Boundary Labyrinth and the Foreign Magician

Outside 1467, take the subway.

First, I'm going to tell everyone how the ticket goes.

"When I put a ticket in here while I was walking... I was given proof that a hole was drilled and I did go through the entrance and I came out of here. This ticket will be used at the ticket office the same way when you leave the station, so keep it for yourself."

Move to the other side of the ticket and say as you show everyone the ticket. If you are using electronic payment with a fixed-term voucher and smartphone, etc. … explain when everyone goes through? Explaining other things at this point would confuse me.

"Mm. Teacher Question"

Sheila says with her hands up. Recently, there have been more lectures at the castle. That style of trampling?

"Yes, Sheila."

She laughed a little because she raised her hand, and Sheila nodded and opened her mouth when I nominated her as she did during the lecture, too.

"It's going to be easy to get through without a ticket, but do you have any tricks?

"Right. It can be stopped if the procedure is incorrect or attempts to pass by unauthorized means. Well, unlike traps and magical tricks, there's nothing dangerous about it, so you can try it if you care. Once the device is activated, back off and you'll be fine."

As for Sheila, I guess I care about her professionalism, or that part just because she has the skills of a bandit guild. For the sake of the ticket, the station man Golem is a little far away and looks alert, and the device is going to be something.

"Then just a little"

Sheila nodded and seemed to decide to try quickly to see what the ticket would do. Trying to pass without a ticket in, the plate for the traffic stop opens up and blocks the road, making sure there is a warning noise, nodding back as I was convinced.

"That's an interesting trick. Looks like they're built to keep you from getting hurt."

"Everyone puts in tickets as they pass, so sometimes people come out who lose momentum and fail to put in tickets, right? I don't think it's made on the assumption that anyone would be so malicious."

Answer Rosemary's view. Moderate and peaceful mechanism or whatever. Well, I'm holding back the station crew nearby, and I have surveillance cameras.

"Yes, Dr. Theodore"

Ashley raises her hand with a grin, too, so I respond with a laugh.

"Yes, Mr. Ashley."

"What do you do when you lose a ticket when you leave a ticket?

"At that time, you'll talk to the station staff and tell them what you lost. I need to buy the tickets again, but they give me a ticket with proof. If you get a lost ticket later, you can take it to the station along with the ticket with the certificate so that you can refund the money for the first ticket you bought. The grace period... surely a year, was it? There may be a slight fee, but if you go away, the ticket will be quite expensive."

Although there are exceptions to reimbursement.

"That's a kind mechanism, isn't it?"

Ashley was blurring her expression in my response. As a lord, I guess I'm just wondering how these parts work and respond. He nods to convince Stefania, Rosemary and Claudia that Elena too.

So everyone also enters the station campus through tickets to each and every ticket. There's a float pod for Olivia and the others, and the ticket slot on the side of the station man's golem is a little wider. Neither passing the ticket nor receiving the ticket that came out caused any particular problems. Mallane, who took the ticket that came out, also smiled at me and showed it to me, smiling inside.

Moving sidewalks - there are moving walks, but unlike the Silvatorian moving sidewalks, they are mechanical. We all get on it and travel to the platform.

The platform is also fitted with a home door. Although virtual spaces are safe.

Some golems act as passengers dressed in salary-style attire. The Sakura role, or the service to give everyone a look at how it's actually used.

"It runs like it's coming at a fixed time. Though it comes in a small percentage of time."

While viewing the display of the electric light message boards, I will also wait to explain that there are types such as stops, express routes, express connections to major cities, etc. Virtual space trains operate well, so they circulate all over the city, so they can be put in place to some extent, but not enough to prepare express trains and express trains. We're the only passengers in virtual space, so if we wait, the train pops away. Although it is a great story to think calmly that the train is pop.

That's how I waited. 'A train will be coming on line one shortly. Announcements like' Keep your hands and face out of the home door - 'and the melody rings.

I don't think the children will cry because they use wind magic in advance to prevent sounds. Hmm.

"Mm-hmm. Something's coming"

When Sheila reacts her ears and turns her gaze, everyone's gaze gathers there, too.

The sound and vibration of the train approaching through the tracks is transmitted to the platform, and everyone drinks solidly to watch what happens.

A vehicle that comes in at modest speeds because it stops makes a braking noise as it slows down and stops right in front of us with a gentle breeze.

"I heard about the ride but... this is amazing"

"It seems we can carry quite a few people and supplies at once..."

Rosemary and Claudia say with a surprising look on their face. They all look surprised. Home and train doors open along with sounds that emit air.

Golems as passengers get off the train.

"Well, shall we take a ride? I'm not panicking, but I'm running on schedule, so I'll make sure it's safe if I don't get on, and I'll see if I can make it."

Well, it's because we're also trying to reproduce that area as much as possible. As a matter of fact, we're the only passengers in virtual space, so we're accommodating, but if you do too much around it, you're out of the concept of experiencing it.

"Bye -"

That's why I get on the train with everyone. It's the lead vehicle. The announcement flowed and the home door and train door closed as we all put the kids float pods in the car and settled our hips in the seat. I myself stand and grab onto the suspenders so I can move around watching the kids and watching everyone's faces. It's also meant to explain how to use it.

"That's how you use it."

"A lot of people use it, so they need it when they don't have enough seats. Structurally, it really rocks."

The train moves out when I'm answering Illumhilt's words. Slowly at first. Step by step. Classic announcements like heading in any direction flow and the reproduction is inside. It's a subway so the landscape isn't very nice, but don't know about the speed from the view flowing through the windows.

"It's such a big ride, you get a lot of speed. Sounds faster than a horse."

Like everyone was impressed when Grace said. Yeah, nodding.

He calmed down and looked out the window a little bit. Sometimes he calmed down, and everyone looked around with intrigue at the road map posted, the current position, the advertisement, etc.

Okay, well. We have a little time to get to the center of the city, which is our destination. We're the only passengers in virtual space, even if it's a railroad. Sometimes it's accommodating, and if you want the driver's seat, you can show it to him. "I'd love to see it," Elena said when she told him she could take a tour of the car.