Boundary Labyrinth and the Foreign Magician

Now, the plain of your possession is a place where groundwater passes everywhere, and it can also be seen as a pond on the ground.

Although the place where the mansion is to be built is an ex-buffer zone off the plain, bearing in mind the nature of the plain, the place where the mansion is to be built needs to be selected somewhat carefully or from improvements to the foundation part.

Because the ground subsidence, etc. must also be taken into account.

"Oh, I think Corliss found it"

That's what Stephania says and sends her gaze. When I looked at you, I saw Corliss jumping out onto the forest in the buffer zone, lightly glowing his magic, yet waving towards me.

"Around there"

That's why I'm taking you with me to the corner where Corliss sent the signal.

I was asking Corliss to explore what was going on underground because I wanted to build a house on the ground.

It's a place in the woods that doesn't go far into the back. Although Corliss waited among the trees. Okay, well. Send magic to the ground via Uroboros and Orihalcon and see what's going on underground - oh, this is certainly good. There's a big rock bed under the soil layer and it looks like a pretty solid place.

"Boulder. I don't think this would freak me out if I made quite a few buildings"

To my words, Corliss, sitting perfectly nearby, nodded humbly and was caressed by Stephania.

So using tree magic, let the woods walk and move first. We will create enough space to be able to build a mansion and a trail to get there.

"Oh, this is funny again"

"Also... I didn't expect to move all these trees together"

Starting Raymay, who is impressed by the sight and his hands on his chin, the monsters are thriving, too. We'll get started as soon as we've got the space we need and ready to go down.

We will provide household tools for the interior of the tatami, etc., so we can use the materials provided to make the house part later.

It would be good to determine the amount of material available and the size of the mansion that can be made from magic, and to proceed accordingly with the discussion to determine the structure and spacing of the mansion.

"Well. As for installing the transfer gate somewhere on the ground floor..."

"Co-management is likely to bring together monsters from all over the place."

And, says Grace.

"When that happens… do you need a room that can accommodate a large number of people?

"The kitchen and the bathroom will need something bigger."

That is the opinion of Ashley and Rosemary. Hmm. That's true.

"After that... if you want to deepen rapport, like a ballroom or a playroom?

"That's good. I can make you listen to the music."

When Sheila leans her neck and says so, Illumhilt breaks up with each other, and Mallane nods happily.

"That's good. I agree."

When Orier said it with a serious look, the monsters also agreed with a longitudinal shake of their heads, yeah. They liked this previous banquet, too, I guess.

Somehow… I don't feel that direction has been set. Imagine making an inn, it seems good.

"I don't really expect people to visit, but it's possible that someone I know in the capital will come."

"Then do we also need a place to park the ride or keep the horses connected?

This is the opinion of Claudia and Stephania.

"Well, I guess this is how it goes"

Reflecting everyone's opinions, we will create a model of earthly magic.

First surround the land with walls, and set up gates corresponding to the respective directions of the plains, the ghosts and the Black Mist Valley.

Well, it's only halfway in three directions, so does it fit better to build a gate on all sides of the fence after all?

Place the edge on the ground floor and arrange a large hall where you can see the garden if you release the obstacles. Given the convenience, it would be a good idea to set up a kitchen, bathroom, and toilet near the large hall.

The big hall can be used for banquets, meetings, meetings, etc., and if you make storage like break-ins, you can prepare a futon immediately, so naturally you can stay in bed.

The centers are divided into pieces in the form of pigeons, divided according to purpose and scale.

"That's good. It looks sunny, and can we get moonshine from the edge?"

That's what Raymay laughs at.

"This sounds like a good arrangement of gardens, edges and large halls. Shall we make an evacuation passage so that we can turn back the walls between the floors and get out of the way when things happen?"

Build hidden passageways and evacuation rooms where people gather. Well, just in case, I promise.

Guestrooms and all kinds of equipment that may be needed will be placed on the model, taking into account the sights and other things that can be seen from the room.

