Boundary Labyrinth and the Foreign Magician

"I wonder what's going on here."

"I'd like to take a look at the structure inside a little bit."

Rosemary looks surprised when she sees the hallway stretching, and Stefania and Comati shine their eyes on expectations.

"As far as I'm concerned, it's reminiscent of the labyrinth."

When Claudia says it that way, Rosemary and Stephania do nod.

A hint of phosphor shone in the hallway, sounding like a tiny noise.

It sounds strange, like a glass harp... oh. This seems to be a demonic prop of the Spirit that can be translated. Does assimilation with the house also enable communication in sound?

"There's no danger, don't tell me. They're sending me back here even if I'm lost."

That's how you translate Mayoiga's words.

"Sound seems to make sense of the will somehow. If that's the case, why don't you take a look around?"

"Sounds interesting!

As Serafina said with a bright smile, Mallane and Stephania snorted all together.

Okay, let's just try to explore the mansion a little bit. It's a strange story to explore a mansion you've built yourself.

Proceed down the hallway and open the obstacle where appropriate to take a look inside the room. If you look at the decorations between the columns, I remember making them, but the size of the room is different about once.

Take a peek at the adjacent room and you'll see decorations you don't remember making.

"I don't know, some things I haven't made."

"According to what I've heard, Mayoiga creates a special area in the house she's attached to. They say they can reproduce the memories of the houses they've been following in such a way that they can be touched."

And you told me.

"That again. Are you making a lot of changes from your memory?"

"Will it be so?"

Then I wonder if what I don't know is a reproduction of Mayoiga's memory. Is it also that the number of tatami was laid to grow?

I try to touch the tatami at my feet, but the texture I touched, etc. is no different from the real one. If you pass magic through it to try it, ripples spread across the surface so that the surface of the water sways.

There's a way to tell. I can see from this reaction that this tatami is a reproduction...

"Well, I guess it's rude to see if it's too real"

I guess Mayoiga is expanding and showing us the house this way as a gift to family and guests. Mayoiga answers my words like that with sound. I felt somewhat thankful.

"Theo, take this."

And, Grace calls out. Grace seemed to be watching what was going on in the storage, like breaking in and the heavenbags and bags next to each other between the floors. There seemed to be futons, pillows and other bedding in the break-in... is something wrong?

Take a peek inside Grace's heavenly bags and bags that she's trying to show you, and there's another big room spread out over there.

"Sounds like a real labyrinth."

"Mm-hmm. Funny."

Ashley smiles bitterly when she sees it and Sheila reacts her ears and tail.

Corliss and teal dive into boulders seems cramped to dive into heavenbags and bags, so as to stop moving on here......

Whatever it is, it can be expected that even if there were an intruder, we would not be able to reach the place of destination by legitimate means. I mean, that's a level of abandonment of exploration.

There's no end to my interest in trying out what would happen if I taught something like Escher's deceptive painting as knowledge.

Hmm. But then... on the contrary, if Mayoiga is on my side, I wonder if she can do what I imagine.

"I want to go to the big hall, okay?

And when I called Mayoiga and then waited for her to react and open a barrier that hadn't been opened yet, that was certainly the big hall I built. Firm edges and gardens are also visible.

"Oh. This is convenient."

That's what Illumhilt breaks up with.

"With that said...... what's going on with hidden passageways and underground evacuation rooms?

Tsubaki says.

"Oh, that does bother you"

I opened up and peeked back and forth between the floors, and there was a door on the side of the stairs that I didn't remember making that led to the basement.

Yeah. It's now possible to get out of here somewhere else. I feel that it is playing an increasing role as an evacuation passage for emergencies.

I also looked at the basement section, but there were more strange doors.

It seems possible that if you dive in there, you can suddenly evacuate outside, go out to the third floor room, get connected to the bath, etc.

Basically, it seems possible to connect from anywhere to anywhere on the premises.

"I guess this can form an infinite hallway if it's connected by a bend."

Mayoiga is possible in my words, he replied with a sound.

On the other hand, it seems that Mayoiga can take into account the privacy of the guests by not temporarily interfering, and so on, and can also be used as a normal mansion to some extent.

If you have ingredients, you can cook and behave, and they do everything from preparing baths to cleaning. It's all because of you.

The story in front of you is that you can make a guest who is in the house and gain power over those emotions if the guest is happy. I guess that's why the spirit of service is so strong.

That's how you come back to the big hall, calm your hips, and keep talking there.

"Well, it's not inconvenient to get together and make a scene."

"I guess that would be more pleasant for Mayoiga than that"

"Well, maybe it's a good idea to see the fold and throw a feast."

The monsters gush at words like that. One at a time from the forces of you, Raymay and Orier, that is to say, to assume the role of Mayoiga guard in the form in which the three reside, makes the story come to an end. Since the former mourners are here, there are enough personnel.

But Mayoiga herself can't move from here, can she? Don't get me slightly worried that Mayoiga can't move when doing something outside of here.

"... is it possible to move or manipulate the equipment in the house?

"I don't think that's a problem, but did you come up with anything?

Your front tilts your neck.

"Right. What about seeing and hearing objects as remote as Seekers and Hyders, and having magic creatures and magic props that can also be moved… taking the form that you can manipulate while getting that information?

"Hmm. Then... does that mean Mayoiga can work outside even while she's possessed of the house?

You ask me intriguingly. Is Mayoiga also reacting? Phosphorescent, sounding like a glass harp. You seem somewhat happy, or you feel like you're expecting it.

"It will. If you install a crystal plate, you can view the footage while the mourners are here. You also come up with a proposal to allow a five-sense link or to keep a conversation possible. Because there's nothing you can do to get the transfer gates to keep."

"That sounds... interesting...! Please let me help you!

Comati looks motivated. Well, I guess that means after the scroll, too. Until we make something neat, it seems like it would be a good idea to have a modified Tiers or Seeker travel first and make it communicative in both directions.

Together, the installation and start-up of the transfer gate between Hitaca and its surrounding equipment was also completed. After that, if he designs the gates on the side of the transfer port, the work at Hitaca, which was scheduled for today, will be completed.

It will welcome the emperors and those before you who will come to Termwilds at night. The monsters are also known to visit Termwilds. Do you want to come and go through the transfer gates by then and have the crystal plate monitors installed or the tears kept?