(I have a bad feeling)

In the hotel room, looking up at the void with nothing in particular, I truly remembered the heartbeat.

Many times I was told by someone who had trained me not to admit it even if I had a bad feeling.

Those who live between life and death using struggle as food are occasionally attacked by such anxieties. Sometimes it's a hunch of one's own death, sometimes it's a tragedy for others. But do not accept it. Don't even keep it in mind. I was taught not to speak. Thorns eaten into your heart can kill your vitality.

I really don't like that rationale, and I've tried to defiantly ignore it.

"Looks like Final Nite and Masami have entered the war."

The person who truly taught the idea told him as he peered into the display. The location and movement of most mice can be grasped by Junko. Some mice seem impossible.

"It's time for Makoto to go help Mika and the others."

"Really? I haven't even discovered where the Blind Spiritualist and the others are. It doesn't feel like moving all at once when the time is ripe."

The only other person who really taught me that is Junko. In light of that teaching, I truly had decided that the last step would be to clarify this betrayal to the authority of Japanese play.

"It's also case-by-case. You're worried about having Masami. There's a chance that one of those kids could pull me back, and Sister's manners - I think Lucky the Blind Spiritualist has a fair amount of power. If I leave you alone, Mika and you might be in danger for a moment. Okay?

"Masami Toriyama? I've seen a lot of information about him, but if it's true about his idiosyncrasies, it's definitely dangerous just for Mika and Moment."

"That's what I mean. While Kyou is stalling Masami, Makoto should rendezvous with Mika and the others."

It was clear what the term stopping in this case meant.

(He's quite powerful, even in the mouse. If that only gets to the point of being stuck, is that what you're saying from the start)

When I heard Junko's words, True received them that way.

"And if you're lucky, it's time to think about dealing with it. I don't know if I can get you to work without killing Yukiko."

and Junko. Tired was pulling alone in the separate room.

"So did you bring tiredness? I know he's strong, but I wonder if he'll be okay..."

"I brought you here to deal with the power spirits at heart. She's not usually healthy, but she's the type who moves when she's here."

"Well, until now, yes."

I've seen occasions in the past where tiredness is actually fighting, and I know the strength itself, but I get really worried when I see tiredness that depresses me with my usual weakness or with an improbable fuzzy trigger in a normal person, and immediately becomes stuck in my shell.

"Besides, this time he's tired. You're the best fit. If the Spirit of Power runs wild, you will surely seal it."

"Are you infinitely invincible against spirits?"

"Yeah. The mainstream of magicians in this country are four things: illusion, spiritual manipulation, spatial manipulation, and monster making, but Shizuno Stream Witchcraft can completely avoid illusion by dividing the spirit, and even something quite powerful can be purified to the spirit. Shizuno is said to be the most powerful witchcraft school in the area."

The founder of the genre said he was exhausted. Looking at my usual tiredness, I don't look like such an amazing person.

"But I have a bad feeling. It's like something bad happens, not just tired."

There were several anxiety elements, but it was true that there was no chest noise because of it. I should have kept in mind the teaching not to speak a bad hunch, and wondered if I would speak in front of Teng himself, who truly told me the teaching, but it was so darkly floating in the truth that I couldn't help but put it in my mouth.

"Actually, so am I. Maybe you're right."

Put your hand on your true shoulder and smile uncontrollably as usual, Junko says, as if to reassure you.

"It's not like I have a bad feeling or anxiety in my case, it's like I know at the moment that the smell of death is thick. I don't really want to think about it, but maybe someone dies. Well, if the smell of death originated from people on the Japanese side, there are already many dead, and I don't mind."

'Cause I usually get a bad feeling.'

Especially your hunch - and added without saying it, the truth is, I opened the door to the room.

(Mika and Mochi are in a specialty soft animal aquarium?)

Right near the hotel, but decided we should hurry, and the truth was we headed to the aquarium early enough.

Yukiko had applied the strengthening of the junction to widen the contour range of the junction since once the members of the Japanese play authority strayed inside the junction.

It's the type of junction that locks you in, so you can't really prevent intruders. We also need more than one pillar to tie the line. However, it only uses the interior of a building called a specialized aquarium for molluscs, which is essential for pillars.

Visitors to the aquarium also entered the boundaries more frequently, but that's fine. The general public does not reach the center of the junction, and it guides them well enough to go outside. Don't even notice you got lost inside the subspaced junction.

It's the contour of the junction for that. Additionally, the members of the Nippon Game Authority had visited several times after that, but Hatsuko didn't give a damn. For once, it did not lead to entry into the conjunctival contour, although it was close to the pillars that made up the conjunctival contour, in the narrow between the conjunctival contour and the contour.

He was a fortunate son who did not pay much attention to the outside world and was mainly concerned with the spirit of power, but he could not overlook the boulders for this intruder.

Moonlight and Moonna Mika entered the aquarium. He's wearing a shitty disguise, but Yukiko was lightly seeing through being those two. It has already broken into the contours of the junction. Even though we are in a position away from the two of us, we can also see Makoto Aizawa in a way that follows them.

(You can't just leave the moon like this. I need to keep a good grip on it. I can't even leave Makoto Aizawa, Junko Yukioka's assassin)

Fortunately, only these three have entered the kingdom. Decide that this is the perfect opportunity, put your hands together and mark, and exercise the technique of encouraging change in the outline of the junction.

The landscape within the junction outline is twisted and distorted. Obvious otherworlds at a glance. There is no longer an escape.

(Ordinary people lock up with me, unless they're also suddenly sick, I guess we'll have to keep them locked up together. Once you alienate it, it's hard not to mess with it unless you completely solve the line)

There are concerns about other guests breaking in, but it doesn't take them to life, and some entanglement is unavoidable.