Yomigaeri no Maou

Lesson 34: Progress

Back off!

As Lulu was dining at the first floor tavern of his family (Klan), a loud noise rang in the tavern.

Anger flying right after that.

"Hey! What are you doing ~!!"

An unusually sharp, harsh voice is the typical chiffon of this tavern.

And if you've been turned to that word,

"... su, sorry!

It was Kyou, the residence of my house, where I bowed my head in the sense of a flat apology or a very soft look for cleaning the dishes and dishes I dropped.

A puppy carrying cleverly with a plate next to it on its head, a hookah, passes by.

She is surreal because she is utterly dangerous, and furthermore it is something that snorts at her as if she had said "... humph" as a Bureau messing with a failed junior when passing beside her owner.

Each time, Kyou won't come. No, no! Because it's something to stare at the hookah like I said, extra.

It was a sight I couldn't help wondering if these guys were really owners and their dogs.

I introduced Kyou to Chiffon right after that, who agreed to work at the tavern, and the interview turned out, "Hire because it's bright and cute!," she decided after a little talk.

That was good, but the problem became apparent when it was actually a step in getting Kyou to remember his job.

The problem is that her job is to be waitress, that is, take orders from guests, tell the kitchen, receive food from the cook, and serve it to the guests, but there is an extremely good chance that mistakes will be mixed up at any stage of the process.

Not only was the order incorrect, but the dishes dropped and taken to different guests were everyday tea meals, and the number of plates ever broken was unknown.

Too miserably, Chiffon, who always has a warm smile, also has a blue muscle on his forehead that says, "... fired? At the end of smiling," but when that happens, Kyou even worships him and manages to stay.

At that time, Fuka, the Kew's dog, laid his hand on Chiffon and said, "Wahoohoo!" And it also seemed to have worked that I asked him to moisturize my eyes.

Plus, if your husband can't, I'll do it myself! And I started carrying plates all the time, so I tried to stop at this with surprise, but unlike my owner, I found that there were no dining errors at all, and now I work as a better waitress than Kyou.

Incidentally, the order is made in the manner of describing it on a blackboard placed on the neck of a hookah, and I feel that it may be a hassle and a hassle, but there is no complaint because of the demand to stroke and enjoy the hookah after the hassle, mainly of young women, in the lunch business at night.

That's why at present, salaries are also higher in Huuka than in Kyou.

A few minutes of broken dishes have been deducted, so they are quite diminished.

That said, it's not like Kyou hasn't worked hard with Kyou either.

I'm getting used to it a lot more than I was when I was hired, and the number of times I break plates has been fitting in at about three a day, and my order mistakes are almost gone.

If we keep doing this, it will probably be perfect by the time of the martial arts tournament, for the first time ever.

Besides, Kyou had quite a stunt.

In the "Explorer of the Age (Elam Kupidr)" tavern, occasionally people of a less welcoming nature come from the customer base.

However, waiters, waitresses, are mostly ordinary people except for chiffons and are not used to rough things.

But Kyou was different.

When the liquor store was open at night, when one of the slightly sparse bad adventurers, a little drunk and over-eyed, was tangled up in one of the waitresses.

"... Ooh, sister, how about after this?

He grabbed the waitress's arm with a gesture that was not very mouthful, saying, etc.

That's about it, it's still just drunk, that's all it takes, but then that adventurer clearly says from the waitress, "Get away from me! They turned me down and turned me upside down.

Even for a waitress, I know there was a slightly warmer way to say no, but it was too young, I'm not so used to it yet, because that was the waitress who went in later than Kyou, so I couldn't help but respond like that.

But the adventurer didn't, and insistently began to get involved.

"I don't know... who you think I am...!

It was an understandable dialogue, and whoever knew him seemed to be a few besides his people, but that would be good.

Shortly afterwards, she held up the girl's hand abusively, so the girl fell and twisted her leg.

At that moment we all figured out what was happening on the spot, with the stirring and the clerk in the store, the customer, paying attention to the place.

So I realized I scratched my shame, and maybe I should have just apologized honestly.

But the adventurer man was rather angry, "Don't show me!," he yelled around, then reached out to the girl and tried to do something.

I noticed that, Kyou.

She then approached the man so fast that whoever was watching the sight had no idea what the hell had happened, grabbed his hand and pulled him down at some point.

Noticing the noise, Lulu and Illis, who were about to jump out, understood what she had done earlier, but also found it to be a skill that was not so easy.

The structure of a person's body, I suppose he understands it very well.

Kyou grabbed his hand, then twisted the man's arm, then twisted it gently with his hand around his back or hips, and at the same time knocked him down with his right foot deep at the neglected foot.

The weight difference is considerable, and it seems at a glance that a luxurious Kyou can't possibly defeat a man, but he actually defeated him easily.

Such Kyou moves are obviously some kind of martial arts, and that's something that doesn't exist in this country, in the leather.

I thought it was probably martial arts passed down to a country in the East that is the home of Kyou.

The man of the adventurer, pulled down by Kyou, but soon tried to get up, but Kyou seems to be extremely skillful, so much so that there was just a little sympathy in the painful face of a man who could not stand up or stand up and who could not do so in an effort.

