Hitsugi no Maou

I didn't use the key until the next day.

I should have rushed to Prince Shibki as soon as possible, but first I couldn't move to keep my atrophied body from getting back on track in a month's confinement.

Fighting the guards of the Royal Palace is inevitable if we are to rescue the prince.

We needed to regain the minimum health necessary for the murder.

Sabitoga even preyed on the leftovers and turned even mosquitoes into flesh. Take another day to move your body in a narrow (sesame) cage and turn around the stagnant blood flow.

My flesh had a hunch of battle and fever, and at the same time the pain I had forgotten ran all over my body.

My heart beats and my nerves resuscitate with a breath like a current. It is a recoil that cemented the will of man to live and fight again, who had himself in a loose death.

Flesh to the struggle feels pain. Pain was the raw proof.

Sabitoga eventually stretched his arm out of the cage and squeezed (and lifted) his numbered neck as the sun sank across the prison wall.

The neck bone held in each iron lattice makes an unpleasant noise and crumbles, and the numbered hands and feet stretch out sloppily.

Sabitoga made sure his numbered head turned straight back before releasing him and using the key.

The key made of resin and paper broke in the keyhole once used. Out of the cage, my first leg stretched out in a month screams and collapses (scraps) off my knees.

Sabitoga hit the healing of her leg muscles (Chiyu), which turned over a few minutes, then clad her dead belongings.

I didn't have any weapons or food. But there was a key bundle (if any) in the torture chamber once managed by Sabitoga.

Sabitoga takes up the key bundle and stands on the ground.

Shizuku (Shizuku) from heaven washes away the blood and dirt (Aka) that crept into his clothes.

Sabitoga stranded his body and headed to the torture chamber adjacent to the prison.

Sabitoga's wet (shimmering) shoe sounds in an unpopular prison.

Mitten's SS, like the arm of its execution, was also greatly cluttered in the use of the prison itself.

The corridor walls are splashed with scalp and flesh pieces of the assaulted sinners, and the floor is red with traces (and more) of dragging the bodies.

The crushed execution sword was left cluttered, and maggots (udders) were swept up their ears and noses attached to the blade.

Eventually there is also the body of an old woman in front of the torture chamber where she arrives, hardened in an anti- (oh) chewing (or cutting) tongue on the company.

Sabitoga silently passed the old lady's tail and brought a key bundle closer to the torture chamber door.

When the largest key is inserted into the keyhole, the force is applied to turn it to the right. sounded like this, and the iron door opened.

A rotten odor sprays (f) out onto the outside world. Sabitoga accidentally stepped into the room with her mouth covered with her hand (oh).

As soon as I drew the rotten air, I saw the flaming light.

A giant furnace filled with baked meat is burning with firewood (maki) like marutai.

around it. All over the room.

There was a stack of corpses of tremendous numbers of kingdom subjects.

Sabitoga took her hand off her mouth and breathed the smell of hell, daring to fill her chest. A small body peeled off (was) all over her body, stretching her fingers from the floor to Sabitoga's shoes. Sabitoga looks down at its dry meat fibers with a ghost's eye.

The bodies in the room were caught in brilliant (like this) and burning furnace fire, smoked. It's like the devil's food. Plus, Sabitoga's stomach twists and makes strange noises.

Sabitoga crosses the sea of corpses and proceeds to the back of the torture chamber.

In the dark, where the furnace lights did not reach critical, there were rust toga torture gear and spare costumes. Drop off your dirty clothes and shoes while the corpse stares at you and change.

The cloak of dry feathers stretched to the floor, and the jawbone (jawbone) of the ceramic covered the mouth (oh).

We didn't see any weaponized execution spears and Siddow swords, so let's see what we can use from torture gear.

"Bone saw" made of the spine of a whale (crumb) for cleft crotch (again), and "Ear tear", an iron expander shaped like a specialty large needle (aubergine), "Spike" and crow's mouth (beak).

Insert and attach everything inside the cape, into the belt and chest clearance (sukima), and hide the medicine bottle (bin) with strong acids that you use to make sinner's sneeze (...).

When the battle was ready, Sabitoga finally took the oil (raspberry) for cremation and sprinkled the contents all over the room. A dry corpse absorbs oil and the muscles make noises and loosen up.

Sabitoga pulls out one crimson burnt bake as she senses some of the dead turn their grins.

He walked to the exit of the room, knocked at the door, and threw it without giving me a glance behind his back. Oil in contact with the baking makes a noise and burns up, filling the torture chamber with flames.

Square, carrying a flame cut into the shape of a door, Sabitoga groaned like a baby that would be eroded (mumbled) by illness. (Ernsa) and whisper "I'm sorry" to no one, painfully.

After all, the shadow of Sabitoga as a human being disappeared, in his dark hair and black feathers, in the jawbones of ceramics, and in the firepowder that burns men.