Rooms vary in size depending on the purpose. Some large rooms can accommodate a large number of people, while others are expected to accommodate a few.

The staircase leads to the second floor by entering through the first floor entrance. Stairs leading to the third floor. Rooms and various amenities on the second and third floors. And the appearance, basically a pure Japanese-style mansion.

That's how we position what we need... between the stones straight from the front door down the hallway. This will be where the transfer gates will be installed.

But in order to head between the stone construction, I went straight through the front entrance into the penetrating room that went straight through the hallway... and made it a structure that needed to be opened two or three more times to go back.

In short, it was partitioned several times with a canopy, and in its entirety, the transfer gate was located in the deepest part of the large longitudinal room.

"What's this structure?

"I was wondering if we needed a room where guards and gatekeepers could reside to manage the transfer gates. Dimensions that the presence of intruders can be monitored by compartmentalizing them with surveillance magic props."

The most important equipment is here. It is easier to understand and control the entry and exit of people by setting up places that must be passed through. Mayoiga said she could change the structure of the house,... but there would be parts of it that would go with it if she showed the basic concept.

"I see. If you've been divided many times in the box, you'll have to be wary of ambushes, ambushes, and traps every time. You can't just walk all the way back there."

"Well thought out."

"That's the thing. The stone is built between the transfer gates… well, besides ensuring strength, would you say consider making it easier to take off or wear shoes? From outside the port of transfer, it will take the form of a transfer inside the mansion."

The capital mansion was located away from where the transfer gate was installed, so it is possible to get in and out with shoes on, but this one is slightly different.

The design of the garden, etc. will be discussed and the actual magic architecture will be advanced based on the models that can be done in that way.

First, to create between the transfer gates, we draw a magic formation, have Claudia activate it, and then create the foundation, the underlying part.

Set up the stone pillars and embed the demon stones, and the installation of the transfer gate will be completed. I'll make a contract magic after Mayoiga arrives, so I haven't activated it yet though.

"I carve designs at the gate every time to make it easier to understand where I'm going to transfer them, what should I do?"

And I'll talk to you guys.

"Wouldn't that be good in the form of a portrayal of our banquet landscape?

says Orier.

"Hmm. If you think about symbols and significance, you'll have them too"

"Uh...... I don't care if people and ghosts look different than you or Shiho."

As for Raymay, it's embarrassing to be too straight as a motif.

Hmm. But when it does... does that mean a banquet with people, ghosts, snakes, spiders? Because I'm restless as a gate design even if I get the impression that it's too busy... right.

"How about this?"

The maple leaf design is embellished on the top of the gate and throughout, and as we look up at it, we try to create a model that depicts a landscape where we are all feasting on red leaves while loving them.

Maple is not very seasonal, but hopefully there will be more rapprochement in the future. Because the capital was a cherry blossom, we also had another plant.

Explaining such contents and thoughts broke your friendship.

"Ooh. What a wind currents around a maple spindle I dare you"

"It's not bad to say that I've painted what's ahead."

"Let's say we have another banquet in the red-leaf season"

And our reaction was good inside, so we decided on the design of the metastasis gate.

So... let's say we actually make it where it's wrapped up from the structure.

Installation of transfer gates. Once the design is finished, we will go into the mansion. Create an evacuation site for the underground compartment, build foundations, foundations - using wooden magic to erect columns and finish them through beams.

Wood golems waiting in order are deformed into columns, beams… or deformed into floors and ceilings.

"I can't even get tired of looking. The architecture of Theodore."

and you are in a good mood. The monsters also send applause and compliments, so even for me, the work can proceed with pleasure. This time it means working in the woods, and monsters such as fishing bottle fires, which were forced to participate locally in the last plain, are also added to the sights.

Sometimes my wax neck starts playing with Illumhilt. Finishing the mansion in the busy air.