"Rape, don't work. Yikes!

That's what I said to the staring man, and at the end I said, "Meh!," he said. "A kiki with a big cock on the man's forehead.

And he was distracted, and the man looked like a jerk, and then he apologized to the girl and Kyou.

The man, who was getting drunk and finally was able to grasp his situation, apologized to the guests around him, and on that day he tried to say that he would be luxurious for all the liquor of the guests who were there, give his contact details, and then say that having him here would make the liquor worse and leave.

However, he thought the first of his responses applauded the situation, saying that the girl who was grabbed by the man didn't care anymore, and if he could promise not to do it again, then forgive him, and because the man agreed, "Well, isn't it okay to stay here," Kyou questioned the guests of the tavern and was affirmed with applause, so the scene went straight to the banquet hall.

In other words, she has a strange power to soothe the place, so.

It can be used quite a bit as a caution stick, and even if you break a plate somewhat, it seems like you keep hiring it in the judgment that if you think of it as an expense, well, it's not bad.

Chiffon hasn't been here forever either, so he seemed to feel it was necessary to say the force he could rely on when she wasn't around, and he said it was a pick up.

As for salaries, they are the same as regular waitresses, with lower wages than Huuka, but that is what Kyou deserves.

Now Kyou's plate splitting is one tourist resource, or it's getting closer to this store sign, and even if she breaks the plate, it's about chiffon to be angry.

After a short look at Kyou, who was doing well enough, Lulu decided to finish his meal and leave the store.

◆ ◇ ◆ ◇ ◆

I plan to go to a blacksmith with Iris today.

We live in the same house, so we should leave the house together separately, Lulu thought, but the suggestion was rejected due to strong opposition from Illis.

Lulu was kicked out of the house before noon and told to come over for dinner at the liquor store, further specifying the meeting place, which means he's walking that far now.

I didn't want Lulu to understand why I suddenly started doing that, but I think maybe it was caused by Mi and Yuri coming to the house the day before and talking about something.

After they got home, Illis looked a little like she thought.

Then I started to say, "I'll meet you tomorrow," as if I had an idea.

There was no way there was no cause there.

That said, for whatever reason, that's not enough for Lulu to care.

Today, it's important to go to a blacksmith.

Why go to a blacksmith, for the care of weapons.

Lulu takes the long sword that he gave away from his father, and Illis orders Yumis to make it in the king's capital, taking as its prey the dagger he has always used in the village.

We certainly do our own regular care, but we are anxious about the sharpness and durability of it alone.

When I needed it, I decided to go to the blacksmith and get maintenance done.

Meeting point is Central Square.

It is the widest square in the Wang capital used during the dismantling of that fire dragon.

It has a huge circular shape, with a fountain set up along its edge, and here in the square, the ones who show off the street art are gathering guests, playing instruments, and also gathering among the ladies for a well end meeting, which is lively.

Of course, few were meeting like Lulu and Illis, and the majority of them were men and women in a relationship who said that lovers were less than lovers because they saw each other, or friends just before they got there.

Will myself and Illis look that way from the side too?

No, Lulu thinks bitterly about his age that there is nothing like finding such a relationship between an uncle like himself and a relationship that he says is his best friend's daughter.

But I was inadvertently unaware of the lack of perspective there to say that my appearance and that of Iris looked exactly the same age objectively.

In front of the fountain, I could see a more beautifully decorated Illis than usual.

People around me, they're looking at her. I must have thought it was because she was more beautiful than anyone else on the spot.

And Lulu was also blind to his appearance.

I didn't originally think the instrumentation was too good for that friend's daughter. Iris.

But it turns out that the only reason I still thought about it to that extent was because I hadn't worn it as much or worn it before.

When did you put it away, what you're wearing now is always based on the black you prefer, but I felt the accessories shine through my ears and chest subtly and my hair tied in a deep red ribbon, releasing a calm beauty.

You've grown up, I thought.

I never thought of that before, but there was such a fresh surprise that I was suddenly offered something I didn't know.

I didn't know what to call that feeling, but Lulu approaches it as he usually waves, lest Iris enlighten him of his upset.

"... Illis! Have you waited?

to the words. Iris shook his head slowly,

"No, I just got here, brother"

He said and greeted me with a smile.

Strangely enough, Lulu tilts his neck at the fact that those around him who seemed to listen to Lulu and Iris conversations with subtle clarity in their ears to that dialogue, especially the men, emitted a relieved atmosphere.

But Lulu didn't want to think deeply about it.

I couldn't help thinking about it, because I thought.

Then Iris approached Lulu,

"Well, brother. You were a blacksmith today. Shall we come?"

That's what I said. I took Lulu's arm subtly and walked out.

Not many have ever grabbed my hand and been pulled, but I may never have been armed before.

It wasn't like I didn't think anything of it.

However, that was not an emotion that could be clearly put into words, so Lulu moves his thoughts to something else.

I thought I was going to the blacksmith today.

That may be because I thought somewhere that it wasn't too nice to think deeply about why the smile of Illis is shining brighter than usual.