The life of the star charcoal darksai has been with the unknown world of the ordinary man.
He was destined to become a sorcerer at the time of his birth, trained and recognized as his heir. I've never thought about living a normal life out of the realm of paranormal.
Among those who have twisted the paranormal realm of witchcraft, those who step off their path as men, who are fascinated by their extraordinary power, follow. Even from famous houses of witchcraft schools that last for generations. Many use witchcraft to work evil deeds after losing a successor fight. Kurosai has fought and defeated these people many times. That's what Kurosai's predecessors and predecessors have done.
A sorcerer is an explorer and a seeker. Step into the paranormal realm and pull any power together into a system called surgery. Academics by making it a technique that everyone can exercise even with training, even if they are not born with extraordinary abilities.
They must be used to contribute to the world of men, and Kurosai has been told over and over again over and over again than his predecessors. I don't have to be told by my predecessors, and Kurosai believes so.
The power is not something you can give to the world, but something you have to hide. If the existence of power beyond human intelligence or the presence of demons created by it is revealed, it causes confusion in the world of men. And he that desireth power for his own lust shall be greater than he is now.
It's a floating dark sai in public, but the sense of justice and duty is twice as strong as a person. We cannot and will not tolerate the wild abandonment of a sorcerer who brings disaster to the world of men. Not to mention rhetorical discourse such as those who seek to destroy the country.
Just a glimpse of Yamada's right guardian work all over the city, Kurosai nursed that it was the one who had to be a regular person.
(This is another magician with great power)
Seeing the intense evil and spirituality emanating from its body, clearly felt in the distance, Kurosai narrows his eyes and spills a smile. Fighting strong enemies is where you want it.
Dark Sai tails after the right guard piece. The right guard works into Matsuhei Mansion.
"Ho, I live in a nice mansion."
Dark Sai casts a spell. The ambient air distorts and the Dark Sai's appearance becomes invisible more than on the spot. One popular technique in star charcoal flow witchcraft, which hides itself by the refraction of light, is a technique well known to other genres.
Kill the signs to a minimum and go inside the mansion. From inside the mansion, there is an intense demon swirling, not just the right guard. Perhaps there are several transmission stuffs somewhere in the mansion, Kurosai reckons.
I don't know the footsteps of the right guard since I went inside the mansion. I can't tail him close enough to get into sight in the mansion on a boulder. There are limits to killing signs, just because they are the other person. But from the direction of a very dark demon, I know where he is. There's a right guard piece or a conveyor stuffy.
(I don't know where I was going to explore, but I don't think that's all I need to do.)
Zero an invincible grin and proceed to those where the demons swirl.
Dark Sai stops in front of one of the handicaps. I can feel the demon coming from up ahead.
(All right, this isn't your place.)
Wet his fingers with a slight laugh, a hole in the obstacle, and a dark study peeking inside.
There was nobody in there. It's just decorated with some Nanban paintings.
(No, this is a landscape only visible from the outside)
Kurosai felt signs that the space was distorted. It's a different space inside, and you can't tell from the outside.
Kurosai deliberately opened the barrier and stepped indoors. Moments, I felt a heterogeneous sensation running through my whole body.
Inside it remains the room as seen from the outside. But Kurosai sees that indoors are no longer just that. A subspace is formed indoors, and this is only its entrance.
We find a hidden distortion of space invisible from the outside, and Kurosai proceeds into it. Then the surrounding landscape changes dramatically. Red skies and earth, brotherly numbers of crucified truncheons. The world of hell itself emerged.
"The spiritual world? No... when I saw where I entered with matter, I said the world between spirit and matter."
Although the art of space manipulation can only be performed by high-ranking sorcerers, Dark Sai has never encountered such sorcerers who form vast and special spaces so far.
"Are all the souls of an army that lost their lives in the turmoil of Shimahara captured in this space? What a sight."
When I looked away, there were several figures a little further away. One is Yamada - no, you should call it Shizuno Right-Men. The other is a person dressed softly in black from head to foot. I can tell it's a woman in a silhouette.
Several more tightly tied inmates. disguised but would be Bateren. Sister said, you must be from the captured Jesuit.
A right-guard piece hoists a drawing board toward the cross. Then the souls of the three truncheons, who were disgraced, tremble, and immediately undergo transformation into black monsters all over their bodies.
Kurosai folds his palm in a barrel and puts it in one eye and takes the other. cast a spell and make something like a thin membrane in a circle made of thumbs and one finger. telescopic lenses made of surgery. At the end of the shot is a drawing board held by the right guard. What is depicted were three monsters whose three truncheons had just changed.
I don't know how it works, but by drawing monsters in the painting, they can create a propaganda stuffiness with captured grievances as nuclei.
"I can make three at a time - Don't do it."
A woman dressed in black praised the right guard piece with a bounced voice. It is even more fluent in Japanese than Sister, but it is slightly flattering. I didn't see the woman's face, but she must be a redhead. Probably with the witch that Sister hostiles.
(That woman can do better than the right guard)
At first glance, Kurosai spotted the power. It's almost like intuition, but I don't think it's wrong.
(If one is still there, the two opponents... still can't do it)
Shortly after Kurosai thinks so, the right guard works.
"Huh, I still can't do it. I can't do it, but this power drains me extra."
"That's it. I was wondering if we could make mass production."
"Ho, ho, ho, I don't want to get old. No matter how much you gain in knowledge, experience, and skill, you don't have the strength at heart."
"Then you just have to get eternal life. It's not that hard."
"That's not the only consultation I can do. It's against the aesthetics of the eagle."
Then he laughed, and the right guard turned to the three conveyor boredom.
"Fire of life is something that shines because it's a limited amount of time. Neither the Lord nor my Master knows that. No, you're still afraid of death, even if you know it, and you're obsessed with your life?
"In my case, though I'm not obsessed with life itself. Because life is only a means to an end. Come on. I'm just making it last forever."
"Well, if it doesn't take a limited amount of time, it's the limit of that person."
When you face each other and throw up, the right guard works referring to the butterens that are tied up. As if to follow its instructions, the guard stuffs slowly towards the Batelens.
Understand what that means, and the complexion of the Batelens changes.
"Ha, I can't even abandon you"
Dark Sai casting spells. In exercising a powerful technique, the woman and the right guard turn to the Dark Sai, perceiving that a strong stream of demonic power occurs.
With the roar, there was more violet electricity than Kurosai's sceptre, and two bodies were directly struck out of the transmission boredom. If you want to strike, you also had the choice of putting the troublesome right guard or the woman in black first, but decided that you should definitely sharpen the number of enemies.
Two purple electronically struck transmission stuffs slowly collapse.
"I thought there were crooks in this place. It's like I didn't realize. Oh, man, you really don't want to get old. Hey, hey, hey."
"I didn't notice either, and the people there are just so good at hiding the signs."
The right guard and the woman turn to the darksai who showed up.
So Kurosai saw the woman's face for the first time. She was still a young and beautiful daughter with bright red eyes. But as far as the conversation I heard earlier, I guess I'm not as old as I look.