Hitsugi no Maou

My legs were heavy. The flesh, which was not originally in full condition, has steadily exhausted and lost strength after many battles.

I can't ramble like I did with the Udais at the entrance to the rear palace anymore. Even with all the dying power, only a few more people will be able to kill.

Destroy the enemy in front of you and leave the royal palace intact. That was the ideal.

Three guards carrying lights stop moving forward and expand to the left and right in Sabitoga's position as he steps on the bridge. To them pulling out their swords in the form of a blockade of bridges, Sabitoga shook a trident spear and struck them down sideways at the same time as they reached their time.

The polar pattern folds one of the guards into a sword and blows it outside the bridge. The sound of the human body immersed in the water of the moat. Make sure you twirl the spear you shook off, and soon a second guard will stick out his sword.

Sabitoga took the blade tip approaching from under his throat, with the jawbone of a bowed ceramic. Peel off your eyes and pay off your enemies' feet, poking your spear tip down where you fell.

A guard with his chest skewered spits a bubble of blood with you. Sabitoga left a spear on his wound, releasing a kick at the third person who was approaching directly in front with a stick jumping guideline (Good Morning).

A guard kicked in the face pulls a spear through the gap behind him, pays his torso (how) and slashes it.

I thought I had it under control. However, the feeling conveyed from the tip of the ear is stiff, and the meat is not broken.

From under the guard's torn clothes, the metal light was peering. To the guard holding on to his kicked face and still laughing invincibly, Sabitoga let his eyes tip (and) and say, "Planted armor!" and return the spear tip.

The guard set the lights on, making a noise of Jarrari and Kurako. Cut that light off, and the tip of the sword comes to Sabitoga's face.

I heard the footsteps of Shibki and the others right behind me. It was Sabitoga herself who ordered me to put it behind her back.

You can't avoid it. Sabitoga, with her temper, protrudes with the force of her full body to hit the bottom of the spear faster than the enemy's blade tip.

Then the sword of the enemy captures the frown of Sabitoga, but stops on the brink of breaking through its skin.

A spear bottom pierced the guard's belly early for a moment, spraying its body over the crossbridge floorboard as it did not stir (kick) the clasp.

A guard who removes his sword and vomits. Sabitoga relentlessly reaches back, and pokes down the tip of the spear into my belly.

The clavicle is resistant to slaughter, but vulnerable to spikes.

For the slayer, it takes the blade intricately, the irregularity of iron; but for the poker, it is a cloth of iron that is full of holes and not scattered with shock.

The three tips of a giant spear pierce the guard's belly as he slams and pulls the chain apart.

Sabitoga slipped his hand holding the spear as he listened to the extinct guard's detachment, kneeling on the spot. My breath is totally up. The limb (shimi) was as heavy as lead (nagging) and it was no longer likely to pull through the trident spear.

Signs of Shibuki and the Lady of Shibuki dropping by. Sabitoga thought of two disrespectful letters in his brain, but asked the two of them to "let him stand" to accomplish his mission.

A wet, but warm hand touches the body. A new chaser's voice reached Sabitoga's ear as she put her strength into her leg.

We have to move. Sabitoga grabbed the shoulders of Shibki and the Queen of Tsubaki and headed to the end of the bridge.