nod at my explanation as Richay was impressed.

The architects, who were to be brought from the planned construction site of the stop, were also asked about their knowledge as warworm hunters, and not many designers would be familiar with the warworms. For once, will it be advantageous?

Richay tilted his neck slightly as he looked at the floor plan and saw the evacuation route at his fingertips.

"You're not running under the treehouse, are you?

"A small demon bug, a beaant or something, could come under the treehouse, so we gather it in the evacuation section on the first floor of the treehouse, and then stretch the evacuation destination in response to a disaster. It's dangerous to be in a building if it's a fire, so it's in the form of going out through the evacuation passage from the evacuation section."

Below the stop, which is a tree house, is a stables of coyotes, raising the ceiling so that the coyotes are not stressed. This ceiling remains the cornerstone of the stop and only two direct descent routes exist. Whether it's a disaster or not, it's not designed as a space for guests to enter.

Protect guests from the safest stops during warbug raids, and use evacuation routes to get out in case of disaster.

It should be noted that care is taken not to interact in any way with the evacuation route and the lines of interception by the Devil Bug Hunter. This was the best bender.

"Clever placement. I think Amane is very good at designing these practical aspects."

"It's an honor to compliment you."

Appearance after that, but I don't think there's probably a problem.

I took an elevation view from the top of my desk in an attempt to get Richay from Yoinsley to judge me. The elevation view is like a sketch depicting what happens when you look at the exterior of the stop from east, west, north and south.

"So, here's the thing, what do you think as a native of Yoinsley?

"Right."

Richay starts staring at the four sketches side by side on his desk.

"Is there an overlooking view of a nearby town?

"Yes, this"

It is an overlooking view given to a picturesque Jianqiao family I know in the field. When you came to Tacax with me, you asked the printer to give you the slip.

Comparing the overlooking view of the town to the sketch of the stop I designed, Richay roared small "hmm".

"I'm pretty sure it sounds amateur, and I don't think I'd be uncomfortable when I background the town. It's just that when you build this, it's the rookie architect who's going to be in charge of the site, right?

"You will. Apparently, it will be a job that Joynesley will mediate. Maybe a senior architect and a bridge-builder will accompany him for an audit."

"Is it okay to leave this method, even the new architect, to you?

That's what Richay says, pointing to the arcade part, which is the stop of the coyote car, under the treehouse in the exterior view.

It is the branches of the host tree on the left and right that make up the arcade part and arch, and the plan is to combine strength and unity by healing the branches together.

Given that the massive object of healing between these branches is the Takakus sky bridge, its toughness is origami.

"Well, I'm sure it's special, but I'm technically establishing it, so maybe there's no problem. Whatever it is, I can provide you with materials from Takakus."

Besides, you won't have to worry because Yoinsley also has a wooden cage shop, which is Melmie's home.

"If it's considered technically impossible and you don't have to worry about being played in the selection, I think this is a good idea. The branches of the synagogue are part of the plan for the Tenkai Corridor."

As Richay put it, the Heavenly Tower Corridor is a major plan to connect the East, West and North of the world trees, so this happened in an attempt to incorporate something that reminds me to tie it.

"Ask Melmie what she thinks later, and I'll get on with it."

"Good luck. And there was a letter from Mr. Kanes of Aquas."

"Okay. I'll see you later."

Probably a provocation.