Hitsugi no Maou

Hundred Stories: Down the Dark

A lifeline made of matching materials makes a squeaky noise and rubs the railings.

Thanks to Shibki and Lady Tsukino embracing herself and being like a shadow (a clump), Sabitoga's arms are free of extra tremors and strains.

But still, it was the bones that supported the weight for both of us with a damaged body. Sabitoga's posture slowly decreases and her body begins to look up (ahh) too high. The skin of the hands that unloaded the lifeline burned and the joints of the elbows (hives) began to scream.

Sabitoga does her gaze at the golden giant body rolling at her feet as she keeps stuffing her breath. The neck wrapped around the tip of the lifeline remains on the floor of the terrace. If this neck is pulled to the line and lifted, maybe Shibki and the others will get to the ground. This is the end of the ordeal when the giant body becomes a corpse.

Bite your lips in pain, and keep letting down your lifeline. The upper queen's two-story bedroom is the equivalent of the third to fourth floors of a common house. Shibki and the others were also supposed to be fighting fear as if swallowed by the abyss of darkness.

Squeeze, slippery (smooth) lines when sloppy. When Sabitoga's shoulder came into contact with the floor looking up into the rain sky, the neck of the golden giant body squeezed.

Immediately after, the weight at the tip of the line disappears and Sabitoga's body is thrown to the floor. Sabitoga, punching her back and exhaling, rose up in a hurry and peered across the railing.

In the abyss of darkness, the light of the sword, which I gave to Shibki only for a moment, flickered. If you look, the guards' lights are wandering closer than they did in the first place.

Sabitoga grabbed his hands and opened them, turning the blood flow, he immediately put the railings together and began to convey the lifeline.

The clear feeling of the enemy's throat bones crushing into Sabitoga's fingers descending from the darkness is transmitted through the lifeline. Sabitoga must weigh heavier than Shibuki and the Lady of Tsubaki combined.

You can hear the giant body compressing the railings and causing them to snap. When slight shifts in moat (dust) water appear in the eyes of Sabitoga aiming at the ground.

From the top of his head sounded the crippling sound of a tree, and Sabitoga's body fell into darkness with all its life lines.

Block the mouth that was about to make a voice, and try passivity (by the time). Guess altitude from the water shifts in the moat and roll around on the ground in darkness.

It just didn't work out perfectly and struck my right half in the dirt. Behind Sabitoga spraying a groan on the wet grass, a giant body falling from the terrace clashes to the ground with the wreckage of a railing.

When the scattering blood odor reached his nose, four hands were stretched out to Sabitoga's body.

When he rose up with his support, Shibki and the Queen of Tsubaki's face were right beside him. Admit that there are no signs of any injuries to the two complexions, or Sabitoga comes to the outer borehole covering her beaten half.

At the bridge of the moat, there was a light fire for the guards. The pattern of a trident spear that was piercing in front of Sabitoga twinkles in its light coming towards the rear palace.

Hands flat on Shibki offering a broken sword, Sabitoga pulls through a trident spear. No way, it's too huge a gain (eh), but it was better than a broken sword.

The light of the bridge is three. Turning to Shibki and the others, "About Behind Us," Sabitoga kicked the ground and went to eliminate the enemies blocking her path.