The walls and walls are lacquered. The roof is a tile roof. Of course there is no furniture in the tatami, jar, or handicap yet, so I still have cancer inside and miss it a little... I wonder if it would be a pretty fine mansion if all kinds of things came together.

Around the water it feels like laying a conduit and letting it supply from the groundwater vein. The garden is a dead mountain water without the actual water after consultation, which means that the rocks will be placed and the ponds will be represented in the form of ripples on the sand.

Later, if you plant garden trees or something, it will have a pretty like that finish.

That's how I kept working, and when my work was generally done - it came.

"Oh. Looks like you're here. Mayoiga is at the forefront."

When I stopped working in the garden and turned my gaze to your words - a large light sphere was about to float towards us from a direction with a mirror abyss.

The bereavement of the house, he said... seems to be close to a fairly strong spirit.

Notably, are various pieces of furniture flying in queues to follow the optical sphere, such as jars, tatami tatami tatami, futon, etc., in a cauldron on a screen?

"Mm-hmm. Funny."

Sheila said and nodded as Mallane grinned.

"It's not just Mayoiga... some mourners saw it at the banquet"

I'm not a mourner... although normal furniture doesn't seem to be flying with me. One lattice at a time with both eyes on it... was it a monster called eyelid? Well, when it comes to mourning with handicaps, it is.

"Hmm. Should I say Mayoiga cohabitant? Lots of regular furniture. I guess I brought a lot from where I was before, because the house I'm going to take will change."

I see...... Either way, there seems to be no entity in the Mayoga body.

"Good evening!"

When the serafina waves, Mayoiga's body turns up and down the light and returns a greeting. It is a way of replying reminiscent of Maxwell. I'll say hello, too.

Not only Mayoiga, but also the eyelids returned greetings that opened and closed independently. Corliss, Teal, and the animal group wave back.

"I don't know, Mayoiga. This mansion."

When you ask where a line has come close, Mayoiga still returns it in a bright and floating way. Play the pimple while it blinks... although it looks somewhat happy.

Thus Mayoiga and the furniture led by it, the mourners, enter the house from the front door. I have the impression of a furniture matrix.

"Explain first."

Therefore, Mayoiga also exchanges stories about the transfer gate and contract magic. When I asked him if he seemed okay, Mayoiga asked around, touching the walls and columns, but on several occasions it dashed brightly and finally showed a way to float vertically across the light sphere.

I nodded, I'm sure of it. It'll be fine, I guess.

"Then we'll make a contract magic and then we'll activate the transfer gates."

Claudia turns in front of you, Raymay, Orier and Mayoiga to make a contract magic. Then I activated the transfer gate.

So far, as planned. When Mayoiga touched the floor in the center of the house - the change happened.

The furniture is placed in a fierce momentum just because the furniture was pre-positioned. One tatami. It was quickly laid down so that one would grow into two pieces. Until recently, it was a faded tatami, but it has a similar shade and a good fragrance of igusa.

The whole house is lit with glittering phosphorescence, and a line of fine paintings, freshly re-pasted bright white handicaps, and stylish ones.

The mansion, which had just been built and was a pain in the ass - quickly had everything from furniture to upholstery. So this is the power of Mayoiga.

A peek at the transfer gate at the back of the hallway will show you that the closed one opens sequentially to the back and to the point between the transfer gates.

No...... This is amazing. I guess Mayoiga is doing it. Moreover, the distance between the transfer gates is obviously longer than when I made it.

Or when I saw it from the outside, it doesn't match the breadth inside. This mansion is already Mayoiga, and the interior is close to different spaces.

Was Mayoiga lost in Kanji notation? Sounds like you could do enough to labyrinth the house.

"Mayoiga... seems to like this house a lot. Because the house is well built and the material has good magic, it can be more powerful than ever before."

"I hope so."

Did you do a lot of structural strengthening and fire resistance?

The eyelids placed beside the hallway also seem to be in a good mood with their eyes narrowed. Well... if Mayoiga and the Mourners liked it, let's keep it good.